She spoke to the room, as from the start she had spoken consecutively to the house. 'Well, here we are.'
But she was restless. The caretaker must be due to arrive, and until this necessary procedure had taken place, interruption hung over her. Of course, the caretaker would enable Jonquil to gain possession of the house secrets, the holostetic displays of furnishings and earlier life that might have been indigenous here, the hidden walks and rooms that undoubtedly lay inside the walls.
Jonquil was tired. She had risen at 3:00 a.m. for the boat after an evening of hospitable farewells. She lay down on her inflatable bed with the pillow under her neck. Through half-closed eyes she saw the room breathing with pastel motes of sun, and heard the rustle of weed at the shutter.
She dreamed of climbing a staircase which, dreaming, seemed new to her. At the foot of the stair a marble pillar supported a globe of some aquamarine material, covered by small configurations of alien land-masses, isolate in seas. The globe was a whimsical and inaccurate eighteenth-century rendition of the planet Venus, to which the house was mysteriously affiliated. As she climbed the stairs, random sprinklings of light came and went. Jonquil sensed that someone was ascending with her, step for step, not on the actual stair, but inside the peeling wall at her left side. Near the top of the stair (which was lost in darkness) an arched window had been let into the wall, milky and unclear and further obscured by some drops of waxen stained glass. As she came level with the window, Jonquil glanced sidelong at it. A shadowy figure appeared, on the far side of the pane, perhaps a woman, but hardly to be seen.
Jonquil started awake at the sound of the caretaker's serviceable shoes clumping into the house.
The caretaker was a woman. She did not offer her name, and no explanation for her late arrival. She had brought the house manual, and advised Jonquil on how to operate the triggers in its panel — visions flickered annoyingly over the rooms and were gone. A large box contained facsimiles of things pertaining to the house and its history. Jonquil had seen most of these already.
'There are the upper rooms, the attics. Here's the master key.'
The woman showed Jonquil a hidden stair that probed these upper reaches of the house. It was not the stairway from the dream, but narrow and winding as the steps of a bell-tower. There were no other concealed chambers.
'If there's anything else you find you require, you must go out to the booth in the square. Here is the code to give the machine.'
The caretaker was middle-aged, stout and uncharming. She seemed not to know the house at all, only everything about it, and glanced around her disapprovingly. Doubtless she lived in one of the contemporary golden towers across the lagoon, which, in the lingering powder of mist, passed for something older and more strange that they were not.
'Who came here last?' asked Jonquil. 'Did anyone?'
'There was a visitor in the spring of the last Centenary Year. He stayed only one day, to study the plaster, I believe.'
Jonquil smiled, pleased and smug that the house was virtually all her own, for the city's last centenary had been twenty years ago, nearly her lifetime.
She was glad when the caretaker left, and the silence of the house did not occur to Jonquil as she went murmuring from room to room, able now to operate the shutters, bring in light and examine the carvings in corners, on cornices. Most of them showed earlier defacement, as expected. She switched on, too, scenes from the manual, of costumed, dining and conversing figures amid huge pieces of furniture and swags of brocade. No idea of ghosts was suggested by these holostets. Jonquil reserved a candlelit masked ball for a later more fitting hour.
The greenish amber of afternoon slid into the plate of water. A chemical rose flooded the sky, like colour processing for a photograph. Venus, the evening star, was visible beyond the garden.
Jonquil climbed up the bell-tower steps to the attics.
The key turned easily in an upper door. But the attics disappointed. They were high and dark — her flashlight penetrated like a sword — webbed with the woven dust, and thick with damp, and a sour cloacal smell that turned the stomach of the mind. Otherwise, there was an almost emptiness. From beams hung unidentified shreds. On one wall a tapestry on a frame, indecipherable, presumably not thought good enough for renovation. Jonquil moved reluctantly through the obscured space, telling it it was in a poor state, commiserating with it, until she came against a chest of cold black wood.
'Now what are you?' Jonquil enquired of the chest.
It was long and low, its lid carved over with a design that had begun to crumble Curious fruits in a wreath.
The shape of the chest reminded her of something. She peered at the fruits. Were they elongate lemons, pomegranates? Perhaps they were meant to be Venusian fruits. The astrologer Johanus, who had lived in the Palace of the Planet, had played over the house his obsession and ignorance with, and of, Venus. He had claimed in his treatise closely to have studied the surface of the planet through his own telescope. There was an atmosphere of clouds, parting slowly; beneath, an underlake landscape, cratered and mountained, upon limitless waters. 'The mirror of Venus is her sea,' Johanus wrote. And he had painted her, but his daubs were lost, like most of his writing, reputedly burned. He had haunted the house alive, an old wild man, watching for star-rise, muttering. He had died in the charity hospital, penniless and mad. His servants had destroyed his work, frightened of it, and vandalized the decorations of the house.
Jonquil tried to raise the lid of the chest. It would not come up.
'Are you locked?'
But there was no lock. The lid was stuck or merely awkward.
'I shall come back,' said Jonquil.
She had herself concocted an essay on the astrologer, but rather as a good little girl writes once a year to her senile grandfather. She appreciated his involvement — that, but for him, none of this would be — but he did not interest her. It was the house which did that. There was a switch on the manual that would conjure acted reconstructions of the astrologer's life, even to the final days, and to the rampage of the vandals. But Jonquil did not bother with this record. It was to her as if the house had adorned itself, using the man only as an instrument. His paintings and notes were subsidiary, and she had not troubled much over their disappearance.
'Yes, I'll be back with a wrench, and you'd just better have something in there worth looking at,' said Jonquil
