Dinner at the Homesick Restaurant

“It’s not right. It’s wrong.”

She wasn’t given to philosophy, but during the drive home she stared at the grimy Baltimore scenery and considered the question of right and wrong: of theoretical virtue, existing in a vacuum; of whether there was any point to it at all. When they reached home, she got out of the car and entered the house without a word, and climbed the stairs to her room.

Ezra scoops the dead bird onto a piece of cardboard and slides it into the trash bag. Then he tapes the cardboard to the broken windowpane where the bird must have entered. Pearl, meanwhile, sweeps up the shards of glass. She leaves them in a pyramid and goes downstairs for the dustpan. Already, she sees, the house has a bit more life to it — the sunny pattern of leaves shimmering on the parlor floor in front of the open door, the smell of hot grass wafting through the rooms. “It was never all that practical,” Cody said on the phone just recently, referring to the farm. “It was only a half-baked idea that I had when I was young.” But if he really meant that, why doesn’t he go on and sell? No, he couldn’t possibly; she has spent so much time sweeping this place, preparing it for him, opening and shutting bureau drawers as if she’d find his secrets there. She can imagine Ruth in this kitchen, Cody out surveying fence lines or whatever it is men do on farms. She can picture Luke running through the yard in denim overalls. He is old enough to go fishing now, to swim in the creek beyond the pasture, maybe even to tend the animals. In August, he’ll be eight. Is it eight? Or nine. She’s lost track. She hardly ever sees him, and must conquer his shyness all over again whenever he and his parents pass through Baltimore. Each visit, his interests have changed: from popguns to marbles to stamp collecting. Last time he was here, some two or three years back, she got out her husband’s stamp album — its maroon, fake-leather cover gone gray with mildew — only to find that Luke had switched to model airplanes. He was assembling a balsa wood jet, he told her, that would actually fly. And he was planning to be an astronaut. “By the time I’m grown,” he said, “astronauts will be ordinary. People will be taking rockets like you would take a bus. They’ll spend their summers on Venus. They won’t go to Ocean City; they’ll go to beaches on the moon.” “Ah,” she said, “isn’t that wonderful!” But she was too old for such things. She couldn’t keep up, and the very thought of traveling to the moon made her feel desolate.

And nowadays — well, who can guess? Luke must be involved in something entirely different. It’s so long since he was here, and she’s not sure he’ll ever be back. During that last visit, Ezra got his old pearwood recorder from the closet and showed Luke how to play a tune. Pearl knows very little about recorders, but evidently something happens — the wood dries up, or warps, or something — when they’re not played enough; and this one hadn’t been played in a decade, at least. Its voice had gone splintery and cracked. How startled she’d been, hearing three ancient notes tumble forth after such a silence! Ezra and Luke walked south on Calvert Street to buy some linseed oil. Not two minutes after they left, Cody asked where they’d got to. “Why, off to buy oil for Ezra’s recorder,” Pearl told him. “Didn’t you see them go?” Cody excused himself and went outside to pace in front of the house. Ruth stayed in the living room, discussing schools. Pearl hardly listened. She could look through the window and see Cody pacing, turning, pacing, his suit coat whipping out behind him. She could tell when Ezra and Luke returned, even before she saw them, by the way that Cody stiffened. “Where have you been?” she heard him ask. “What have you two been doing?”

Luke never did learn how to play the recorder. Cody said they had to go. “Oh, but Cody!” Pearl said. “I thought you were spending the night!”

“Wrong,” he told her. “Wrong again. I can’t stay here; this place is not safe. Don’t you see what Ezra’s up to?”

“What, Cody? What is he up to?”

“Don’t you see he’s out to steal my son?” he asked. “The same way he always stole everybody? Don’t you see?”

In the end, they left. Ezra wanted to give Luke the recorder for keeps, but Cody told Luke to leave it; he’d get him a newer one, fancier, finer. One that wasn’t all dried up, he said.

Pearl believes now that her family has failed. Neither of her sons is happy, and her daughter can’t seem to stay married. There is no one to accept the blame for this but Pearl herself, who raised these children single-handed and did make mistakes, oh, a bushel of mistakes. Still, she sometimes has the feeling that it’s simply fate, and not a matter for blame at all. She feels that everything has been assigned, has been preordained; everyone must play his role. Certainly she never intended to foster one of those good son/bad son arrangements, but what can you do when one son is consistently good and the other consistently bad? What can the sons do, even? “Don’t you see?” Cody had cried, and she had imagined, for an instant, that he was inviting her to look at his whole existence — his years of hurt and bafflement.

Often, like a child peering over the fence at somebody else’s party, she gazes wistfully at other families and wonders what their secret is. They seem so close. Is it that they’re more religious? Or stricter, or more lenient? Could it be the fact that they participate in sports? Read books together? Have some common hobby? Recently, she overheard a neighbor woman discussing her plans for Independence Day: her family was having a picnic. Every member — child or grownup — was cooking his or her specialty. Those who were too little to cook were in charge of the paper plates.

Pearl felt such a wave of longing that her knees went weak.

Ezra has finished taping the glass. Pearl drifts through the other bedrooms, checking the other windows. In the smallest bedroom, a nursery, a little old lady in a hat approaches. It’s Pearl, in the speckled mirror above a bureau. She leans closer and traces the lines around her eyes. Her age does not surprise her. She’s grown used to it by now. You’re old for so much longer than you’re young, she thinks. Really it hardly seems fair. And then she thinks, for no earthly reason, of a girl she went to school with, Linda Lou something-or-other — such a pretty, flighty girl, someone she’d always envied. In the middle of their senior year, Linda Lou disappeared. There were rumors, later confirmed — an affair with the school’s only male teacher, a married man; and a baby on the way. How horrified her classmates had been! It had thrilled them: that they actually knew such a person, had borrowed her history notes, helped her retie a loose sash, perhaps even brushed her hand accidentally — that hand that may have touched … well, who knew what. It occurs to Pearl, peering into the glass, that the baby born of that scandal must be sixty years old by now. He would have gray hair and liver spots, perhaps false teeth, bifocals, a tedious burden of a life. Yet Linda Lou, wearing white, still dances in Pearl’s mind, the prettiest girl at the senior social.

“Don’t you see?” Cody has asked, and Pearl had said, “Honey, I just can’t understand you.”

Then he shrugged, and his normal, amused expression returned to his face. “Ah, well,” he said, “I can’t either, I guess. After all, what do I care, now I’m grown? Why should it matter any more?”

She doesn’t recall if she managed any reply to that.

She steps away from the mirror. Ezra comes in, bearing the trash bag. “All finished, Mother,” he says.

“It looks a lot better, doesn’t it?”

“It looks just fine,” he tells her.

They descend the stairs, and close the door, and carry their supplies to the car. As they drive away Pearl glances back, like any good housewife checking what she’s cleaned, and it seems to her that even that buckling front porch is straighter and more solid. She has a feeling of accomplishment. Others might have given up and let the trespassers take the place over, but never Pearl. Next season she will come again, and the season after, and the season after that, and Ezra will go on bringing her — the two of them bumping down the driveway, loyal and responsible, together forever.

7 Dr. Tull Is Not a Toy

“Whoever’s the first to mention divorce has to take the children,” Jenny said. “This has kept us together more times than I can count.”

She was joking, but the priest didn’t laugh. He may have been too young to catch it. All he did was shift uncomfortably in his chair. Meanwhile the children milled around him like something bubbling, like something churning, and the baby dribbled on his shoes. He withdrew his feet imperceptibly, as if trying not to hurt the baby’s