circlets, batik robes heavy with embroidery and beadwork. Long whittled pegs formed its torso and arms and the rods that swivelled it back and forth, so that its robes rippled tremulously, like a swallowtail's wings. Held at arm's length it gazed scornfully down at Helen, its face glinting with gilt paint. Sinuous vines twisted around each jointed arm. Flowers glowed within the rich threads of its robe, orchids blossoming in the folds of indigo cloth.
Loveliest of all was its face, the curve of cheeks and chin so gracefully arched it might have been cast in gold rather than coaxed from wood. Helen brushed it with a finger: the glossy white paint gleamed as though still wet. She touched the carmine bow that formed its mouth, traced the jet-black lashes stippled across its brow, like a regiment of ants. The smooth wood felt warm to her touch as she stroked it with her fingertips. A courtesan might have perfected its sphinx's smile; but in the tide of petals Helen discovered a slip of paper covered with spidery characters. Beneath the straggling script another hand had shaped clumsy block letters spelling out the name prince of flowers .
Once, perhaps, an imperial concubine had entertained herself with its fey posturing, and so passed the wet silences of a long green season. For the rest of the afternoon it was Helen's toy.
She posed it and sent its robes dancing in the twilit room, the frail arms and tiny wrists twitching in a marionette's waltz.
Behind her a voice called, 'Helen?'
'Leo,' she murmured. 'Look what I found.'
He hunched beside her to peer at the figure. 'Beautiful. Is that what you're on now? Balinese artefacts?'
She shrugged. 'Is that what it is? I didn't know.' She glanced down the dark rows of cabinets and sighed. 'I probably shouldn't be here. It's just so hot' She stretched and yawned as Leo slid the puppet from her hands.
'Can I see it?' He twisted it until its head spun and the stiff arms flittered. 'Wild. Like one of those dancers in The King and I .' He played with it absently, hypnotized by the swirling robes. When he stopped, the puppet jerked abruptly upright, its blank eyes staring at Helen.
'Be careful,' she warned, kneading her smock between her thumbs. 'It's got to be a hundred years old.' She held out her hands and Leo returned it, bemused.
'It's wild, whatever it is.' He stood and stretched. 'I'm going to get a soda. Want to come?'
'I better get back to what I was working on. I'm supposed to finish the Burmese section this week.' Casually she set the puppet in its box, brushed the dried flowers from her lap and stood.
'Sure you don't want a soda or something?' Leo hedged plaintively, snapping his ID badge against his chest. 'You said you were hot.'
'No thanks,' Helen smiled wanly. 'I'll take a raincheck. Tomorrow.'
Peeved, Leo muttered and stalked off. When his silhouette faded away she turned and quickly pulled the box into a dim corner. There she emptied her handbag and arranged the puppet at its bottom, wrapping Kleenex about its arms and face. Hairbrush, wallet, lipstick: all thrown back into her purse, hiding the puppet beneath their clutter. She repacked the crate with its sad array of blossoms, hammering the lid back with her shoe. Then she scrabbled in the corner on her knees until she located a space between stacks of cartons. With a resounding crack the empty box struck the wall, and Helen grinned as she kicked more boxes to fill the gap. Years from now another inventory technician would discover it and wonder, as she had countless times, what had once been inside the empty carton.
When she crowded into the elevator that afternoon the leather handle of her purse stuck to her palm like wet rope. She shifted the bag casually as more people stepped on at each floor, heart pounding as she called goodbye to the curator for Indo-Asian Studies passing in the lobby. Imaginary prison gates loomed and crumbled behind Helen as she strode through the columned doors and into the summer street.
All the way home she smiled triumphantly, clutching her handbag to her chest. As she fumbled at the front door for her keys a fresh burst of scent rose from the recesses of her purse. Inside, another scent overpowered this faint perfume the thick reek of creosote, rotting fruit, unwashed clothes. Musty and hot and dark as the museum's dreariest basement, the only two windows faced on to the street. Traffic ground past, piping bluish exhaust through the screens. A grimy mirror reflected shabby chairs, an end table with lopsided lamp: furniture filched from college dormitories or reclaimed from the corner dumpster. No paintings graced the pocked walls, blotched with the crushed remains of roaches and silverfish.
But beautiful things shone here, gleaming from windowsill and cracked Formica counters: the limp frond of a fossil fern, etched in obsidian glossy as wet tar; a whorled nautilus like a tiny whirlpool impaled upon a brass stand. In the centre of a splintered coffee table was the imprint of a foot-long dragonfly's wing embedded in limestone, its filigreed scales a shattered prism.
Corners heaped with lemur skulls and slabs of petrified wood. The exquisite cone shells of poisonous molluscs. Mounds of green and golden iridescent beetles, like the coinage of a distant country. Patches of linoleum scattered with shark's teeth and arrowheads; a tiny skull anchoring a handful of emerald plumes that waved in the breeze like a sea-fan. Helen surveyed it all critically, noting with mild surprise a luminous pink geode; she'd forgotten that one. Then she set to work.
In a few minutes she'd removed everything from her bag and rolled the geode under a chair. She unwrapped the puppet on the table, peeling tissue from its brittle arms and finally twisting the long strand of white paper from its head, until she stood ankle-deep in a drift of tissue. The puppet's supporting rod slid neatly into the mouth of an empty beer bottle, and she arranged it so that the glass was hidden by its robes and the imperious face tilted upward, staring at the bug-flecked ceiling.
Helen squinted appraisingly, rearranged the feathers about the puppet, shoring them up with the carapaces of scarab beetles: still it looked all wrong. Beside the small proud figure, the fossils were muddy remains, the nautilus a bit of sea wrack. A breeze shifted the puppet's robes, knocking the scarabs to the floor, and before she knew it Helen had crushed them, the little emerald shells splintering to grey dust beneath her heel. She sighed in exasperation: all her pretty things suddenly looked so mean. She moved the puppet to the windowsill, to another table, and finally into her bedroom. No corner of the flat could hold it without seeming even grimier than before. Helen swiped at cobwebs above the doorway before setting the puppet on her bedstand and collapsing with a sigh on to her mattress.
In the half-light of the windowless bedroom the figure was not so resplendent. Disappointed, Helen straightened its robes yet again. As she tugged the cloth into place, two violet petals, each the size of her pinky nail, slipped between her fingers. She rolled the tiny blossoms between her palms, surprised at how damp and fresh they felt, how they breathed a scent like ozone, or seawater. Thoughtfully she rubbed the violets until only a gritty pellet remained between her fingers.
