out amidst the buildings, just more of the Empire’s soldiers. As they pass a few houses, he can see faces peering out from windows. Faces full of fear and worry.

Suddenly very nervous, James glances back at his companions and can see his fears mirrored in their faces. But with the three crossbowmen behind, he dares do nothing yet.

They are led to a large, two story building on the edge of town, where several soldiers are standing around outside. One says something to the officer, who answers back in the same language. James sees them smile and one even laughs a little.

The officer stops his horse in front of the building and says, “You can get what you need inside, I am sure.” He gets down, handing the reins to a soldier who’s standing there and starts toward the door, where he pauses. Glancing back at them, he asks, “Coming?”

James gets down and the rest of them follow suit. Then the officer goes in through the front door, leaving it open behind him. They glance to each other, fear in their eyes, but not knowing what else to do. The three crossbowmen are still sitting astride their horses, looking casual but with the crossbows pointed in their general direction. Not exactly threatening with them, but they could definitely aim and fire in very little time.

With James in the lead, they walk up to and then pass through the front door. They enter a large room where the officer is already seated behind a desk across the room. “Do come in,” he says to them as they hesitate in the doorway.

“There’re no supplies here!” James says accusingly as they enter the room. Tinok, who’s bringing up the rear, is nudged in the back with something sharp. Looking behind him, he sees one of the crossbowmen right behind him, the crossbow close to his back. The other two crossbowmen have dismounted and are following them inside.

The officer smiles at them and says, “Of course not, I’m surprised you even believed me.” He gestures to four other crossbowmen on the second floor balcony overlooking the room. “Please, don’t try anything,” he says to James and the others, “it would be, unpleasant.”

“What are you going to do?” Jiron asks.

A couple soldiers enter from a side door and begin taking their things from them, including James’ backpack. “My orders are simple; detain anyone passing through the area.”

They search them and take their weapons, including the knives of Jiron and Tinok.

“What happened to the people who use to live here?” Delia inquires.

“Alas, they objected to us being here so had to be dealt with,” he explains.

“Dealt with?” she asks, afraid of the answer.

“Yes my dear, dealt with,” he says to her. “Now they stay in their homes and don’t bother us any more.”

When they’re done with removing everything from them but the clothes on their back, they place all of it on the desk. The officer says a few words to one of them in their language and then turns to their prisoners. “Now, just follow this soldier here and he’ll take you to your cell.”

“Why are we being locked up?” Tinok asks angrily.

“Would you rather we just kill you now?” he asks.

James can hear Cassie gasp and quickly says, “No, that won’t be necessary.”

“Good,” he says, giving them a smile, “then please follow along peacefully and you won’t be hurt.”

A soldier leads them through a back door into a hallway lined with solid looking wooden doors, each containing a small barred window. The soldier opens the cell doors and has them enter, one per cell. He puts three of them on one side and three on the other. Once they’re in and the doors are secured, the soldier takes up position in a chair at the end of the hallway.

James hears Cassie sobbing, but fortunately everyone has the good sense to keep quiet while the guard is there and can overhear everything they say.

“Don’t worry Cassie,” Tinok’s voice can be heard saying. “I’m sure they’ll let us go once they realize we’re no threat to them.”

James can hear someone enter the hallway from the outer room and the footsteps pause before his cell. He can see the officer looking in through the window in his door and then hears him say something to the soldier with him. A key turns in the lock and the door swings open, the officer walking in. Framed in the doorway is a soldier with a crossbow who has it aimed at James to prevent any mischief.

Once he’s in the room, the officer holds up the amulet James bought from a merchant a while back, the same one that ol’ One Eye had questioned him about earlier in the warehouse back in the City of Light. “Where did you get this?” he asks.

“I bought it at a merchant’s stand a couple weeks ago,” he replies. “Why?”

“Hmmm…” he says as he considers what James had said. “Be that as it may, this changes things.”

“How?”

The man looks to James but doesn’t answer. He leaves the room and James can hear him mumble to himself as he leaves, “Yes, this definitely changes things…”

The soldier with the crossbow closes his cell door and James is left alone to ponder what he just heard. Why does having that amulet change things? That amulet must mean something special, even ol’ One Eye was extra curious about it. Unable to come up with any idea that makes sense, he just sits on the floor with his back against the wall and thinks of his options.

The hallway door opens and then closes as the officer leaves the cell area. Jiron whispers, “James, the guard left with him. What are we going to do?”

“I don’t know,” he replies. “It’s not too long until dark, we better wait until then. Can you pick the lock?”

“No, they took my lock picks when they searched me. You?” he asks.

“Probably,” James responds. “Let me think about it.”

“I’m scared!” they hear Cassie cry pitifully from her cell at the end of the hallway.

“We all are,” Delia tells her. “Just be patient, I’m sure we’ll be able to get out of this.”

“I hope so,” she says, as she once again starts to cry softly.

“This was a stupid idea!” Tinok’s voice rings out. “We should’ve taken ‘em out when we first met them. Now there’s a whole lot more to deal with.”

“We couldn’t risk the girls,” Jiron says.

“Think they’re any safer now?” he asks angrily.

“Shut up!” Delia whispers sternly. “This isn’t doing us any good!”

Everyone quiets down after that. James looks out the little window that overlooks the back alley, but all he can see is the rear of the building across from him.

Just then they hear the hallway door open again and the chair creaks as the guard retakes his position again at the end of the hallway.

They sit there for another hour in silence, each occupied with their own thoughts. James sits by the window and listens to the goings on outside, but aside from the sounds of the occasional horse going by the front of the building, or conversations in the Empire’s language, he fails to hear anything useful. He contemplates several means where magic could facilitate their escape and plans several contingencies.

Outside, the sun begins to go down and the light slowly starts to fade. Suddenly, the door at the end of the hallway opens and two soldiers come in and begin talking to the guard. They exchange words for several minutes, then James can hear them chuckling. The two men begin to make their way down to the end of the hallway and stop outside of Cassie’s door.

He hears a click and then a squeal of rusty hinges as they open her cell door. He hears them saying something to her in their language, and then suddenly a cry from Cassie.

“What’s happening?” Jiron asks.

Tinok, who’s in the cell across from her, says, “They’re going to rape her!”

“Jiron, Tinok, go help her,” James says as he releases the magic. Everyone hears an audible click as their doors unlock.

Without any thought but to help her, Jiron and Tinok burst out of their cells and rush into hers. James comes out and turns to the shocked guard at the end of the hallway. Loosing the power, James slams the man against the wall, knocking him out.

He rushes down to Cassie’s cell and finds the two soldiers dead on the ground, with Delia helping Cassie to her feet. Jiron and Tinok are standing over the dead men, with the dead men’s knives in their hand, dripping blood.

Вы читаете Fires of prophesy
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