Night and Day

‘The first evening you told me, Katharine. Oh, and thousands of times—dinner-parties—talking about books— the way he came into the room—your voice when you spoke of him.’

Katharine seemed to consider each of these proofs separately. Then she said gravely:

‘I’m not going to marry William. And then there’s Cassandra—’

‘Yes, there’s Cassandra,’ said Mrs Hilbery. ‘I own I was a little grudging at first, but, after all, she plays the piano so beautifully. Do tell me, Katharine,’ she asked impulsively, ‘where did you go that evening she played Mozart, and you thought I was asleep?’

Katharine recollected with difficulty.

‘To Mary Datchet’s,’ she remembered.

‘Ah!’ said Mrs Hilbery, with a slight note of disappointment in her voice. ‘I had my little romance—my little speculation.’ She looked at her daughter. Katharine faltered beneath that innocent and penetrating gaze; she flushed, turned away, and then looked up with very bright eyes.

‘I’m not in love with Ralph Denham,’ she said.

‘Don’t marry unless you’re in love!’ said Mrs Hilbery very quickly. ‘But,’ she added, glancing momentarily at her daughter, ‘aren’t there different ways, Katharine—different—?’

‘We want to meet as often as we like, but to be free,’ Katharine continued.

‘To meet here, to meet in his house, to meet in the street.’ Mrs Hilbery ran over these phrases as if she were trying chords that did not quite satisfy her ear. It was plain that she had her sources of information, and, indeed, her bag was stuffed with what she called ‘kind letters’ from the pen of her sister-in-law

‘Yes. Or to stay away in the country,’ Katharine concluded.

Mrs Hilbery paused, looked unhappy, and sought inspiration from the window.

‘What a comfort he was in that shop—how he took me and found the ruins at once—how safe I felt with him—’

‘Safe? Oh no, he’s fearfully rash—he’s always taking risks. He wants to throw up his profession and live in a little cottage and write books, though he hasn’t a penny of his own, and there are any number of sisters and brothers dependent on him.’

‘Ah, he has a mother?’ Mrs Hilbery inquired.

‘Yes. Rather a fine-looking old lady, with white hair.’ Katharine began to describe her visit, and soon Mrs Hilbery elicited the facts that not only was the house of excruciating ugliness, which Ralph bore without complaint, but that it was evident that every one depended on him, and he had a room at the top of the house, with a wonderful view over London, and a rook.

‘A wretched old bird in a corner, with half its feathers out,’ she said, with a tenderness in her voice that seemed to commiserate the sufferings of humanity while resting assured in the capacity of Ralph Denham to alleviate them, so that Mrs Hilbery could not help exclaiming:

‘But, Katharine, you are in love!’ at which Katharine flushed, looked startled, as if she had said something that she ought not to have said, and shook her head.

Hastily Mrs Hilbery asked for further details of this extraordinary house, and interposed a few speculations about the meeting between Keats and Coleridge² in a lane, which tided over the discomfort of the moment, and drew Katharine on to further descriptions and indiscretions. In truth, she found an extraordinary pleasure in being thus free to talk to some one who was equally wise and equally benignant, the mother of her earliest childhood, whose silence seemed to answer questions that were never asked. Mrs Hilbery listened without making any remark for a considerable time. She seemed to draw her conclusions rather by looking at her daughter than by listening to her, and, if cross-examined she would probably have given a highly inaccurate version of Ralph Denham’s life-history except that he was penniless, fatherless, and lived at Highgate—all of which was much in his favour. But by means of these furtive glances she had assured herself that Katharine was in a state which gave her, alternately, the most exquisite pleasure and the most profound alarm.

She could not help ejaculating at last:

‘It’s all done in five minutes at a Registry Office^ea nowadays, if you think the Church service a little florid—which it is, though there are noble things in it.’

‘But we don’t want to be married,’ Katharine replied emphatically, and added, ‘Why, after all, isn’t it perfectly possible to live together without being married?’

Again Mrs Hilbery looked discomposed, and, in her trouble, took up the sheets which were lying upon the table, and began turning them over this way and that, and muttering to herself as she glanced:

‘A plus B minus C equals x y z. It’s so dreadfully ugly, Katharine. That’s what I feel— so dreadfully ugly.’

Katharine took the sheets from her mother’s hand and began shuffling them absent-mindedly together, for her fixed gaze seemed to show that her thoughts were intent upon some other matter.

‘Well, I don’t know about ugliness,’ she said at length.

‘But he doesn’t ask it of you?’ Mrs Hilbery exclaimed. ‘Not that grave young man with the steady brown eyes?’

‘He doesn’t ask anything—we neither of us ask anything.’

‘If I could help you, Katharine, by the memory of what I felt—’

‘Yes, tell me what you felt.’

Mrs Hilbery, her eyes growing blank, peered down the enormously long corridor of days at the far end of which the little figures of herself and her husband appeared fantastically attired, clasping hands upon a moonlit beach, with roses swinging in the dusk.

‘We were in a little boat going out to a ship at night,’ she began. ‘The sun had set and the moon was rising