All of the activity that day was on the terrace at the crest of the park. Some kids were playing an informal soccer game on the grassy mall, where several posted signs forbid such activities. Though the air was quite cold, the game’s participants wore light jackets, and a couple of them were in shirtsleeves. The curly-haired forward who was controlling the ball had his shirttail in his mouth as he dribbled upfield.
Everyone else in that part of the park was in the process of either buying or selling drugs. They were walking the perimeter of the mall-nobody was standing still-and there was the occasional brief hand contact as the deals went down. Some of the walkers were obviously cops, with their fatigue jackets and knit caps. Nobody, however, was being busted.
A Latino in a matching jean outfit with black shoes and white socks quickly glanced up as he approached in my path. He mumbled, “Sense! Sense!” as I shook my head and passed him on my way to the center of the terrace. At the front of the Joan of Arc statue, I stopped and leaned on the concrete wall that overlooked the fountains and the pool.
Some skateboarders with shaved heads were traversing the bowl of the last fountain in the grotto below. A boom box was set next to the bowl, out of which came a cut from local heroes Fugazi. A young man in a sweatsuit stood at the wall to my right, looked at me, and then yelled at the skateboarders, “I hope you break your muthafuckin’ heads.” Then he walked away.
I watched a thin figure emerge at the spot where I had entered the park minutes earlier. The man pointed a one-finger wave in my direction as he crossed the promenade. His hair had grown gray since I had seen him last, but there was still the quickness in his step. Winchester Luzon had kept our appointment.
I first met Winnie Luzon on my premier day as a stock boy at Nutty Nathan’s on Connecticut Avenue, in early summer of 1973. I had wandered into the employee lounge at the back of the store, with a dust rag in my hand and a look of stoned innocence across my face. I had just been given my first words of direction from Phil Omajian, a sweet-natured down freak who was the store manager at the time: “Never walk into the stockroom without something in your hands, and never walk out of the stockroom without something in your hands.” So I had picked up a rag and, coming down from the joint I had blown on my way to work (I hitched down Connecticut in those days, and invariably my patron driver would produce some weed-even strangers got strangers high in the early seventies), I entered the lounge with every intention of doing nearly nothing until my shift was done.
Luzon was sitting at Omajian’s desk when I walked in, licking the seal of a manila envelope. His pink tongue continued to slide along the edge of it as his eyes shifted in my direction. I was wearing a Nutty Nathan’s T-shirt that day, the one with the old logo that made Nathan look like, in the words of one outraged customer, “a goddamned mongoloid.” (I could not have known then that years later, as advertising director for the company, I would design a new caricature of Nathan that was less offensive but equally ridiculous.)
Luzon squinted through the smoke of his filterless cigarette and said, with the accent and brown hairless skin of a Filipino Charles Boyer, “You work here, kid?”
“Yes,” I said, phrasing it as a question.
Luzon tossed me the envelope, rose from the chair, and produced a five from the pocket of his brocaded slacks, placing the bill in my hand. “Run the envelope down to the mechanic at the Amoco, a big cat named Spade. Black dude,” he added redundantly. “On the way back pick me up a Mighty Moe from the Hot Shoppes. Tell Mary at the counter it’s for Winnie-she’ll toothpick an extra pickle to the top. Use the five and keep the rest for yourself. Hear?”
I nodded and did it. In fact, I delivered that package and picked up his food every day for the remainder of the summer. Though I knew there was something “wrong” in those envelopes, I was hardly concerned with questions of morality. If it was gambling chits (which I now know it to have been), well, gambling was something that was part of my life with Papou. And if it was drugs, then my opinion was equally neutral. Doing and moving pot was, after all, almost a duty for kids my age in those years. That was, of course, before cocaine crept into town and made the whole party a bloody nightmare.
Winchester Luzon was not the biggest character I met that summer (those honors go to the amazing Johnny McGinnes), and we never became too close. There was the wet-eyed Omajian, who drove me home on those sticky summer nights and waxed with a barbiturate deliberateness about the brevity of life: “Nicky, does it seem as if it’s all moving so quickly?” (For him, it was-he died in 1975 of a massive coronary. The makeup men at Gawler’s had, for once, done a fitting job when they froze a boyish smile across his ashen face.) Gary Fisher was the store’s audio man, a good salesman who was fond of gadgetry and Colombian and who played Steely Dan’s Pretzel Logic and a group called If in the sound room all day long. There was my friend Andre Malone, audio enthusiast and stone-free lover, fresh then with the bottomless energy and optimism of youth. There was part-time salesman Lloyd Danker (“Void Wanker,” we called him, to his face), a zombified Jesus freak who was my tormentor. And of course there were the cashiers, Lisa and Lois, two young women whom I was to alternately feel and fuck in various locations of the store over the course of the summer. With all the giggly, pot-induced laughter, the music, the camaraderie of my sagelike new friends, and of course with all that sweet, sweet teenage lust, those dry humps against chipped wallboards in musty stockrooms, those rushed blue-balled moments at closing time, those achingly pungent smells of cheap musk and thick vaginal heat, it was natural that I couldn’t wait to wake up on those hot mornings and head downtown for my next day of work.
Nevertheless, Winnie Luzon was a character. Everything about him, from his tight black poodle curls to his point K to sied, tin-man nose, to the crease on his slacks, to the toes of his Italian shoes, was sharp. He reminded me at times, especially in profile, as we watched the Watergate hearings that summer on the fifty television sets that lined the wall, smoke dribbling from his thin mouth as he slowly shook his head, of a cardboard devil.
Luzon had been fired late in August that summer, as I prepared for my junior year at a new high school. Omajian had found some clock radios in the Dumpster out behind the store, on a day when Luzon had uncharacteristically offered to empty the trash. Omajian reluctantly let him go, then ate a soper and drank some beers at his desk and brooded about it for the rest of the evening. I had not seen Luzon since, though Johnny McGinnes continued to cop from him on a monthly basis. It was from McGinnes that I had gotten Winnie Luzon’s number.
Now Luzon was upon me, with the slight, gassy smile that twisted up on one side of his face. His hair was slick and still high and tight, though any hint of blackness was gone. I figured him at about fifty, but the seventeen years that had passed had turned him into an old man. His face was lined and swollen.
“What’s going on, Nick?” he said as I shook his callused hand.
“Nothing much, Winnie. Thanks for coming.”
“Hey, bro’, you said nine o’clock at Joanie on the Pony, I’m here.” Luzon pointed at the statue, with its broken lance. Joan of Arc’s eyes had been painted red. “Shame what they did to her, huh? They fucked up this whole park, man.”
“The dealers?”
“No, man, not the dealers. We do business here, we keep it clean. I’m talkin’ about the fuckin’ trashheads, bro’.”
“You work out of here, Winnie?”
“Yeah,” he said, then reached into his overcoat and drew a trademark white cigarette. Luzon lit it, coughed, then took a second drag. “I sell herb only, man, dime bags. The Post calls this a drug market, but nobody’s selling crack, love boat, none of that shit. It’s safe here, man, you want herb, you come up into the park, it’s like the fuckin’ Safeway, Holmes.”
“You sell information too? McGinnes said you knew most of what was going on around town.”
“Maybe for you, Nicky, I give it away. You were a good kid, man, you did me some solids.” Luzon looked me over. “You put on some weight too. Some meat on those bones.” His forehead wrinkled. “You wouldn’t be no undercover man, would you?”
“I’m in business for myself,” I said. “And anyway, I wouldn’t blindside you, Winnie.”
“Course not. Like I said, you were a good kid.”
“I was sixteen.”
“Sixteen. Shit.” Luzon looked down at the wrinkled hand that held the smoke, then brought it to his mouth, as he stared over the wall at the skateboarders in the fountain below. “What do you want to know, Nicky?”
“The DiGeordano family.”
“Yeah?”
“What do you know about them? Lately.”
