“What is?” I ask.
Harley looks at me, and for the first time, there is no smile in his eyes.
“Nothing,” he says.
Victria mutters a word, a single syllable, but I can’t hear it.
“What?” I say, an unbidden edge to my voice.
She looks me square in the eyes. “Freak.”
“Victria!” the guitar player says.
She whirls around on him. “You heard Eldest! She is a freak! And here she’s been lying to us all this whole time,
“Calm down, Victria. She’s simple. Damaged. She doesn’t know what she’s saying,” says the guitar player.
“What are you talking about?” I back away.
“Don’t tell me about a sky that never ends,” she says, her voice low. “Don’t ever tell me about that sort of thing. Don’t even talk about it. There is no sky. Only a metal roof.”
I flinch at the harshness of her words, but just before she whirls away from me and runs down the hall, I see that there are tears glistening in her eyes.
“What is going on?” I ask. I turn in a circle around the room. With the exception of Harley, they all stare at me with the same contempt and bitter anger that Victria spewed forth.
“Come on,” Harley says, standing up. “Let’s go back to your room.”
“Why? I don’t understand. What’s going on?”
“Come on,” Harley says, and he leads me through the silent stares and out of the hostile room.
28 ELDER
WHEN I GET OFF THE ELEVATOR, THE TALKING DROPS TO A whisper. It’s not hard to guess what they’re discussing. I leave them with their whispers and lies. I don’t care what they think. I want to know what Amy thinks.
There is a brown stain just outside her door: the crushed remains of the flowers I’d left for her.
I knock. “Come in,” a deep male voice says. Harley. My stomach lurches. I run my finger on the door release button, and the door slides open.
Amy sits before her window, gazing out. The light shines on her upturned face, spilling over on her red-gold hair, making her clear green eyes sparkle. I stare, unable to tear my gaze from her.
“Beautiful, huh?” Harley says. He’s rearranged the desk so that it’s not leaning against the wall; instead it is cockeyed in front of Amy, with his table-easel propped on top. A small canvas leans against the easel, and Harley has already sketched out the scene before him with charcoal.
“You quit painting the fish?” I ask, hoping the bitterness doesn’t sound as obvious to them as it does to me.
“Yup!” Harley chirps. He dabs a tiny bit of blue on Amy’s painted face, giving her a hint of a shadow under her lips. “Funnily enough, I’m using almost the exact same colors on her as I was on the koi. Hey!” he adds, peeking from behind the canvas to Amy, “that’s your new name: from now on, you’re my Little Fish!”
Amy laughs cheerily at her new nickname, but I am glowering at Harley for calling her “his.” It’s true, though: her red-gold-orange-yellow hair is the same color as the scales on Harley’s koi fish.
“So, Little Fish, ignore the boy and tell me about the sky.”
My back stiffens at how Harley calls me “boy.” I want to punch him. I
“The stars were my favorite, ever since I was little and my parents would take me to the observatory.”
I’m not sure what an
Amy looks at me, and I’m glad she can’t tell what I’m thinking. She picks at the meat pie on a napkin in her lap, and pops a piece in her mouth. She swallows it quickly, then drops the rest of the pie in the trash chute. She and Harley must have eaten here, instead of in the Ward cafeteria. Good. I can only imagine how the Ward residents are treating her after Eldest’s all-call. She takes a sip of water from the glass beside her and winces.
“What’s wrong?” I ask.
“Headache,” she says. “So, will you tell me what happened to make everyone think I’m a freak?”
“You didn’t tell her?” I ask Harley.
“Of course I didn’t,” Harley growls, stabbing his canvas with his paintbrush. “Why would I insult her with such lies?”
Part of me is very glad that Amy doesn’t know what Eldest has said. But Harley has always been this way, for as long as I’ve known him: he thinks ignorance is the best way to protect someone, and he doesn’t understand that what we imagine is often worse than the truth.
“Will you tell me?”
I look up, and Amy’s eyes draw me in. “It was Eldest,” I say. “He sent out an all-call to everyone about you.” I pause.
Amy senses my hesitance to continue. “What kind of lies?” she asks.
“That you’re the product of an experiment gone wrong, and you’re, uh, simple. Slow.” I pause again. “A freak.”
Amy’s face scrunches as she absorbs this information. I can tell, from the distaste curling her lips, that she has met Eldest and can probably guess what it is he said. “Ah,” she finally says, and turns back to the window. Harley straightens up, stares at her face again, and then turns back to his canvas. He is shaping her sadness onto the painted image of her face.
“So, there were lots of stars in the sky?” Harley asks, turning to the nighttime sky in the background of the painting. The word “stars” is heavy on his tongue, as if he’s not used to the idea of them.
“Millions,” Amy says. “Billions.” There is longing in her voice.
Harley flicks silver paint on the canvas.
“But,” I say, leaning over Harley’s canvas, “they’re scattered about, not so clustered together. Spread them out more. And they’re different sizes. Some are bigger; some are just tiny specks.”
It is as if I have done something foul in the room. Harley turns slowly toward me. Amy’s eyes are wide.
“You’ve seen the stars?” Harley’s voice accuses me.
“I…er…”
Amy’s eyes search mine, and I know she’s looking for starshine in them.
“Just once,” I say.
“
“There’s a hatch door. For the dead.”
Amy’s head snaps toward mine.
“Where is it?” Harley asks, an eager tone in his voice that reminds me of the last time he had what Doc called a “downward spiral.”
“It’s not on the Feeder Level.”
Harley sinks in on himself. He’s not one of the select few with access to the other levels and has spent his entire life here, on the Feeder Level.
“Can we see it?” Amy asks. “Can we see the stars?”
And, oh, I want to show her. I want to show her, but not him, not now, not with her. I want to be the one to