The room is dark and cold.
No light here:
Someone has been decorating:
The walls inscribed with pain -
Maps, charts, photographs of pain:
Photographs of little girls -
Across the maps, the charts, and the photographs -
Swastikas and sixes;
Across every surface -
You step inside – You try the light switch again -
No light here:
You step further inside:
Shattered furniture, splintered wood -
The base of the double bed pulled out into the centre of the room -
On the base of the bed, a portable tape recorder -
A cassette case marked:
You walk towards the bed -
You walk towards the bed and then you see her -
See her -
See her feet first -
Her tiny, tiny feet -
Her -
On the floor, between the bed and the wall -
Between the bed and the wall, on her face -
Her -
You look -
You look away.
You look -
You look down.
You kneel upon the base of the double bed. You lean against the wall.
You reach down. You turn her over -
In pen upon her chest:
6 LUV .
You collapse on the base of the bed and the portable tape recorder -
‘
You switch it off.
Silence -
The weeping the only sound;
Sat among the silent sixes, weeping on the base of the double bed -
Staring up through your tears at the photographs and the sixes -
The silent sixes, waiting -
The silence -
The long silence until you hear car tyres on the car park -
Puddles of rain water and motor oil under their wheels.
Doors banging, slamming -
Car doors slamming.
Boots across the car park -
Puddles of rain water and motor oil underfoot.
You look down at the baby on the floor -
You look away;
Sat among the silent sixes, on the base of the bed -
Your wings, huge and rotting things -
Big black raven things that weigh you down, heavy -
That stop you standing -
Leave you sitting on the base of the double bed -
Staring through your tears at the photographs and the sixes -
The silent sixes, waiting -
They come to the door -
This door banging in the wind, in the rain.
They stop before the door:
Room 27.
They open the door -
Two figures in the doorway.
They step inside:
Maurice Jobson and another man.
They look at the walls -
The photographs and the sixes.
They look at the floor -
The girl on the floor.
They look at you -
The fat man on the double bed -
His wings, huge and rotting things -
Big black raven things that -
That weigh him down, heavy and burnt -
That stop him standing.
Maurice Jobson walks across the room -
He stands before you.
He reaches out to your face -
His cold fingers touch your damp cheek.
You bob your head forward -
You lean into him.
He holds you -
Holds you and strokes your hair.
You raise your hands -
You clasp your hands around his.
You squeeze his hand with yours -
His bruised hand in your bruised hand.