harder. Simon, leaning on Sarah, his body trembling, asked to rest. The sound of her heart beating in her ears interfered with her thinking. Ironically, the end of the hall was closer with every step, since their fear of what was around the corner, next to the elevators, was palpable.
Finally, they took a left at the corner and saw the elevators. The source of the noise was a metal tray, fallen from a cart left against the wall. Surgical instruments were scattered on the floor, scissors, scalpels, forceps of various shapes and sizes, and other objects not easily identifiable at first glance. They moved cautiously toward the elevators, avoiding the repulsive metal. Sarah could see dark stains on some of the cutting instruments, but the dim light didn’t reveal colors. Her imagination suggested red blood, which made sense with the scalpels. Still, it didn’t seem plausible that a doctor or nurse would leave all these instruments without sterilizing them. She put those thoughts out of her mind and hit the elevator button. It was interesting how something as natural as the presence of blood in a hospital could seem out of place. This was a theory Sarah could analyze later. Right now they had to get out of there.
A loud sound signaled the elevator was arriving on the floor and the doors would open. There were three possibilities, left, right, and straight ahead. It turned out to be the center elevator. The doors opened, revealing agent John Fox inside, looking at Sarah.
Simon dug his fingers into her arm so hard that, if it were not for the adrenaline pumping through her body, she probably would have cried out.
‘This is Agent John Fox, who came with me,’ Sarah, relieved, let him know.
Simon loosened his fingers, sharing Sarah’s relief.
The agent was silent and kept staring at Sarah.
‘I’ve something to tell you,’ Sarah began, raising the bottle of port she carried in her only free hand. ‘They…’
John Fox took an uncertain step forward and supported himself against the open doors like Samson between the columns of the temple.
‘… are here,’ Sarah finished without thinking what she was saying.
They both stared at John Fox, who was concentrating on the two of them in a strange way.
‘Get out of here,’ he managed to whisper before blood gushed out of his mouth. He took two steps forward like a zombie, terrifying Sarah and Simon, who moved back to give him room without taking their eyes off him. John Fox swayed for a few moments until his body fell heavily on the cart, knocking it over and spilling the rest of the instruments on it. From his back there protruded no less than six scalpels.
Sarah gave a silent scream and pulled away from Simon’s hand.
Steps. They heard steps in the hall they had come down. Without stopping to think about it, they stepped into the open elevator. The steps got closer each moment. Firm and cadenced, neither hurried nor slow, provoking horror in Sarah Monteiro. They kept pressing the button marked zero, but it could as well have been any other, as long as the doors closed and the footsteps no longer were heard.
‘Close, close, close,’ Sarah pleaded in a vain attempt to hurry the process with words.
A shape rounded the corner of the hall and ran toward the closing doors.
‘Simon. Simon,’ they heard shouted.
Impelled by a voice he recognized, he looked for the button to open the doors and pressed it.
‘Simon, no!’ Sarah shouted. ‘Don’t.’
Simon paid no attention to his boss and kept pressing the button. The doors promptly opened to light up the shape and reveal a spruce gentleman, older than Simon, closer to Sarah’s age.
‘What’s going on, my love?’ the unknown man asked.
‘Oh, God, it’s been horrible. Someone’s killed this man.’ A tear ran down Simon’s face from the fear and disgust of having seen what he’d never forget. ‘They’re after us, Hugh.’
‘What? Who?’ The man seemed lost, looking at the body and Simon, not looking at Sarah at all. ‘Who’s done this?’
‘I don’t know. I don’t know.’ Simon was weeping.
‘Oh, my love, don’t cry.’ Hugh comforted him, placing himself inside the doors in a way that prevented the sensors from shutting automatically. He embraced Simon. ‘Okay, it’s all over.’ He kissed him tenderly on the head. Simon broke down in a torrent of held-back emotion. ‘It’s okay. Okay. It’s over.’
The two men turned in their fierce embrace so that Simon was outside the elevator and the other inside with his back to Sarah, who watched indecisively. She didn’t know what to do, or, she did, but feared the consequences. The embrace cooled, although the men continued holding each other. Simon’s eyes were closed and moist, enjoying every second.
‘What are you doing here at this hour?’ he asked. ‘How did you get in?’
The man hesitated a moment, but the embrace hid this doubt from Simon. Only Sarah saw it, even though he had his back turned to her. It helped her make her decision. And this was the right time to act. She hoped it worked.
‘Uum… I have an acquaintance here. I couldn’t bear thinking about you.’
The force of the bottle of old port, vintage ’76, striking Hugh’s head, shattered it at once. Only the broken neck remained in Sarah’s hand.
‘That’s for stealing what doesn’t belong to you, Hugh.’ The emphasis on the name showed her suspicion of its veracity.
What a waste of good wine streaming down the head of Simon’s boyfriend.
Before Simon could perceive what was happening, Sarah grabbed him by the arm and pushed him inside the elevator, while she took advantage of Hugh’s momentary stunned condition to shove him outside. She was surprised to see him leave the elevator so easily and fall to the floor. Magnificent. In a single action, since the sensors were unhindered, the doors closed to carry the occupants to the ground floor. Mission accomplished. Sarah’s excitement was such that she didn’t notice the small hole appear in the mirror behind her, caused by the badly aimed gun of this supposed Hugh.
‘What are you doing?’ Simon cried. ‘Are you crazy?’ He pressed the button for the floor they’d just left. ‘Fuck. How could you do something like that? You can’t suspect everyone in this way.’ He was completely beside himself.
‘Shut up, Simon,’ Sarah ordered firmly. ‘This bottle.’ She shook the neck that remained in her hand, as a defensive weapon, lacking something better. ‘When this was a bottle, it was in my house. Do you remember where I told you to look for the file?’
Simon managed to think with difficulty. He remembered her instructions. To get a file that was behind a bottle of vintage port.
‘And?’ he questioned. ‘Is it the only one? Aren’t there more in the store?’
‘The box was intact in what remained of my house. The bottle was not inside it. Can I make things any clearer?’
Tears returned to Simon’s eyes.
‘It can’t be. It can’t be. He must have an explanation.’ He saw his life falling apart in front of him. ‘It must be a coincidence.’ He grasped at this hope. There were other bottles of vintage ’76 port. It was a present from Hugh, nothing else, without all these complications. He remembered Hugh’s shape at precisely the moment he lost consciousness in Redcliff Gardens. It could be a confused vision, a hallucination, a trick of the mind that made him see his lover just then.
‘I’m sorry, Simon. He’s probably not even named Hugh. I’m very sorry.’
The elevator reached the floor, and the doors opened. Waiting for them was Simon Templar.
‘I’m glad I found you,’ Sarah said, panting. ‘They’ve killed your partner and they’re after us.’
Sarah helped Simon leave the elevator, and they walked toward the exit, sixty feet away. Except for Templar, no one was in sight.
‘Where do you think you’re going?’ Templar asked in a roguish way.
Sarah kept dragging Simon Lloyd toward the doors to the outside. They heard an electronic sound similar to a walkie-talkie. Sarah quickened their pace, pulling a groggy Simon.
‘James, you are truly stupid,’ they heard Simon Templar say over the radio.
A hiss passed the ears of Simon and Sarah and shattered the marble floor, raising dust and stone. A shot with a silencer. Sarah looked back and saw Templar, gun in hand, aiming at them. Simon seemed not to care, but
