He went to the next room. One curtain was open. The window cast a dim light, enough only for Omar Yussef to make out that someone was there, lying in the shadows on the bed furthest from the door.
“Ala, my son? Wake up.” He knocked lightly on the doorjamb. “Nizar?”
The form on the bed didn’t stir. In the sickly light from the window, Omar Yussef could see a pair of legs clothed in well-pressed black slacks and shiny black ankle boots. He approached, squinting into the shadows. He reached out to shake the sleeper’s arm, touched the sleeve of a silk shirt, and found it was wet. He recoiled and yanked back the second curtain.
Omar Yussef stumbled, dropping onto the other bed. His pulse was suddenly overpowering. He pressed his hand to his heart as though to keep it from beating right through his rib cage and fleeing the apartment.
The man on the bed was dead. Where his head should have been, the darkness of blood soaked the pillow. A light gauzy piece of fabric had been laid above the ragged flesh of the neck. Blood covered the man’s shirt and was splattered across the wall. The corpse’s hands were bloodied too. Omar Yussef’s cheek twitched. His eyes blinked and teared up.
On the nightstand, he saw a letter in his own careful hand. It lay unfolded beside the alarm clock, on top of a book of poetry by Taha Muhammad Ali. He picked it up.
He crumpled the pages in a bloodied fist and laid his shaking hand on the corpse’s chest. His pulse palpitated so strongly in his palm that his hand seemed to rise and fall, as though the dead man’s ribs still lifted with breath. The pooled blood seeped into his trousers, chilling his knees.
Chapter 2
In his shock, Omar Yussef sat with the terrified, expectant stillness of a hunted animal. Eventually he wondered how long he had been on the floor of the bedroom. He watched his wrist lift like a corpse floating up through water. There was blood on the face of his watch. He rubbed it away with his thumb. Beneath the brown smear that remained, the dial showed one o’clock.
He heard a footstep in the living room. He waited. Three more steps, soft yet decisive. He sensed someone was just beyond the open door of the bedroom.
He shoved himself to his feet, feeling as though all his muscles were encased in plaster. He was unsure if he intended to confront the killer or find a place to hide. His knees shook. His brain seemed to lurch into the backs of his eyeballs. He braced himself against the door frame as he stepped into the living room.
The front door was swinging and Omar Yussef glimpsed the back of a man clad in a black padded coat, black pants and shoes, and a black woolen cap. The man had bumped the edge of the matchstick model as he passed, and it toppled to the floor. Omar Yussef made for the door, but by the time he reached it the man was down the stairs and gone.
His neck spasmed with adrenaline.
On the floor by the sofa, he noticed the telephone.
A woman’s voice answered. “Nine-one-one emergency.”
Omar Yussef cleared his throat and spoke in his precise English. “I wish to report a death.”
“What is the mode of death, sir?”
Omar Yussef strained to comprehend the woman on the other end of the line. The operator’s voice had the impenetrability of poor diction forced to cope with a pre-scripted, elevated grammar. “I mean to say, it’s a murder.”
“How do you know it’s a murder, sir?”
The phone shook in Omar Yussef’s hand. “He has no head.”
“You have a dead person there with no head, sir?”
Omar Yussef nodded at the phone.
“Sir? That is the situation?”
“That’s correct,” he stammered. “No head.”
“What’s your location, sir?”
Omar Yussef looked around for the slip of paper with his son’s address. He checked his pockets, but it was gone. “I don’t remember the address. It’s in Bay Ridge. On Fifth Avenue. Above a boutique.”
“The name of the boutique, sir?”
“Abdelrahim. But that’s in Arabic. In English, it just says
“What’s your name, sir?”
“Are you sending the police now?”
“Yes, sir. What’s your name?”
“Sirhan. Omar Yussef Sirhan. From Dehaisha Refugee Camp.”
“Where, sir?”
“Ah, Bethlehem, in Palestine. I’m not American.” As he added that final, unnecessary information, Omar Yussef felt he had spoken from some kind of shame. It sounded to him like an admission of complicity in the murder of the man in the next room and those other murders infamously committed by his people in this land, a confession that he was an outsider not bound by the decency and trust that Americans believed they shared.
“Do you know the identity of the victim, sir?”
“Not absolutely.” Omar Yussef sensed the pressure behind his eyes again. He dropped to the sofa and put his hand to his forehead.
“Sir?”
“It might be my son.”
“Remain where you are, sir. The police are on their way.”
“If Allah wills it, let them come. Meanwhile, I’ll stay here, with him.”
“Sir?”
Only after Omar Yussef had hung up did he realize he had spoken his last words to the operator in Arabic.
He picked up the matchstick model. The golden dome was caved in on one side, where it had landed on the floor. He tried to poke it back into shape, but his fingers smeared brown over the matches. He stared at his sticky hands, went to the kitchen, and ran the hot water, rubbing the blood off his palms. On the back of his hand, a liver