“You only have to bury a mother once,” George coaxed, “it’s not like I’m asking you to bury my damnable sisters.” This was a typical fib on his part because, in all truth, his mother and his sisters were cloned bananas from the same stem. Inke held her tongue about that, though. Everybody knew the truth, of course: the Mihajlovic brood were the worst-kept “secret” scandal in history. Everyone who loved them learned not to say anything in earshot.
Then George further announced that his mother’s burial was to be a traditional Catholic ceremony. Not the kind of ceremony George preferred: those newfangled Dispensational Catholic ceremonies, with ubiquitous computing inside the church. No: George was firmly resolved on proper committal rites, with a vigil, a Mass, and a wake. Conducted in Latin. The Latin was the final straw .
At this overwhelming gesture, Inke had to give in. Her surrender meant the tiresome chore of shopping for proper funeral clothes for herself, George, and the children. For George wanted no expense spared.
Inke soon found, from the unctuous behavior of the tailors, that this was no ordinary funeral. It was to be a famous funeral. A world-changing funeral, a glamorous climacteric. In particular, everyone asked if George’s children were going to meet “Little Mary Montalban.”
There seemed no use in Inke’s obscuring the fact that her children were the cousins of Little Mary Montalban. Lukas, Lena, and even baby Ivan would personally meet the simpering, capering Little Mary Montalban, the “girl with the world at her feet”…
Mljet proved a keen disappointment. The island looked so mystical and lovely from the deck of a ferry, yet the landscape was a fetid, reeking wilderness, swarming with insects even in November, a rank place like an overgrown parking lot, and with scarcely any civilized amenities.
Inke’s little German guidebook made a great deal of pious green fuss about the returning fish and the swarming bugs and the glorious birds of prey and so forth, but—just like the “Treasure Island” of her older son’s favorite book author, Robert Louis Stevenson—Mljet must have been an excellent place to be marooned and go totally mad.
Inke remarked on this to the older boy but, although Lukas was not yet eight, and huge-headed, with missing teeth and spindly schoolboy limbs, Lukas already had his father’s wild look in his eyes. “Marooned and going mad!” Lukas thought that was wonderful. He would maroon his little sister Lena and make her go mad, by stealing all her dolls and leaving her without any playmates.
Construction work was booming at the island’s new tourist port, which was named Palatium. Someone highly competent was sinking a great deal of investment money here. Given that George was so deeply involved in those logistics, this was a heartening sight to Inke. It almost made up for the fact that the sea trip had badly upset the baby.
Palatium’s newly consecrated Catholic church seemed to be the first building formally completed. It was certainly the first decent place of worship consecrated in Mljet since who knew when. The church had a proper crying room with a trained nursemaid in it, a quiet American girl. This girl was Dispensation—it was annoying how many of them dressed themselves to show their politics—but she loved babies.
Nerves jangled, Inke dipped at the holy water, led the older children up the aisle, genuflected, and slipped into a front pew. Peace at last. Peace, and safety. Thank God. Thank God for the mercies of God.
The coffin was candlelit with its feet toward the holy-of-holies. Inke and the children shared the shining new pew with an old man sitting alone. Some threadbare Balkan scholar, by the look of him.
The poor old man seemed genuinely shaken and grieved by the death of Yelisaveta Mihajlovic.
Inke could not believe that Yelisaveta Mihajlovic had been any kind of decent Catholic. If she had been, she would have trained her children in the catechism, instead of stuffing their cloned heads like cabbage rolls with insane notions about how computers were going to take over the world. Yelisaveta Mihajlovic was nobody’s saint, that was for certain. That dead creature in the elaborate casket there was the widow of a violent warlord, a Balkan Lady Macbeth.
Still, there had to be some redeeming qualities to any woman lying dead in church. After all was said and done, Yelisaveta Mihajlovic had created George. Inke knew well that George wasn’t quite human, but she considered that a distinct advantage in a husband.
Just look at that weepy old man over there; his blue-veined hands were clenched before his face, he was clearly Dispensation yet sincerely praying as a Catholic. Life wasn’t about being perfectly consistent, was it? Mankind were miserable sinners. If they didn’t know they were sinners before their whole Earth caught fire, they certainly ought to know that by now.
Inke rose from the pew to attend to the casket in the mellow candlelight. This was the most expensive, elaborate coffin Inke had ever seen. She’d thought at first that it was a properly open coffin, but no. The casket had a bubble top of thin, nonreflective glass. The dead woman’s coffin was hermetically sealed.
And that corpse inside her bubbled sphere of death… what brilliant undertaker had been set loose there? The more one stared at those gaunt, painted, cinematic features, the more she looked like some brilliant toy.
There was just enough graceless authenticity left to the corpse to convince the viewer that the undertaker’s art concealed an actual dead woman. Or a dead creature anyway, for the war-criminal fugitive had been living for years up in orbit, where human bone and muscle wasted away from the lack of gravity, where the air was canned and the skin never felt healthy sunlight… How many “days” had this waxwork creature seen, with her dead silent- actress eyes, those orbital sunrises, sunsets, as she bounded off the walls of her tin home like a fairy shrimp…
She didn’t even have legs!
A shroud covered her lower body. Thin, cream-colored, silky fabric.
Enough to veil her abnormalities, but enough to show the ugly truth to those who—somehow—must have known what she was doing to herself, to her body and soul, way up there.
She was sickeningly strange. Yet at least she was truly dead.
A reflective shadow appeared on the glass bubble. It was one of the clones. The clone took a stance at the far side of the coffin. She stared into the bubble, fixated, gloating.
She was dressed in elaborate, lacy white, with a long stiff bodice but a plunging decolletage, like some bulging-eyed bride, drunk at a Catholic wedding and burningly eager to haul the groom to a hotel.
Inke had only met one of the cloned sisters: Sonja, the strongest one. She knew instantly that this one was Biserka. She knew that in her bones.
“I’m Erika Montalban,” Biserka told her.
Inke did not entirely trust her own English. “How nice. How do you do?”
“And you’re Inke, and those are your kids!”
Lukas and Lena were sitting placidly in their pew, heads together over a silent handheld game. Inke knew instantly that Biserka would cheerfully skin and eat her two children. She would gulp them down the way a cold adder would eat two mice.
“Where’s the baby?” Biserka demanded, scanning the church as if it sold babies on racks. “I love babies! I want to have lots of them.”
Inke touched her scarf. “You should wear something… on your head. We are in a church.”
“What, I have to wear a hood in here, like a Muslim girl or something?”
“No, like a Catholic.”
“Do I get to eat those little round bread things?”
“No, you’re not in a state of grace.”
“I put the holy water all over myself!”
“You’re not a Catholic.”
“It is
Biserka stormed out of the church.
“You told her the proper things,” said the old gentleman. He had stepped from his pew to the coffin, without Inke hearing his tread. He spoke English. “You were kind and polite to her.”