The Englishman’s Boy

because they know it undermines their strength. But in the world we face at this moment, we must keep strong. Only the strong will survive.”

“But the girl didn’t set fire to the post,” I say stubbornly, clinging to the irrefutability of fact.

Chance’s mouth twists with impatience. “Don’t be wilfully obtuse,” he says angrily. “I have explained to you. This picture is about psychological truth, poetic truth. Poetic truth is not journalism.”

“But it’s not a lie either. It can’t be a -”

He cuts me off brutally. “This discussion is at an end.” And he walks away from me. Doesn’t let me finish. I start after him, determined to have my say. Down the hallway he strides, fists clenching and unclenching at his sides.

“Mr. Chance!” I shout.

Down the staircase he goes, feet quick on the steps, nimble despite his stoutness, fleeing me as I clump awkwardly in pursuit. He rushes past the costumed girls and Fitz’s friends in garish suits who greet him with drunken familiarity. One room and another room and suddenly there is nowhere further for him to fly, we’ve washed up in the chamber with the French doors overlooking the garden, the room with the single hardback chair placed like an altar under a cut-glass electric chandelier. Chance halts under this fixture, stands bathed in harsh, stunning light which fractures his shadow into a spiky asterisk on the marble floor.

Now I have him cornered, everything I meant to say suddenly evaporates. The best I can manage is, “Mr. Chance, I did as you told me. I wrote the facts.”

This claim only agitates him. He begins to pace the marble floor, flexing and unflexing his fingers like an arthritic. “I spoke of the dangers we face and you refused to hear. In Italy, Europe brings forth a new man, with a new rallying cry. ‘Avanti.’ Advance! ‘Ne me frego.” I don’t give a damn! The artists, the Futurists, anticipate. They carry pistols. The poet D’Annunzio leads an occupation force into Trieste. And we sleep. I lived abroad, I read the foreigner’s books, I listened to his music, I ate his food. But not as a tourist, no, not as a tourist. As a spy. Like Attila the Hun did when he was held hostage in Rome, I put my time to good use, I studied the enemy. Like a Hun seer I read the future in the scorched bones. I saw the danger in the bones of Europe scorched by the last war. Look at the Bolsheviks in Russia, hard men every one of them. The Asiatic brutality of the face of Lenin. And the Germans? Do we expect the Germans to lie down with the lambs? Never.” He rattles on, unstoppable. “The war to end all wars was a sham, a lie. Eighteen million dead – only the beginning. The League of Nations offers Sunday-school morality while the hard men gather outside our door.” He quits his pacing to confront me. “And the danger is not only outside America, but inside also. Two years ago Congress adopted a new immigration policy. Each European nation is allowed a quota of three per cent of the number of its nationals living in our country. But what of the millions we have already let in?” He moves to my side. “The only solution, Harry, is conversion. Convert the strangers with lightning! The way Luther was converted in the thunderstorm! The lightning of pictures! American pictures! Make the Sicilian living in New York American. Make the Pole living in Detroit American. Convert all those who can be converted – damn the rest!”

He stares at me intently. I want to look away, but don’t have the guts. His fierceness hypnotizes. “That is my argument with the Laemmles, the Mayers, the Goldwyns, the Warners, the Zukors,” he says. “The Jews will not convert. They are too full of resentment. They remain Jews first and always. For two thousand years they refused every overture. Whatever society, whatever country they inhabit, the worst of it sticks to their coats like a burr. The Russian Bolsheviks are all Jews. Like Trotsky. Trotsky commands the Red Army, refines Russian brutality as only a Jew could. The Jew Laemmle carries Teutonic burrs to us on his dirty coat, German sentimentality and kitsch taken to new heights of vulgarity. And so on. The examples are endless.”

Somebody is fiddling with the volume of a gramophone, jazz spurting and sinking like the jet of an erratic fountain. My mind is jerking and starting, like the music. Rachel, I think. Walk away, I think. But a chilled fascination roots me to the spot. And fear. I’m frightened now. Of this strange, eerie house. Of Fitz and his brutal friends, crashing about upstairs. Of Chance. Say something, I think. But I don’t. And this is the thing that frightens me most.

Chance’s gaze sweeps the room. “Do you know something, Harry?” he says, suddenly subdued. “This is my favourite room, the room where I think, imagine. Here I imagine myself on a train, a train which carries me to every corner of America. I imagine myself speaking from the back of it, at every whistle-stop, to the heart of America. Because when you speak from the heart to other hearts – even imagined hearts – the truth slowly dawns on you. Then the lightning crackles in your mind, pictures flash… something profound, something original is born. You see what is really there.” His voice has sunk to a whisper, but it is a hot whisper, coals settling in a grate. “Turn out the light,” he whispers, rapt.

For the moment, his puppet, I do. A little starlight and cloud-swaddled moon steals into immediate darkness through the French doors. Chance clambers up on the waiting chair, sways, corrects his equilibrium, rises erect under the baubles of the chandelier, pale grapes glistening in the pale moonlight. The gramophone falls silent, someone is changing a record. In that moment everything freezes. So do I. “What I have to say gives me no pleasure,” he states. His voice, low and confidential, spreads like a soft carpet over the cold marble to every corner of the room. “My friends, I wish I did not see so clearly. I tell you, the age of the hard men is upon us. That is the Zeitgeist. The Italian mimics the Roman centurion. The German worships blood and iron. The Bolshevik murders the Czar and his children. They leave us no choice but to be hard too. Remember the frontier – how savagery answered savagery? Picture the lonely cabin in the forest, the eyes watching from the trees, waiting for their opportunity. The lonely hunter on the plain, naked in his solitude. The children hatcheted in the corn patch, the mutilated man in the grass. The wife raped. The barn burning, the cattle slaughtered, the carrion crows descending. We did not fail that test.”

The gramophone starts again. People are dancing upstairs, the chandelier shivers in sympathy.

“But the strangers among us have no memory of this – the fired roof, the women taken captive, the lurking, painted nightmare. The unseen enemy everywhere, at the turn in the river, behind the bluff, hidden in the long prairie grass. They know nothing of that.”

Someone in the back of the house screams. It is followed by shrieks of laughter.

Chance pleads with the surrounding darkness. “If Mussolini exalts the spirit of the Roman legions, the German the Teutonic knight, the Russian the pitiless terrorist, surely we are entitled to do the same. The picture of the rawhide frontiersman is entitled to hang in the mind of every American. To hang illuminated by lightning – the cold eyes, the steady hand, the long rifle revealed in brightness. Europe returns to wilderness and returns us with it.” Seconds pass as I stare up at him. “A Frenchman noted that the profound contempt of the Greek for the barbarian is only matched by that of the Yankee for the foreign worker who makes no attempt to become truly American. So be it. Was the Jew there when our forefathers knelt by the window in fear for their lives, watching the woods? Was he with us when we rode out on the broad plains under the eyes of savages? Can he understand us? Argue our case to the world? I know what you are thinking, my friends. Do not insult the Jew, you think, he repays every insult with interest. He…” Chance trails off, holds himself perfectly still on his pedestal. “No matter. The lonely house must be protected. The wilderness encroaches on the fields we have cleared, the wilderness stirs abroad. It is coming. They are coming. I walked among them. One day soon a face will peer in your window, the face of a Blackshirt, or the face of a Bolshevik. They who resurrect the savage ghosts of their past must be challenged with the savage ghosts of our past. I will help, I will raise up our ghosts. Steel yourself. Meet strength with strength.” His neck turns stiffly like the turret of a tank, testing every corner of the room for opposition. He is done. “Help me down,” he says.

I take the groping hand. The palm is the hood of a mushroom, stickily moist. He steps down abruptly, clutching at me to keep from falling. He hangs on my shoulder. “You see, Harry?” he says, face close to mine. “Rewrite it. Change the girl. The enemy is never human.”

25

With the addition of George Hammond, the party that approached Little Soldier’s camp tallied thirteen. This made the Englishman’s boy distinctly uneasy; they were back to the bad-luck number they’d suffered before