Close To Home (aka The Summer That Never Was)

“What?”

“Asking him if he’d been arrested. You know an offense like that is hardly still going to be in records.”

“Oh, that,” said Banks, buckling up and settling back in the passenger seat while Annie started the ignition. “I just wanted to see whether he’s a good liar or not. People usually lie the first time when you ask them if they’ve ever been arrested.”

“And?”

“Well, there was a slightly different inflection on that last ‘no,’ the lie, but not different enough to convince me he’s not a good liar.”

“Bloody hell,” said Annie, heading off down the drive and spraying gravel, “a proper Sherlock Holmes I’ve got beside me.”

It was only a short drive down Longthorpe Parkway from police headquarters to the District Hospital, and early that Friday afternoon the traffic was light. Instinctively, Michelle found herself checking her rearview mirror to see if she was being followed. She wasn’t.

She parked in the official visitors’ area and made her way to pathology. The forensic anthropology department was small, just a couple of offices and one lab, and none of the staff was permanent. Dr. Cooper herself lectured in nearby Cambridge, in addition to her practical duties at the hospital. There certainly weren’t enough skeletons to justify a full-time forensic anthropology department – most counties didn’t even have one at all and had to hire the services of an expert when circumstances demanded – but there had been enough Anglo-Saxon and Viking remains found in East Anglia for a small, part-time department to be thought justified. For the most part, that was Wendy Cooper’s main area of interest, too – ancient remains, not skeletons of boys buried in 1965.

“Ah, DI Hart,” Dr. Cooper greeted her in her office, standing up and shaking hands. “Good of you to come.”

“Not at all. You said you had something to tell me?”

“Show you, actually. It’s not much, but it might help. Follow me.”

Curious, Michelle followed her into the lab, where Graham Marshall’s bones were still laid out on the table and Tammy Wynette was singing “Stand By Your Man” on Dr. Cooper’s portable cassette player. Though still a dirty brownish-yellow, like bad teeth, the bones were a hell of a lot cleaner than they had been a few days ago, Michelle noticed. Dr. Cooper and her assistant, nowhere in sight at the moment, had clearly been working hard. The body looked asymmetrical, though, Michelle noticed, and wondered what was missing. When she looked more closely, she could see it was the bottom rib on the left side. Hadn’t they been able to find it? But no, there it was on the bench Dr. Cooper led her toward.

“We couldn’t see it before because of the accumulated dirt,” Dr. Cooper explained, “but once we’d cleaned it up, it was plain as daylight. Look.”

Michelle bent closer and looked. She could see a deep, narrow notch in the bone. It was something she had come across before. She looked at Dr. Cooper. “Knife wound?”

“Very good. That’s what I’d say.”

“Pre- or postmortem?”

“Oh, pre. Cuts in green bone are different from cuts made in bones after death, when they’re more brittle. This is a clean, smooth cut. Definitely pre-mortem.”

“Cause of death?”

Dr. Cooper frowned. “I can’t say that for certain,” she said. “I mean, there could have been lethal poison in the system, or the victim might have drowned first, but what I can say, in my opinion, is that the wound would have been sufficient to cause death. If you follow the trajectory of the blade to its natural destination, it pierces the heart.”

Michelle paused a moment, looking at the rib in question, to take it all in. “Front or behind?” she asked.

“Does it matter?”

“If it was done from behind,” Michelle explained, “it could have been a stranger. If it happened from the front, someone had to get close enough to the boy to do it without his knowing what was going to happen.”

“Yes, I see,” said Dr. Cooper. “Good point. I never have managed to get the hang of thinking the way you police do.”

“Different training.”

“I suppose so.” Dr. Cooper picked up the rib. “Judging from the position of the cut on the bone – see, it’s almost on the inside – and by the straightness I’d say that it was done from in front, the classic upthrust through the rib cage and into the heart. Harder to be that accurate from behind. Much more awkward, far more likely to be at an angle.”

“So it had to be someone he would let get that close to him without being suspicious.”

“Close enough to pat him on the shoulder, yes. And whoever did it was right-handed.”

“What kind of knife?”

“That I can’t tell you, except that it was very sharp and the blade wasn’t serrated. It’s quite a deep cut, as you can see, so there’s plenty of scope for analysis and measurement. There’s someone I know who can probably tell you the date it was made and the company who made it, an expert. His name’s Dr. Hilary Wendell. If you like I can try to track him down, get him to have a look?”

“Could you?”

Dr. Cooper laughed. “I said I’d try. Hilary’s all over the place. And I mean all over. Including the United States, and Eastern Europe. He’s very well known. He even spent some time with the forensic teams in Bosnia and Kosovo.”

“You were there, too, weren’t you?”

Dr. Cooper gave a little shudder. “Yes. Kosovo.”

“Any idea when the coroner can release the bones for burial?”

“He can release them now as far as I’m concerned. I’d specify burial rather than cremation, though, just in case we need to exhume.”

“I think that’s what they have in mind. And some sort of memorial service. It’s just that I know the Marshalls are anxious for some sense of closure. I’ll give them a ring and say it’s okay to go ahead and make arrangements.”

“Funny thing, that, isn’t it?” said Dr. Cooper. “Closure. As if burying someone’s remains or sending a criminal to jail actually marks the end of the pain.”

“It’s very human, though, don’t you think?” said Michelle, for whom closure had simply refused to come, despite all the trappings. “We need ritual, symbols, ceremonies.”

“I suppose we do. What about this, though?” She pointed to the rib on the lab bench. “It could even end up being evidence in court.”

“Well,” said Michelle, “I don’t suppose the Marshalls will mind if they know Graham’s being buried with a rib missing, will they? Especially if it might help lead us to his killer. I’ll get their permission, anyway.”

“Fine,” said Dr. Cooper. “I’ll talk to the coroner this afternoon and try to track Hilary down in the meantime.”

“Thanks,” said Michelle. She looked again at the bones on the table, laid out in some sort of semblance of a human skeleton, and then glanced back at the single rib on the bench. Strange, she thought. It didn’t matter – they were only old bones – but she couldn’t help but feel this odd and deep sense of significance, and the words “Adam’s rib” came to mind. Stupid, she told herself. Nobody’s going to create a woman out of Graham Marshall’s rib; with a bit of luck, Dr. Hilary Wendell is going to tell us something about the knife that killed him.

A few dark clouds had blown in on a strong wind from the north, and it looked as if rain was about to spoil yet another fine summer’s day when Banks drove out in his own car to the crime scene late that afternoon, listening to Luke Armitage’s “Songs from a Black Room.”

There were only five short songs on the tape, and lyrically they were not sophisticated, about what you’d expect for a fifteen-year-old with a penchant for reading poetry he couldn’t understand. There were no settings of Rimbaud or Baudelaire here, only pure, unadulterated adolescent angst: “Everybody hates me, but I don’t care. / I’m safe in my black room, and the fools are out there.” But at least they were Luke’s own songs. When Banks was fourteen, he had got together with Graham, Paul and Steve to form a rudimentary rock band, and all they had