'I have brought wine,' said Maijstral.
'Good enough.'
They went out to a cafe for breakfast, about two. 'I have no intention of supporting you indefinitely,' Maijstral said.
'I should get a job. Any road work in Malta?'
'They are building a grade intersection - an underground tunnel - at Porte-des-Bombes. They also need men to plant trees along the roads.'
'Road work and sewer work is all I know.'
'Sewers? There's a new pumping station going up at Marsa.'
'They hire aliens?'
'Possibly.'
'Possibly, then.'
That evening Brenda wore paisley shorts and black socks. 'I write poetry,' she announced. They were at her place, a modest hotel near the great lift.
'Oh,' said Profane.
'I am the twentieth century,' she read. Profane rolled away and stared at the pattern in the rug.
'I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government; the cafe-dansant, the clockwork figure, the jazz saxophone; the tourist-lady's hairpiece, the fairy's rubber breasts, the traveling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.'
'That sounds about right,' said Profane.
'I don't know.' She made a paper airplane out of the poem and sailed it across the room on strata of her own exhaled smoke. 'It's a phony college-girl poem. Things I've read for courses. Does it sound right?'
'Yes.'
'You've done so much more. Boys do.'
'What?'
'You've had all these fabulous experiences. I wish mine would show me something.'
'Why.'
'The experience, the experience. Haven't you learned?'
Profane didn't have to think long. 'No,' he said, 'offhand, I'd say I haven't learned a goddamn thing.'
They were quiet for a while. She said: 'Let's take a walk.'
Later, out in the street, near the sea steps she inexplicably took his hand and began to run. The buildings in this part of Valletta, eleven years after war's end, had not been rebuilt. The street, however, was level and clear. Hand in hand with Brenda whom he'd met yesterday, Profane ran down the street. Presently, sudden and in silence, all illumination in Valletta, houselight and streetlight, was extinguished. Profane and Brenda continued to run through the abruptly absolute night, momentum alone carrying them toward the edge of Malta, and the Mediterranean beyond.
Epilogue
1919
I
Winter. The green xebec whose figurehead was Astarte, goddess of sexual love, tacked slowly into the Grand Harbour. Yellow bastions, Moorish-looking city, rainy sky. What more on first glance? In his youth, not one of those score or so other cities had ever shown old Stencil much in the way of Romance. But now, as if making up for lost time, his mind seemed to've gone rainy as the sky.
He kept near the stern, rained on, bird-frame wrapped in oilskin, sheltering his pipe's match from the wind. Overhead for a while hung Fort St. Angelo, dirty yellow and wrapped in a quiet not of this earth. Abeam gradually came H.M.S. Egmont, a few seamen on her decks like blue-and-white dolls shivering for the Harbour wind, holystoning to work off this morning's chill. His cheeks hollowed and flattened as the xebec seemed to describe a complete circle and Grandmaster La Vallette's dream whirled away for Fort St. Elmo and the Mediterranean, which in their turn spun past into Ricasoli, Vittoriosa, the Dockyard. Mehemet the master swore at his helmsman, Astarte now leaned from the xebec's bowsprit toward the city as if it were male and asleep and she, inanimate figurehead, a succubus preparing to ravish. Mehemet approached him. 'Mara lives in a strange house,' said Stencil. Wind flapped one whitening forelock, rooted halfway back on his scalp. He said it for the city, not for Mehemet; but the master understood.
'Whenever we came to Malta,' he said in some Levantine tongue, 'I got the feeling. As if a great hush were on this sea and the island its heart. As if I'd come back to something my own heart needs as deeply as a heart can.' He lit a cigarette from Stencil's pipe. 'But it is a deception. She's an inconstant city. Be wary of her.'
One hulking boy stood on the quay to receive their lines. He and Mehemet exchanged salaam aleikums. A pillar of cloud stood to the north behind Marsamuscetto, looking solid and about to topple; to crush the city. Mehemet wandered about kicking the crew. One by one they drifted below decks and began hauling the cargo topside: a few live goats, some sacks of sugar, dried tarragon from Sicily, salted pilchards in barrels, from Greece.
Stencil had his gear collected. The rain descended more quickly. He opened a great umbrella and stood under it watching the Dockyard country. Well, what am I waiting for, he wondered. The crew had retired below decks, all sullen. Mehemet came squishing across the deck. 'Fortune,' he said.
'An inconstant goddess.' The pier hand who'd taken their lines now sat on a piling, facing the water, hunched up like a bedraggled sea bird. 'Island of sunshine?' Stencil laughed. His pipe was still lit. Among
