was coming back more and more often. She had ceased trying to stop him from coming into her. The images were clear, and real, and present. And so far back. Twenty-two years back. But slowly they were becoming her reality once again, the only one in which she cared to live.
She knew she was sixty-seven and accepted it, but she could not imagine Robert Kincaid being nearly seventy-five. Could not think of it, could not conceive of it or even conceive of the conceiving of it. He was here with her, right in this kitchen, in his white shirt, long gray hair, khaki slacks, brown sandals, silver bracelet, and silver chain around his neck. He was here with his arms around her.
She finally pulled back from him, from where they stood in the kitchen, and took his hand, leading him toward the stairs, up the stairs, past Carolyn’s room, past Michael’s room, and into her room, turning on a small reading lamp by the bed.
Now, all these years later, Francesca carried her brandy and walked slowly up the stairs, her right hand trailing behind her to bring along the memory of him up the stairs and down the hallway into the bedroom.
The physical images were inscribed in her mind so clearly that they might have been razor-edged photographs of his. She remembered the dreamlike sequence of clothes coming off and the two of them naked in bed. She remembered how he held himself just above her and moved his chest slowly against her belly and across her breasts. How he did this again and again, like some animal courting rite in an old zoology text. As he moved over her, he alternately kissed her lips or ears or ran his tongue along her neck, licking her as some fine leopard might do in long grass out on the veld.
He was an animal. A graceful, hard, male animal who did nothing overtly to dominate her yet dominated her completely, in the exact way she wanted that to happen at this moment.
But it was far beyond the physical, though the fact that he could make love for a long time without tiring was part of it. Loving him was—it sounded almost trite to her now, given the attention paid to such matters over the last two decades—spiritual. It was spiritual, but it wasn’t trite.
In the midst of it, the lovemaking, she had whispered it to him, captured it in one sentence: “Robert, you’re so powerful it’s frightening.” He was powerful physically, but he used his strength carefully. It was more than that, however.
Sex was one thing. In the time since she’d met him, she had settled into the anticipation—the possibility, anyway—of something pleasurable, a breaking with a routine of hammering sameness. She hadn’t counted on his curious power.
It was almost as if he had taken possession of her, in all of her dimensions. That’s what was frightening. She never had doubted at the beginning that one part of her could remain aloof from whatever she and Robert Kincaid did, the part that belonged to her family and life in Madison County.
But he simply took it away, all of it. She should have known when he first stepped out of his truck to ask directions. He had seemed shamanlike then, and her original judgment was correct.
They would make love for an hour, maybe more, then he would pull slowly away and look at her, lighting a cigarette and one for her. Or sometimes he would just lie beside her, always with one hand moving on her body. Then he was inside her again, whispering soft words into her ear as he loved her, kissing her between phrases, between words, his arm around her waist, pulling her into him and him into her.
And she would begin to turn in her mind, breathing heavier, letting him take her where he lived, and he lived in strange, haunted places, far back along the stems of Darwin’s logic.
With her face buried in his neck and her skin against his, she could smell rivers and woodsmoke, could hear steaming trains chuffing out of winter stations in long-ago nighttimes, could see travelers in black robes moving steadily along frozen rivers and through summer meadows, beating their way toward the end of things. The leopard swept over her, again and again and yet again, like a long prairie wind, and rolling beneath him, she rode on that wind like some temple virgin toward the sweet, compliant fires marking the soft curve of oblivion.
And she murmured, softly, breathlessly, “Oh, Robert… Robert… I am losing myself.”
She, who had ceased having orgasms years ago, had them in long sequences now with a half-man, half- something-else creature. She wondered about him and his endurance, and he told her that he could reach those places in his mind as well as physically, and that the orgasms of the mind had their own special character.
She had no idea what he meant. All she knew was that he had pulled in a tether of some kind and wound it around both of them so tightly she would have suffocated had it not been for the vaulting freedom from herself she felt.
The night went on, and the great spiral dance continued. Robert Kincaid discarded all sense of anything linear and moved to a part of himself that dealt only with shape and sound and shadow. Down the paths of the old ways he went, finding his direction by candles of sunlit frost melting upon the grass of summer and the red leaves of autumn.
And he heard the words he whispered to her, as if a voice other than his own were saying them. Fragments of a Rilke poem, “around the ancient tower… I have been circling for a thousand years.” The lines to a Navajo sun chant. He whispered to her of the visions she brought to him—of blowing sand and magenta winds and brown pelicans riding the backs of dolphins moving north along the coast of Africa.
Sounds, small, unintelligible sounds, came from her mouth as she arched herself toward him. But it was a language he understood completely, and in this woman beneath him, with his belly against hers, deep inside her, Robert Kincaid’s long search came to an end.
And he knew finally the meaning of all the small footprints on all the deserted beaches he had ever walked, of all the secret cargoes carried by ships that had never sailed, of all the curtained faces that had watched him pass down winding streets of twilight cities. And, like a great hunter of old who has traveled distant miles and now sees the light of his home campfires, his loneliness dissolved. At last. At last. He had come so far… so far. And he lay upon her, perfectly formed and unalterably complete in his love for her. At last.
Toward morning, he raised himself slightly and said, looking straight into her eyes, “This is why I’m here on this planet, at this time, Francesca. Not to travel or make pictures, but to love you. I know that now. I have been falling from the rim of a great, high place, somewhere back in time, for many more years than I have lived in this life. And through all of those years, I have been failing toward you.”
When they came downstairs, the radio was still on. Dawn had come up, but the sun lay behind a thin cloud cover.
“Francesca, I have a favor to ask.” He smiled at her as she fussed with the coffeepot.
“Yes?” She looked at him. Oh, God, I love him so, she thought, unsteady, wanting even more of him, never stopping.
“Slip on the jeans and T-shirt you wore last night, along with a pair of sandals. Nothing else. I want to make a picture of you as you look this morning. A photograph just for the two of us.”
She went upstairs, her legs weak from being wrapped around him all night, dressed, and went outside with him to the pasture. That’s where he had made the photograph she looked at each year.
THE HIGHWAY AND THE PEREGRINE
Robert Kincaid gave up photograpby for the next few days. And except for the necessary chores, which she minimized, Francesca Johnson gave up farm life. The two of them spent all their time together, either talking or making love. Twice, when she asked, he played the guitar and sang for her in a voice somewhere between fair and good, a little uncomfortable, telling her she was his first audience. When he said that, she smiled and kissed him, then lay back upon her feelings, listening to him sing of whaling ships and desert winds.
She rode with him in Harry to the Des Moines airport, where he shipped film to New York. He always sent the first few rolls ahead, when it was possible, so the editors could look at what he was getting and the technicians could check to make sure his camera shutters were functioning properly.
Afterward he took her to a fancy restaurant for lunch and held her hands across the table, looking at her in his intense way. And the waiter smiled, just watching them, hoping he would feel that way sometime.
She marveled at the sense Robert Kincaid had of his ways coming to a close and the ease with which he accepted it. He could see the approaching death of cowboys and others like them, including himself. And she began to understand what he meant when he said he was at the terminus of a branch of evolution and that it was a dead
