I took a hot shower, feeling like a year's worth of crud had built up, caked my skin an inch thick. I let the water run in and out of my mouth, felt the steam coat my face.

It felt good.

When I washed up, I packed the paper, got my stuff together and headed to the newsroom. Though the story was a difficult one for me to write, I knew Wallace and the crew would be thrilled. It was a huge get, the kind of story that would not just have people talking today, but would ripple for months if not years. It made me glad that Wallace would be proud. Though I secretly hoped Jack would be, too. I still resented what he'd done to himself, resented that he might have jeopardized his legacy, but his validation meant more to me than he likely knew.

I took the train down to Rockefeller Plaza, remembering I'd have to return the rental later that day.

The plaza was already crowded by the time I walked over. Tourists were perched on the benches, taking pictures of the grandness of the area. People stood outside the shops waiting for that first door to be cracked open.

I'd never been much of a sightseer when I was younger.

Wonders never really amazed me like they did most folk.

I chalked it up to my profession, where everything had to come with some sense of detachment. If you got too personally involved in a story, it could come back to haunt you in more ways than you could imagine. I thought about my last few major stories, beginning with being sought for a murder charge a few years ago, to hunting William Henry

Roberts after that. And now, with Gray Talbot behind bars and the lives of several families never to be the same, I wondered if I'd mistakenly forgotten all that. If I'd gotten too close, whether by chance or by choice.

Once this was over I wanted to step back, reevaluate my situation. I loved my job, and that wouldn't change until they dragged me out of the newsroom, kicking and screaming while I tried to beat off Security with a legal notepad. There was room to grow. Personally and professionally. And with all the time spent chasing murderers, liars and politicians (who managed to encompass both), it was time to take stock.

The wall clock read 9:05 when the elevator opened on to the newsroom floor. I expected some sort of jubilation, maybe a pat on the back or two. I'd cracked a huge case that would have ramifications potentially all the way to the top. A man considered a potential front-runner for the biggest job in the land would now be spending at least eight years behind bars. There was something sad about ruining a career. Ending a life. And I wondered where

Hobbs County would be today if Gray Talbot had never thought of a boy named Daniel Linwood.

I walked to my desk looking for my colleagues, looking out for Wallace. The pride quickly turned to fear when I noticed all the reporters were sitting at their desks. They were silent. Their faces ashen gray. Some were at work, but it was perfunctory.

Evelyn Waterstone passed by. She gazed up at me for a moment, her mouth opening. For the first time I could

Jason Pinter remember, Evelyn Waterstone looked sad. She said two words to me, 'Sorry, Parker,' and walked on.

I didn't know what to do, but something had bitten the newsroom of the New York Gazette. I had to find out. The only person who didn't look like they were drowning in their own sorrows was Frank Rourke.

There was no love lost between Frank Rourke and me.

We'd had a pretty intense falling-out over the shit bag incident last year, and since then never really attempted to patch things up. I never felt the need to gain his approval.

My work would accomplish that in my stead.

Rourke was yapping away on his desk phone-something about preseason football-so I walked over when he hung up and stood over his desk, waiting to hear what he said.

Rourke didn't notice me at first. He just sat there drinking coffee out of a Thermos the size of my head.

Then when he turned around and saw me standing there, the smile disappeared. My stomach dropped when I realized he had the same look on his face Evelyn had minutes earlier.

'Parker,' he said. 'Listen, man…I don't know what else to say. But I'm sorry. This sucks majorly.'

'What does?' I said. 'I just got here, please, everyone else looks like they have one foot in the grave.'

Rourke said, 'Oh, man, you didn't see it?'

'See what? Speak to me, goddamn it.'

Rourke spun around, looked at the desk across from him. Then he stood up, went over and began rifling through the garbage can. I wondered what the hell he was doing, but then when I saw him take a newspaper out of the can, that queasiness returned. He handed it to me, front page out, and said, 'Like I said, this sucks.'

I unfolded the front page and held it up. It was a copy of this morning's New York Dispatch. When I read the headline, in huge bold print, I nearly threw up.

The headline read: A Lush Life: Jack O'Donnell and

All the Booze That's Fit to Print.

The byline was credited to Paulina Cole.

The two l 's in all were liquor bottles. Below the headline were two pictures. And both made me sick to my stomach.

The first picture looked to have been taken in some sort of storage room. It was about the size of a walk-in closet, with three rows of shelves traversing the space.

Every single space was lined, front to back, with empty bottles. Wine. Beer. Whiskey. Bourbon. The caption below the photo read: Jack O'Donnell Downs in One Year What

Most People Drink in a Lifetime!

The second photo, the one that made me clench the paper into a wad in my hands, was of Jack. Lying in the hospital. Tubes running through his veins.

I recognized the setting. It was taken after I'd brought

Jack to the hospital after he nearly choked to death on his own vomit. Somebody had snuck into the hospital and photographed Jack while he was unconscious and recovering from alcohol poisoning. I couldn't imagine the kind of black heart needed to do such a thing.

I took the paper without saying another word to Frank and took it to my desk. There I read the entire article, every single word. And when I was done, I crumpled it up, took it to the incinerator on our floor and chucked it into the darkness.

Paulina Cole had done one of the worst hatchet jobs on

Jack I'd ever read. Somehow she'd gotten one of the porters in Jack's building to collect the liquor bottles from the recycling bin every morning. Easy, since he occupied the entire floor himself. The bottles were then brought straight to Paulina Cole. Every single one was fingerprinted to confirm that Jack had in fact drunk them himself. No other fingerprints were found on any of the bottles. And there must have been several hundred in the photograph. And he'd drunk them all himself over the span of one year.

The article described how much alcohol must have been absorbed by Jack's bloodstream over that year. It also made mention of every correction in every story that

Jack had written that same year, comparing it to his previous work. It portrayed Jack as a man whose professional life was now ruled by one of the most aggressive bouts of alcoholism ever seen in the newsroom, whose work had depreciated to the point where his stories were filled with more holes than an O. J. Simpson alibi.

Then the story took a more macro perspective, going into great detail about how the Gazette promoted Jack as one of the legends of New York journalism. Paulina ended her story with the following paragraph:

'It can be said that a news institution can be judged on one thing, and one thing only: the reputation of the men and women who report the news. Jack O'Donnell is a man whose reputation, built over years more through joviality and cronyism than true journalistic integrity, has opened a window into the true nature of this black-and- white beast. And what an ugly, ugly creature it is.'

The next thing I knew I was going straight for Jack's desk. It was unoccupied. But worse than that, it was empty.

The computer was off. There were no odds and ends on the countertop. There was nothing.

I marched to Wallace Langston's office and threw open the doors. The editor-in-chief was on the phone. His face was ashen. I knew the feeling. He motioned for me to take a seat. I declined.

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