On 5thAvenue she thought she’d seen a pale face peeking out at her beforeit dipped back into the dark shadows beyond a department-store window frame. And on Broadway,the faintest slither of movement among some storefront mannequins, their plastic scorchedblack in places, fingers and thumbs little more than melted stubs. But she was prepared tobelieve she was mistaken. Preferred to believe that, in fact.
Mind you, if those things were really there, watching from the darkness, then at least theywere keeping their distance, still very much wary of Foster’s gun. She wondered, though,how long that would last. How long before insatiable hunger for theircomparatively plump, well-fed bodies would overcome their caution.
‘Up ahead,’ whispered Foster. ‘Look!’ He swung his torch along to theend of the platform, to a small door with a faded STAFFROOMsign on it. Beneath that another sign warned of an electrical hazard.
He picked up the pace, his shoes
Foster reached for the handle and tried it, rattling it hard. It came off in his hand amid ashower of rust flakes.
‘Oh, that’s just great,’ he snapped.
‘Let me have a go,’ said Maddy.
She lifted a booted leg and kicked the door by the rusted stub of the handle. With a sharpcrack, the door rattled inwards on its hinges, shards of rusted lock and splinters of woodcascading to the floor.
Foster waved a cloud of dust away from his face. ‘Shall we?’
‘Age before beauty,’ said Maddy.
He replied with a thin smile and the flicker of a wiry eyebrow, then stepped into the roombeyond, swinging his torch quickly from side to side, the light picking out surfaces coveredin half a century of dust.
Maddy stepped in behind him while Sal cast one last glance over her shoulder at the emptyplatform behind, now robbed of the light from Foster’s torch as he made his way furtherinside.
She hurried in after them.
Foster panned the flashlight around slowly. She could see a table and chairs in the middle ofa small room. Several enamel mugs were on the table, along with a yellow tattered and faded copy of
‘It looks untouched since… well… since whatever happened, happened,’said Maddy.
Foster nodded. ‘Doomsday.’
He stepped over to the table and shone his torch down on the newspaper. ‘Wednesday,thirteenth of March 1957.’ He looked up at them. ‘I was never that keen onWednesdays.’
Maddy snorted. Sal smiled, comforted by his lame attempt to lighten the mood. She leaned overthe paper, scanning the headlines.
At the far end of the room was a door with another electrical hazard warning screwed on toit. Below that, another sign read AUTHORIZED ACCESS ONLY.
‘Maybe we’ll find something useful in there,’ said Foster. He steppedaround the table and tried the door handle. This time it opened without putting up a fight,although the hinges creaked drily. He pushed it open and flicked his torch from side to sidein the dark void beyond.
‘See anything?’ asked Maddy.
‘I see shelves both sides… I see coils of cable… some tools…oh.’
Silence.
‘What is it?’ asked Sal.
‘Yeah,’ Maddy chorused more loudly. ‘What have you got?’
‘Just a second,’ said Foster, stepping further inside. He let the door go behind him. Maddy grabbed it before it could slam with a loudbang.
‘Foster?’
Over Maddy’s shoulder Sal could see his silhouette inside, dancing shadows, the flickerof reflected light off dust-covered pipe conduits suspended from a claustrophobic low ceiling.He paced down a narrow walkway flanked on either side by racks of floor-to-ceilingshelves.
‘Useful supplies in here. Just taking a look. You stay there,’ he called back. Hemade his way down to the end of the racks of shelves then turned right, slipping out ofview.
Sal wanted to call to him to come back, to say that they should all remain close together.But she didn’t. Maddy was right there next to her.
Light flickered over the tops of the shelves and shadows danced across the low ceiling as hemoved around the end of the shelves and out of sight. They could hear his feet tapping andscraping across the cold concrete floor.
‘Come on, Foster. Is there anything we can use in there, or not?’ Maddy calledout.
The sound of movement stopped and the torchlight hovered where it was for a while.‘Just a sec,’ he replied.
Foster was taking his time. ‘What’s he doing?’ Sal whispered.
‘Checking something out, I guess.’
Sal bit her lip, trying to keep her cool.
However, right then it occurred to her that the
She glanced back anxiously over her shoulder at the small room. It wasalmost pitch black now. She could just about make out the square edge of the table from whatlittle light was reaching them from Foster’s bobbing torch, a faint glint from one ofthe mugs. One or two of the chairs were visible. But nothing else. She turned back to see howthe old man was doing.
‘Foster?’ called Maddy, quieter now. ‘You gonna tell us what you gotthere?’
The shards of light on the ceiling shifted slightly in response. Then they heard movement,footsteps across the floor and the shadows danced once more. He was on his way back to jointhem.
‘You find anything?’ called out Maddy.
A beam of light emerged around the end of the long racks of shelves, flashing into theirfaces as it approached them.
‘Foster?’
‘We’re in luck,’ his gruff voice replied. ‘There’s a generatorin the back… hopefully we’ll find some fuel somewhere on these shelves-’
His voice cut off suddenly.
Sal felt her blood run cold.
Quickly she turned round to look back over her shoulder again and saw two pale eyes. Milkyboiled-fish eyes in a ghostly face, just a few feet away, rounding the end of the table andgliding rapidly towards her.
‘GET DOWN!’ shouted Foster.
Maddy reacted instinctively, stepping to one side and pulling Sal with her.
The small room was filled with the deafening boom of Foster’s shotgun. In theflickering instant of muzzle- flash she saw a freeze-frame image of one of the mutants as itrose up from a low stealthy crouch, one long thin
