Climbing the stairs, I step onto the next landing. For all my opposition to firearms, I wish I had one now. My gun is somewhere at the bottom of the river or fenced on the black market.

Reaching the first door I pause and listen. I can only hear my heartbeat. Then, in the stillness, I pick up another sound, someone breathing. Pressing my ear against the door, I wait, trying to hear the sound again.

Weighing my walking stick, I reach for the door handle and push it open. The darkness is more intense than the dimness behind me.

Here, too, I wait.

I hear metal shaking . . . springs. It's a tremble born of dependency rather than fear. Reaching forward, I flick the light switch. Ali is perched on her bed, her MP5 A2 carbine pointing directly at my chest.

We gaze into each other's eyes. She blinks at me slowly and lets out a long slow breath. “You were lucky I didn't shoot you.”

“I had it covered.”

Pulling open my shirt, I show her the bulletproof vest.

The Professor slumps in a chair, his hands gripping the armrests. The last few minutes have drained his reserves. Ali pours him a glass of water. He takes it with his right hand—the steady one.

“Where did you learn to drive like that?”

“At Silverstone,” he replies. “I won an advanced driving course at a school trivia night.”

“Michael Schumacher eat your heart out.”

Ali has barricaded the front door and is moving through the rooms, checking to see if anything is missing. Whoever broke in triggered the alarm and then fled.

“Did you see anyone?”

“No.”

“Where are the diamonds?”

Ali opens a drawer. “I put them where a girl puts anything personal—with her underwear.”

Four velvet pouches are tucked inside. She opens one of them and diamonds spill through her fingers onto the duvet. Sometimes when you see an excess of something rare and beautiful it begins to pale. Diamonds are different. They always take your breath away.

I can hear police sirens approaching. Ali goes downstairs to meet them. I don't expect there'll be fingerprints or physical evidence left behind but we'll go through the motions of making statements and dusting for prints. Joe still doesn't understand how the ransom ended up with Ali. I relate the whole story about the linen cupboard and the scraps of plastic on my kitchen floor.

I have to admire his sense of priorities. Instead of being frightened or angry, he sits on Ali's bed and studies the remnants of the packages, the bright orange plastic, white foam and electrical tape. The transmitter is the size of a matchbox with twin wires separated from a smaller battery unit.

“Why are they packed like this?”

“I think they were meant to float.”

“So you took the diamonds to the river.”

“I don't know. This type of transmitter sends out a signal every ten seconds and is picked up by a receiver. Unlike a satellite tracking device the transmitter has a limited range—about three miles in the city and six miles in the countryside.”

“How accurate is it?”

“Down to within fifty yards.”

If Rachel acted as the ransom courier and I went with her, I would have arranged for someone to follow us, tracking the signals. Aleksei had the most to gain. They were his diamonds and it was his daughter.

Joe weighs the transmitter in his hands. “But how did the ransom wind up in your cupboard? Something must have gone wrong.”

“Tell me about it! I got shot.”

“No, but think about it. You were in the hospital for two weeks. If Aleksei knew you had the diamonds, he could have taken them back at any time. Instead he waited.”

“Perhaps he wanted someone else to find them first—like Keebal.”

Almost immediately, I try to push the thought away. I'm not a believer in conspiracy theories and I have nothing against Keebal except the job he does—spying on his colleagues—but someone tipped him off about the diamonds. It must have been Aleksei. Are they working together or feeding off each other?

The Professor is still studying the packaging as if trying to re-create the dimensions.

“What do we do now?” asks Ali, returning upstairs.

“We take advantage of this.” I toss her the transmitter.

She grins. We're both singing from the same song sheet. “Are you thinking Intercity Express?”

“Nah, it's too fast.” I look at my watch. “The printing presses are just starting to run at Wapping. Some of those newspaper trucks drive all the way to Cornwall.”

Bon voyage!

13

Condensation drips steadily down the dormer window creating rainbow patterns on the windowsill. What day is it? Thursday. No, it's Friday. Lying in bed, I listen to the delivery trucks, pneumatic drills and workmen shouting to each other. This is London's dawn chorus.

Against my better judgment I let Ali bring me here last night—to her parents' house in Millwall. We couldn't stay at her flat—not after what happened.

Ali's parents were both asleep when we arrived and exhaustion drove me to bed soon afterward. Ali showed me the spare room and left a fresh towel and cake of soap on the end of the bed like at some fancy B & B.

This must be Ali's old room. The shelves and tops of bookcases are crammed with elephants of all description, ranging from tiny blown-glass figurines to a large furry mammoth guarding the wooden chest at the end of the bed.

There's a light knock on the door. “I brought you a cup of tea,” says Ali, pushing the door open with her hip. “I also have to change the dressing on your leg.”

She's wearing a dressing gown with a frayed cord and an elephant sewn into the pocket. Her bare feet are out-turned slightly, which splays her knees and puts me in mind of a penguin, which is strange considering she moves so gracefully.

“How did you sleep?”

“Great.”

She knows I'm lying. Sitting next to me, she sets out scissors, bandages and surgical tape. For the next fifteen minutes I watch her unwrapping and rewrapping my thigh.

“These stitches are nearly ready to come out.”

“Where did you learn first aid?”

“I have four brothers.”

“I thought most Indian lads were pretty peaceful.”

“They don't start the fights.”

She cuts off the last strip of tape and wraps it around my leg. “Does it hurt, today?”

“Not so much.”

She wants to ask about the morphine but changes her mind. As she leans forward to retrieve the scissors, her dressing gown falls open and I glimpse her breasts beneath a T-shirt. The nipples are dark, sharp peaks. Immediately, I feel guilty and look away.

“So what are you going to do with the diamonds?” she asks.

“Hide them somewhere safe.” I glance around the room. “You seem to like elephants.”

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