“Oh, when they first pulled me out the window, I thought I might have to thrash ’em. But they’re just kids.” A wistful tone crept into her voice. “And anyway they’re already leaving.”

Only then did Sacha notice the little group of children standing at the bottom of the ravine looking up at them.

Lily was right; they were just kids. Most of them were small for their age too, even by Hester Street standards. They were olive-skinned and dark-haired and brown-eyed, and they were dressed like Italians. But not like the prosperous Italians who ran the greengrocers on Prince Street, or even like the poor Italians of Ragpickers’ Row. These children were dressed in brightly embroidered peasant costumes like the newly arrived immigrants Sacha had seen coming off the boats from Ellis Island.

And they were definitely leaving. as Sacha and Lily watched, a harried-looking woman in a flowered head scarf popped around the corner, grabbed two of the kids, and dragged them away, scolding furiously.

“Is that Italian?” Lily asked doubtfully.

“I guess so. But it doesn’t sound like any Italian I ever heard.”

“Come on!” Lily called over her shoulder, already trotting off without waiting to see if Sacha was following. “Let’s see where they’re going!”

The ravine opened onto an undulating valley that stretched for acres in all directions. and Sacha could barely believe what he saw there: an entire shantytown, set up on the roof of Morgaunt’s mansion, where some several dozen women and children seemed to be going about the business of life as naturally and unconcernedly as if they were living at street level instead of hundreds of feet up in the air.

Or rather they had lived there. Now they were leaving — and in a hurry.

“Does anyone here speak English?” Lily called out.

A few of the women stared at them, but the rest just kept packing. Then a sturdy-looking boy a little younger than Sacha came forward. His eyes were red, and his face was streaked with tears. “I speak English,” he said. “What do you want with us?”

“Who are you?” Sacha asked. “What are you doing up here? And why are you leaving?”

“We’re the stonemasons’ families. And we live here. Or we used to. But now we have to leave because my father died, and the police are coming.”

Lily and Sacha stared at the boy, dumbfounded.

“I–I’m sorry,” Sacha said. “Was it the dybbuk?”

The boy shuddered. “If that’s what you call that thing.”

“Did you see it?” Lily asked.

“My mother did. She said it was a shadow in the shape of a person. She said it was made of smoke, and its eyes were blacker than Gesu Bambino.”

“She needs to talk to Inquisitor Wolf right now!”

“What are you, crazy? Why do you think we’re leaving? The last thing we want to do is talk to any cops!”

“But you have to!” Lily pleaded.

It wasn’t going to do any good. Sacha knew that even if Lily didn’t. There was no way these people were ever going to talk to the Inquisitors.

“What’s your name?” Lily demanded.

“Antonio.”

“Antonio what?”

“Why should I tell you?

“You can’t just run away!” Lily cried. “The Inquisitors are trying to catch the man who killed your father! Don’t you want him caught? Don’t you want him stopped?

“The police don’t care about my father any more than you do,” Antonio scoffed. “And as for stopping his killer, the police don’t need to worry. I’ll take care of that myself.”

Suddenly a woman ran up behind Antonio and began tugging him away from Sacha and Lily. She looked like Antonio, and she would have been very pretty if her hair hadn’t been so disheveled and her eyes so swollen from crying.

As she pulled Antonio away, she was whispering furiously into his ear. Finally he seemed to grasp what she was saying. His dark eyes flashed toward Sacha, and he tried to struggle free. But two more women had come to help his mother, and finally the three of them managed to drag him away.

As Antonio vanished behind a looming Gothic turret, he looked back one more time at Sacha.

In Sacha’s whole life up to that moment, no one had ever looked at him with such naked hatred.

CHAPTER TWENTY-FIVE. The Lone Gunman

WOLF WAS WAITING for them when they got back to the library, and he was furious.

Not that you could tell that easily. It turned out that Wolf got angry just like Sacha’s father did: no yelling, just a deafening silence that made you feel like getting boxed on the ear would be a welcome relief.

“Go back to the office,” he interrupted when they tried to tell him about Antonio and the stonemasons’ children. “Maybe a day of filing papers for Payton will remind you that this is a real job, not a game.”

Sacha caught the undercurrent of anger in Wolf’s voice immediately and knew they were on seriously thin ice. But Lily just forged right ahead.

“But—”

“Forgive me, Miss Astral,” Wolf murmured in a tone that made the hair on the back of Sacha’s neck stand up. “I must have failed to make myself clear—”

“But—”

Wolf leveled a stare at Lily that froze the words on her lips and had her backing toward the door before he even spoke again. “Just go!”

“So,” Lily asked as soon as they had passed through Morgaunt’s monumental front gate and were out on the sidewalk. “How are we going to find Antonio?”

“We’re not. Didn’t you hear Wolf? We’re going back to file papers for Payton.”

“But he didn’t give us a chance to tell him about Antonio. He doesn’t know there’s an eyewitness.”

“Lily,” Sacha said warningly.

“Look at it this way,” she told him in her most reasonable voice. “We’re only doing what Wolf would want us to do if he knew what we know.”

“Lily!”

“Besides.” She was warming to her argument. “Wolf’s hands are tied. You heard Morgaunt threatening Shen, didn’t you?”

“Lily!”

“Listen, Sacha, you ever read Boys Weekly?”

“Sometimes,” Sacha said grudgingly. He knew that this wasn’t a real change of subject and that she was probably going to use the admission to trap him into something.

“So, you know the Westerns?” Her blue eyes flashed with enthusiasm. “They always start out with some poor bunch of bean farmers. You know the type I’m talking about. They’re good men. Principled men. But they’re tied down. They’ve got wives and children and mortgages. So when the cattle barons try to run them off their land, what can they do? Nothing. But then”—her voice sank to an excited whisper—“then there’s always the lone gunman who rides in over the horizon. no name, no woman, no strings attached. Just a hero and his horse and his gun. A hero who can take on the bad guys with no holds barred and no punches pulled.” She nodded decisively and tapped Sacha on the chest. “That’s us, Sach. The lone gunman on the horizon riding in to save the day.”

“But there’s two of us,” Sacha protested. “Unless you’re saying I’m the horse. And what does that make Wolf, anyway? A bean farmer?”

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