White Shotgun

rich man trapped in a corner of his own property, where nobody can see. The leader — gaunt, white-haired, in his seventies — is becoming more and more agitated, shouting and gesturing angrily.

The others join in the attack with rapid-fire Italian, repeating a word I have never heard—“alfiere” —all of them pointing at heaven, earth, and the dripping man in the bathing trunks. Nicosa has nowhere to go. To the right are a stone wall and a sloping hill of pine trees. Would he scale it and run? To the left is the pool. He might try for the cell phone gleaming on a towel thrown over a lounge chair. I know from the file that he is tenacious as a terrier; he would take a beating rather than surrender dominance. Yes, there it goes. The surge of adrenaline. The closed fists and challenging stance.

I push through the gate, calling, “ Buongiorno! Is that Nicoli Nicosa? Hello! It’s your relative from America, Ana Grey.” Dumbstruck, they all turn in my direction. Nicosa takes the moment to pull a pair of red sweatpants over the trunks and comes toward me with a tight smile. You can see Giovanni’s resemblance to his dad, both in looks and the hotheaded willingness to attack.

“My God, you must be Ana!” he says in unaccented English. “You couldn’t be anyone else. I am Nicoli, Cecilia’s husband.” We kiss on both cheeks but do not hug, as he is still bare-chested and wet. Instead he holds me at arm’s length and stares in wonder.

“You look just like my wife!” “Do I?”

Nicosa’s face is close enough that I can see the dark awareness in his eyes and the unspoken understanding that we are both playing for time.

“This is wonderful!” He smiles handsomely. “Cecilia will be home soon. You must be crazy to meet her!” “I didn’t mean to interrupt—” “Not at all.”

I face the group of angry peasant faces as if my heart isn’t going a mile a minute. Dry wind fingers the rayon dress. I regard them amiably. What are you going to do to us?

They leave. But not without the same muttered word Giovanni had thrown at the gypsies.

“Vaffanculo!”

When we hear the engines of their cars start up, I ask Nicosa if everything is all right.

“No, but never mind.” His voice is shaky; he has had a serious scare.

“Who are they?”

“Oh, some people who are upset with me. Somebody always is. But these are from my own contrada. Do you know about that?” “Yes; Giovanni explained. The neighborhood.” “Normally we have respect for other contrada members.” He falters. “I am embarrassed.” “Don’t be. You handled it.” Barely. I wonder if he will thank me for intervening, but that would mean acknowledging how close he came to having his butt kicked by his own neighbors, and clearly, he would rather put the incident behind us.

“Can I get you something?” He lights a cigarette and walks into the pool house. “You look like you’re ready for a swim.” “Would you mind?” I ask, tearing off the dress without waiting for an answer. “I’ll be a much better person after I get in the water.” He smiles quizzically and gestures toward the pool.

Oh, what a soul-saving dive. Hitting a hard freestyle, I glimpse Nicosa through the crook of my arm, grimly pouring a drink. Catching my look, he changes his expression to one of forced amusement. Raising a glass, he calls, “Brava!”

SIX

The wet swimsuit hangs over a chair in the sweet-pea bedroom. The mirrors of the mahogany armoire reflect a woman wearing white jeans and a black bra, frozen by indecision. My hair is as blow-dried as it will get in this humidity. I’ve put on eyeliner, eye shadow, and lipstick, which is a lot for me. Opening the doors of the armoire, the room revolves brightly in the polished glass, and then I’m staring into the despair of an empty closet. The sum total of my travel wardrobe rests on four lonely hangers.

This is when I miss Sterling, a lot. He would be lying on the sage-green bedspread wearing a Western-style shirt he ironed himself, jeans that have seen real horsehide, and soft R.M. Williams boots custom- made in Australia — completely oblivious to my pain. Getting dressed is easy for him: he is always himself.

“What should I wear?”

“Wear what feels comfortable.”

That’s just it. How do I present myself? As an FBI agent or as a long-lost relative? Girlie? Tough? There’s the chocolate-brown wrap dress I splurged on in London, imagining Sterling and me in one of those minimalist restaurants where everybody looks like a piece of art, but it seems too special just for dinner. How dressy do you get in an abbey?

The hell with it. I pull on a stretchy black lace blouse, step into a pair of high-heeled sandals, open the door, and stop — fascinated by the play of air and light outside. So much vitality is contained inside the walls of the abbey. You could stand here all day, absorbed in silence, watching the sun creep through the spikes of lavender. Open a door in Los Angeles, and all you get is noise.

The iron latch falls into place behind me. Bands of light ricochet through the archways as I descend the worn travertine steps. The last warmth of day remains heavy in the courtyard, which is empty except for Nicosa, alone at a wooden table beneath one of the portals that frame the loggia. The sight of him texting on his phone is disconcerting. If he is a mafia associate, he represents a new breed: a global businessman who operates in the economic overworld. I can understand Dennis Rizzio’s excitement. An ordinary FBI agent attempting to gain access to that elite brotherhood of power would be as effective as a peasant throwing pebbles at a castle. But here I am, already inside.

Not surprisingly, Nicosa also possesses a brawnier-than-average sexuality. Powerful men have it — the kind of animal magnetism that must have kept the Rome-based surveillance team wide awake while they documented the affair with his counterpart sexpot, Lucia Vincenzo. It is impossible for him to simply sit in a chair in this theatrical setting and not look larger than life, simmering with operatic passions, especially when his artistically cut black and silver hair curls with just the right panache along the nape of the neck, and his expressive face gleams with a masculine hint of sweat.

“Sit.”

He motions toward a cushioned wicker chair. On the table is salvation: a bottle of white wine in a silver bucket of ice.

“I’m glad we have some time to talk before my wife comes home.” Like that of the male guests at the London birthday party, the flirtatiousness is reflexive and without meaning, but he does have a way of making himself feel very close, as if his furrowed, animated face has become magnified with interest, following your every thought.

“How was your trip from Rome?”

“The train station was a nightmare,” I tell him. “But you’ll be happy to know that every spot at Caffe Nicosa was taken. Your company must be doing well.” “I have a secret weapon. His name is Sofri. He does not look like a secret weapon — he looks like Marcello Mastroianni with a white mustache — but he is an old friend and a brilliant biologist who cracked the genome of the coffee plant and created a new, genetically engineered bean. He is the reason for our success.” “In Italy, don’t you also have to know the right people?” Nicosa’s eyes hold mine. Within the coarse stone walls, the early twilight softens our skin tones so we gaze at each other with frankness — there is no hiding in this sultry light.

“What do you mean, ‘the right people’?” he inquires gently.

My cell phone rings. It is Dennis Rizzio.

“Sorry …”

“Go ahead,” Nicosa says.

Dennis’s voice is clipped. “Can you talk?” “For a minute.”

I look questioningly at Nicosa, and he reads it exactly. “I’ll get some glasses,” he says and politely leaves the