standing at the gate with the distant cliffs at his back.
'But you're no faerie, are you, Jude Frances?'
'No, of course not.' Without thinking she lifted a hand to make sure her hair was still tidy. 'I, ah, just had a visit from Kathy Duffy and Betsy Clooney.'
'I passed them on the road when I was walking this way. They said you had a nice hour over tea and cakes.'
'You walked? From the village?'
'It's not so very far if you like to walk, and I do.' She was looking just a bit distressed again, Aidan mused. As if she wasn't quite sure what to do about him.
Well, he supposed that made them even. But he wanted to make her smile, to watch her lips curve slow and shy and her dimples come to life.
'Are you going to ask me into your garden or would you rather I just kept walking?'
'No, sorry.' She hurried to the gate and reached for the latch just as he did. His hand closed over hers, warm and firm, so they lifted the latch together.
'What were you thinking of that made you laugh?'
'Oh, well-' Since he still had her hand, she found herself backing up. 'Just something foolish. Mrs. Duffy left some cakes, and there's still tea.'
He couldn't recall ever having seen a woman so spooked just by speaking to him. But he couldn't say that her reaction was entirely displeasing. Testing, he kept her hand in his, continued forward as she walked back.
'And I imagine you've had your fill of both for now. Truth is, I need the air from time to time, so I go on what people call Aidan's rambles. Unless you're in a hurry to go back in, we could just sit on your stoop awhile.'
His free hand reached out, pressed her hip and stopped her retreat. 'You're about to step on your flowers,' he murmured. 'A shame it would be to crush them underfoot.'
'Oh.' Cautious, she edged away. 'I'm clumsy.'
'I wouldn't say so. A bit nervy is all.' Despite the odd pleasure of seeing her flustered, he had an urge to smooth those nerves away and put her at ease.
With his fingertips curled to hers, he shifted, turned her with such fluid grace she could only blink to find herself facing the other way. 'I wondered,' he went on as he led her toward the stoop, 'if you're interested in hearing the stories I know. For your paper.'
'Yes, very much.' She let out a relieved breath and lowered herself to the stoop. 'I started on it this morning- the paper-trying to get a feel for it, formulate an outline, the basic structure.'
She wrapped her arms around her knees, then tightened them as she glanced over and saw him watching her. 'What is it?'
He lifted a brow. 'It's nothing. I'm listening. I like listening to you. Your voice is so precise and American.'
'Oh.' She cleared her throat, stared straight ahead again as if she had to keep a close eye on the flowers so they didn't escape. 'Where was I- the structure of it. The different areas I want to address. The fantasy elements, of course, but also the social, cultural, and sexual aspects of traditional myths. Their use in tradition as entertainment, as parables, as warnings, in romance.'
'Warnings?'
'Yes, mothers telling children about bog faeries to keep them from wandering into dangerous areas, or relating tales of evil spirits and so forth to influence them to behave. There are as many-more actually-grotesque legends as there are benevolent ones.'
'Which do you prefer?'
'Oh, well.' She fumbled a little. 'Both, I suppose, depending on the mood.'
'Do you have many?'
'Many what?'
'Moods. I think you do. You have moody eyes.' There, he thought, that's made her look in my direction again.
Those long, liquid pulls started up again in her belly, so she looked away again. Quickly. 'No, actually, I'm not particularly moody. Anyway, hmmm. You have babies being snatched from their cradles and replaced with changelings, children devoured by ogres. In the last century we've changed passages and endings in fairy tales to happy-ever-after, when in reality their early forms contained blood and death and devouring. Psychologically, it mirrors the changes in our cultures, and what parents want their children to hear and to believe.'
'And what do you believe?'
'That a story's a story, but happy-ever-after is less likely to give a child nightmares.'
'And did your mother tell you stories of changelings?''
'No.' The idea of it had Jude laughing. 'But my grandmother did. In a very entertaining fashion. I imagine you tell an entertaining one, too.'
'I'll tell you one now, if you've a mind to walk down to the village with me.'
'Walk?' She shook her head. 'It's miles.'
'No more than two.' Suddenly he wanted very much to walk with her. 'You'll work off Mrs. Duffy's cakes, then I'll feed you supper. We have beggarman's stew on the menu tonight, and it sits well. I'll see you get a ride home after a bit.'
She slid her gaze toward him, then away again. It sounded wonderfully spontaneous, just stand up and go, no plans, no structure. Which, of course, was exactly why it wouldn't do.
'That's tempting, but I really should work a little longer.'
'Then come tomorrow.' He took her hand again, drawing her to her feet as he rose. 'We have music at Gallagher's of a Saturday night.'
'You had music there last night.'
'More,' he told her. 'And a bit more- structured you'd say, I suppose. Some musicians from Waterford City, the traditional sort. You'll enjoy it and you can't write about Ireland's legends, can you, without its music? So come down to the pub tomorrow night, and I'll come to you on Sunday.'
'Come to me?'
He smiled again, slow, deliberate, delightful. 'To tell you a story, for your paper. Will Sunday in the afternoon do for you?'
'Oh, yes, that would be fine. Perfect.'
'Good day to you, then, Jude Frances.' He strolled to the gate, then turned. His eyes were bluer, more intense when they met hers, held hers. 'Come on Saturday. I like looking at you.'
She didn't move a muscle, not when he turned to open the gate, not when he walked through and down to the road. Not even after he was well beyond the high hedge and away.
Looking at her? What did he mean by that? Exactly.
Was that some sort of casual flirtation? His eyes hadn't looked casual, she thought as she began to pace up and down the narrow path. Of course, how would she know, really, when this was only the second time she'd seen him?
That was probably it. Just an offhand, knee-jerk flirtation from a man used to flirting with women. More, when you considered the situation, a friendly remark.
'I'd like to see you in the pub on Saturday, come on by,' ' she murmured. 'That's all he meant. And damn it all to hell and back, why do I have to pick everything apart?'
Annoyed with herself, she strode back into the house, closed the door firmly. Any sensible woman would have smiled at him when he'd said it, flirted back a little. It was a harmless, even conditioned response. Unless you were a neurotic tight-ass.
'Which, Jude F. Murray, is exactly what you are. A neurotic tight-ass. You couldn't just open your idiot mouth and say something like, 'I'll see what I can do. I like looking at you, too.' Oh, no, you just stand there like he'd shot you between the eyes.'
Jude stopped, holding up both hands, shutting her eyes. Now she wasn't just talking to herself. She was scolding herself as if she were two different people.
Taking deep breaths, she calmed herself and decided she really wanted another of those little frosted cakes, just to take the edge off.
She marched into the kitchen, ignoring the prissy little voice in her head that told her she was compensating
