Robin? (She stops ) Will you do something for me? (She looks at him) Will you not mention this to me again? I've said all I need to. More than I should have. Please. I don't want to hear her name on your lips. I don't want to think about her. All I want is to be free of her. (A pause) Will you help me? Help me with that?
ROBIN
(A pause) I'll get the drinks.
(She exits stage left. THE EMPEROR watches her go. Then he sits, leans backs, and, very slowly, smiles.)
Scene 17
Robin did as she was asked. She did not mention Ann Deems to Dennis. And Robin proceeded with something else that had been only suggested, Ann Deems's death.
Dennis had said, hadn't he, that he wanted to be free of her? Had said that he was bound by her for as long as she lived? Well then, the only way to free him was to end that life, end it in a way that would appear to be an accident.
Robin had never before harmed anyone, nor intended harm to anyone, and the realization that she now planned to kill a fellow human being strangely enough did not shock or dismay her. The deaths of Tommy Werton and Harry Ruhl had inured her to blood, and the thought of losing Dennis had inured her to the shedding of it. She had long heard that anyone is capable of murder, but had not really believed it. But now she knew that there was a limit, and she had been pushed to hers. Ann Deems had pushed her to it. Therefore, it followed that Ann Deems had to die, and die in a way so that Robin would not be suspected, and, even if suspected, would not be convicted. It was a situation more easily fancied than conceived, and several days passed before the plan began to formulate itself in Robin's laboring brain.
It was created by Ann Deems herself, born of an overheard comment of hers made to Donna Franklin. 'The star ceiling is just incredible,' Ann said. 'I'd love to see how it works. How do you get up there?'
'There are catwalks,' Donna answered. 'Ask Sid or Curt sometime. I'm sure they wouldn't mind taking you up.'
The catwalks. Robin had been up there only once. Two feet wide, they crisscrossed the area above the ceiling like a checkerboard made of wood. There were no handrails, nothing to stop the unwary from falling off onto the plaster two feet below. But once someone fell, they would not simply stop at the plaster, no. They would go through that fragile coating, break through the ceiling, and plummet to the floor of the theatre. There was a layer of chicken wire on top of the plaster, but Curt had told her that it was only wishful thinking that it could catch and hold the weight of a falling stagehand.
Or even, Robin considered, the lighter weight of a bitch.
'So what's the occasion?' Dennis asked John Steinberg. 'The last time you took me to lunch was when the theatre sale was wrapped up.'
Steinberg smiled. 'Special times, Dennis. I only wish that this town had someplace a bit fancier than the Kirkland Inn. But it's the gesture that's important, I suppose, and not the quality – or lack of same – of the food.' He took his wine glass, swirled the liquid, sniffed, and drank. ' Craddock is now fully financed, Dennis. Completely backed. We have every cent we need.'
A grin spread across Dennis's face. 'That's wonderful, John. You've done a fabulous job.'
Steinberg shrugged. 'I do what I'm paid for.'
'No, you do it because you love it.'
'And I love it because I'm good at it. But whatever the reason, the company should be able to come in at the end of March as scheduled.' He pursed his lips. 'Now that the good news is over, I've got a question for you.'
'Yes?'
'Supposing we hadn't been able to raise enough money. Would you have financed it?'
'No.'
'You would have let the project die? Something you've been planning for years.”
“Yes.'
'Do you mean that? We both know that three million dollars would put only a slight dent in your resources. If the show didn't make a cent, you could still afford to lose it.'
'I won't do a vanity production. I've told you that. I won't have people saying that Dennis Hamilton is financing this show so that he can direct it. If we couldn't have raised the money from investors, I'd…”
'You'd have what? Sold the theatre? Forgotten about everything? Began your second retirement at forty- three?'
'Maybe.'
'My ass you would've. But that same concern brings me to my next subject. The next show.'
'Aren't we getting a little ahead of ourselves?'
'I don't think so,' Steinberg said. 'We'll be staging Craddock beginning in May. Three months here, then opening in the city. If it succeeds, we'll have no problem getting backing. If it fails, not that I expect it to, but if it does, we may have problems. You won't consider using your own funds, I take it?'
'No. Not out of penuriousness, John, but out of -'
'I know, I know, sheer pride. Then may I suggest what I think would be a spectacular fund raiser? What if, for one night only, right here in the theatre where he had his birth, we resurrected the Emperor?'
Dennis was silent for a moment. 'I don't understand.'
'One final performance of A Private Empire. Twelve hundred seats, and each seat reserved for an investor of $5000.'
'No, John.' The reply was unequivocal.
'Dennis. That's six million dollars. We can stage one performance for less than seven figures. The second show would be instantly financed.'
'I said no. I've given my last performance as the Emperor. How long do you expect me to keep beating a dead horse?'
'Dennis -'
'No, John. I'm surprised you'd even ask me that. I won't even consider it. That part of my life is over. The Emperor is dead.' Dennis drained his wine glass. 'He's dead.'
~* ~
It's here, isn't it… yes, right where she left it, here in the top drawer of her desk.
Pretty thing. Look how it smiles at me. And look how its other face frowns. Comedy and tragedy, those two great extremes of life without which there is no drama.
No drama. Terrible thought. But there will be drama now, when the dear lady finds this pin where it should not be, oh yes, there will be such drama.
And I think it will be tragedy.
~* ~
The next morning, Robin found Ann Deems's pin in the Hamiltons' bedroom. She knew it was Ann's because she had seen her wearing it the previous day, had noticed it when Ann had come in in the morning. It was a small but striking piece, a representation of the masks of comedy and tragedy. Robin knew jewelry, having received fine items all the years she was with Dennis, and she could tell that the pin was expensive. What she would not have been able to tell was that, like her own pieces, this one had been a gift from Dennis as well.
Robin had been about to enter John Steinberg's office for a minor business matter when she heard Sid's voice from Ann's office and stopped.
'Very pretty pin.'
'Thank you,' Ann said. Robin thought she sounded uncomfortably self-conscious, and wondered why.
'I think I remember it.'
'Do you?'
'Dennis gave it to you, didn't he? Way back when?'
'Way back when,' she repeated, and Robin felt a chill in her heart. 'Do you think it's smart to wear it now?' Sid asked.
'I… I don't know.' Ann gave a little laugh. 'I hadn't really thought about it.”
“Maybe you should. It might send a signal that shouldn't be sent.'
