She looks at me, opens her mouth, but then closes it again, turning away.

“It’s okay,” I say. “I’m not gonna hurt ya.”

She looks at me again and my Noise is full of just a few minutes ago when I was just about to hurt her, when I was just about to–

Anyway.

We don’t say no more. She turns back onto the path and me and Manchee follow her into the scrub.

Knowing she can speak don’t help with the silence none. Knowing she’s got words in her head don’t mean nothing if you can only hear ’em when she talks. Looking at the back of her head as she’s walking, I still feel my heart pull towards her silence, still feel like I’ve lost something terrible, something so sad I want to weep.

“Weep,” Manchee barks.

The back of her head just keeps on walking.

The path is still pretty wide, wide enough for horses, but the terrain around us is getting rockier, the path twistier. We can hear the river down below us to our right now but it feels like we’re tending away from it a bit, getting ourselves deep into an area that feels almost walled, rockface sometimes coming up on both sides, like we’re walking at the bottom of a box. Little prickly firs grow out of every crevice and yellow vines with thorns wrapping themselves around the firs’ trunks and you can see and hear yellow razor lizards hissing at us as we pass. Bite! they say, as a threat. Bite! Bite!

Anything you might want to touch here would cut you.

After maybe twenty, thirty minutes the path gets to a bit where it widens out, where a few real trees start growing again, where the forest looks like it might be about to restart, where there’s grass and stones low enough for sitting on. Which is what we do. Sit.

I take some dried mutton outta my rucksack and use the knife to cut strips for me, for Manchee, and for the girl. She takes them without saying anything and we sit quietly apart and eat for a minute.

I am Todd Hewitt, I think, closing my eyes and chewing, embarrassed for my Noise now, now that I know she can hear it, now that I know she can think about it.

Think about it in secret.

I am Todd Hewitt.

I will be a man in twenty-nine days’ time.

Which is true, I realize, opening my eyes. Time goes on, even when yer not looking.

I take another bite. “I ain’t never heard the name Viola before,” I say after a while, looking only at the ground, only at my strip of mutton. She don’t say nothing so I glance up in spite of myself.

To find her looking back at me.

“What?” I say.

“Your face,” she says.

I frown. “What about my face?”

She makes both of her hands into fists and mimes punching herself with them.

I feel myself redden. “Yeah, well.”

“And from before,” she says. “From—” She stops.

“Aaron,” I say.

“Aaron,” Manchee barks and the girl flinches a little.

“That was his name,” she says. “Wasn’t it?”

I nod, chewing on my mutton. “Yep,” I say. “That’s his name.”

“He never said it out loud. But I knew what it was.”

“Welcome to New World.” I take another bite, having to tear an extra-chewy bit off with my teeth, which catches one sore spot among many in my mouth. “Ow.” I spit out the bit of mutton and a whole lot of extra blood.

The girl watches me spit and then sets down her food. She picks up her bag, opens it, and finds a little blue box, slightly larger than the green campfire one. She presses a button on the front to open it and takes out what looks like a white plastic cloth and a little metal scalpel. She gets up from her rock and walks over to me with them.

I’m still sitting but I lean back when she brings her hands to my face.

“Bandages,” she says.

“I’ve got my own.”

“These are better.”

I lean back farther. “Yer…” I say, blowing out air thru my nose. “Yer quiet kinda…” I shake my head a little.

“Bothers you?”

“Yes.”

“I know,” she says. “Hold still.”

She looks closer at the area around my swollen eye and then cuts off a piece of bandage with the little scalpel. She’s about to put it over my eye but I can’t help it and I move back from her touch. She don’t say nothing, just keeps her hands up, like she’s waiting. I take a deep breath, close my eyes and offer up my face.

I feel the bandage touch the swollen area and immediately it gets cooler, immediately the pain starts to edge back, like it’s all being swept away by feathers. She puts another one on a cut I have at my hairline and her fingers brush my face as she puts another one just below my lower lip. It all feels so good I haven’t even opened my eyes yet.

“I don’t have anything for your teeth,” she says.

“’S okay,” I say, almost whispering it. “Man, these are better than mine.”

“They’re partially alive,” she says. “Synthetic human tissue. When you’re healed, they die.”

“Uh-huh,” I say, acting like I might know what that means.

There’s a longer silence, long enough to make me open my eyes again. She’s stepped back, back to a rock she can sit down on, watching me, watching my face.

We wait. Cuz it seems like we should.

And we should cuz after a little bit of waiting, she begins to talk.

“We crashed,” she starts quietly, looking away. Then she clears her throat and says it again. “We crashed. There was a fire and we were flying low and we thought we’d be okay but something went wrong with the safety flumes and—” She holds open her hands to explain what follows the and. “We crashed.” She stops.

“Was that yer ma and pa?” I ask, after a bit.

But she just looks up into the sky, blue and spare, with clouds that look like bones. “And when the sun came up,” she says, “that man came.”

“Aaron.”

“And it was so weird. He would shout and he would scream and then he’d leave. And I’d try to run away.” She folds her arms. “I kept trying so he wouldn’t find me, but I was going in circles and wherever I hid, there he’d be, I don’t know how, until I found these sort of hut things.” “The Spackle buildings,” I say but she ain’t really listening.

She looks at me. “Then you came.” She looks at Manchee. “You and your dog that talks.”

“Manchee!” Manchee barks.

Her face is pale and when she meets my eyes again, her own have gone wet. “What is this place?” she asks, her voice kinda thick. “Why do the animals talk? Why do I hear your voice when your mouth isn’t moving? Why do I hear your voice a whole bunch over, piled on top of each other like there’s nine million of you talking at once? Why do I see pictures of other things when I look at you? Why could I see what that man…” She fades off. She draws her knees up to her chest and hugs them. I feel like I better start talking right quick or she’s gonna start rocking again.

“We’re settlers,” I say. She looks up at this, still hugging her knees but at least not rocking. “We were settlers,” I continue. “Landed here to found New World about twenty years ago or so. But there were aliens here. The Spackle. And they… didn’t want us.” I’m telling her what every boy in Prentisstown knows, the history even the dumbest farm boy like yours truly knows by heart. “Men tried for years to make peace but the Spackle weren’t having it. And so war started.” She looks down again at the word

Вы читаете The Knife of Never Letting Go
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