gun at Dennis.
“Please …” Dennis stammered. “Y-Y-you don’t want to … to … d-d-
“Sure I do,” Harvey said, his grief suddenly as gone as fast as it came, his face erupting into a sick smile and then he pulled the trigger.
The.38 caliber slug tore into Dennis’s head, ejecting brain and bone into the wall behind him. The force of the shot propelled Dennis back and he slumped against the wall, eyes opened and glazed. Harvey watched as Dennis’s dead body rolled over and beat a convulsive tattoo on the carpeted floor before finally stopping.
Harvey knelt down and felt for Dennis’s pulse. Except for the dwindling sound of the dying woman’s screams coming from the snuff film on the TV, the house was silent.
Harvey grinned. He felt good. Wonderful. He never thought it would have felt so great, so fulfilling, so powerful! He stood up and replaced the revolver in his front pants pocket. He turned the VCR off with the remote control and rewound the tape and began making preparations for the owner of the house to arrive. According to his research, they were due back home in about three hours. Harvey had already set up all the video cameras at strategic places in the house, and he would turn all of them on with one flick of the remote when it was showtime. Then, he would wait for them to walk in and welcome them home, all four of them: mother, father, two adorable kids. Then they’d have some fun. He was looking forward to it now that he’d gotten warmed up. And getting warmed up was important. He’d gone through this stage with Carl, Alan, and Dennis to make sure he had the stomach for it. It was one thing to watch this shit everyday for the past twenty years; it was quite another to actually cross the line and do it.
Marveling at how well his fabricated story about his mother and son had gone over with Dennis Hillman, Harvey Panozzo made sure all the weapons were ready. Then he sat down in the darkened living room and waited.
Acknowledgements
“Meathouse Man” © Damon Knight, 1976, copyright renewed in 2004. © 2004 by George R.R. Martin. Originally published in
“Night They Missed the Horror Show” © Joe R. Lansdale, 1988. Originally published in
“Diary” © Ronald Kelly, 1990. Originally published in
“Abed” © Elizabeth Massie, 1992. Originally published in
“I
“Xipe” © Edward Lee, 1993. Originally published in
“Bait” © Ray Garton, 1993. Originally published in
“Painfreak” © Gerard Houarner, 1994. Originally published in
“Lover Doll” © Wayne Allen Sallee, 1994. Originally published in
“The Spirit Wolves” © Charlee Jacob, 1995. Originally published in
“Godflesh” © Brian Hodge, 1995. Originally published in
“Every Last Drop” © John Everson, 1998. Originally published in
“Blind in the House of the Headsman” © Mehitobel Wilson, 2001. Originally published in
“An Experiment in Human Nature” © Monica J. O’Rourke, 2001. Originally published in
“The Burgers of Calais” © Graham Masterton, 2002. Originally published in
“Ecstasy” © Nancy Kilpatrick, 2004. Originally published in
“Pop Star in the Ugly Bar” © Bentley Little, 2005. Originally published in
“The Sooner They Learn” © Wrath James White, 2005. Originally published in
“Addict” © J.F. Gonzalez, 2006. Originally published in
This book is a work of fiction. People, places, events, and situations are the product of the author’s imagination. Any resemblance to actual persons, living or dead, is purely coincidental.
No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval system, without the written permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews.
Visit Comet Press on the web at: www.cometpress.us
Visit us at www.cometpress.us
Dark Crime Horror by Tom Piccirilli, Scott Nicholson, Randy Chandler, Simon Wood, John Everson, and more!
Horror World Review
Extreme Horror by Ramsey Campbell, Graham Masterton, Randy Chandler, and more!
Fangoria Magazine Review
Rue Morgue Magazine Review
Featuring Randy Chandler, Ben Cheetham, Edward M. Erdelac, and David James Keaton.