She cried that it did, and threw down the book. Next she had picked up _Cowper's_
_Letters_, the classic prescribed by her father which had bored her, so that one sentence chancing to say something about the smell of broom in his garden, she had thereupon seen the little hall at Richmond laden with flowers on the day of her mother's funeral, smelling so strong that now any flower-scent brought back the sickly horrible sensation; and so from one scene she passed, half-hearing, half-seeing, to another. She saw her Aunt Lucy arranging flowers in the drawing-room.
'Aunt Lucy,' she volunteered, 'I don't like the smell of broom; it reminds me of funerals.'
'Nonsense, Rachel,' Aunt Lucy replied; 'don't say such foolish things, dear. I always think it a particularly cheerful plant.'
Lying in the hot sun her mind was fixed upon the characters of her aunts, their views, and the way they lived. Indeed this was a subject that lasted her hundreds of morning walks round Richmond Park, and blotted out the trees and the people and the deer. Why did they do the things they did, and what did they feel, and what was it all about? Again she heard Aunt Lucy talking to Aunt Eleanor. She had been that morning to take up the character of a servant, 'And, of course, at half-past ten in the morning one expects to find the housemaid brushing the stairs.' How odd! How unspeakably odd! But she could not explain to herself why suddenly as her aunt spoke the whole system in which they lived had appeared before her eyes as something quite unfamiliar and inexplicable, and themselves as chairs or umbrellas dropped about here and there without any reason. She could only say with her slight stammer, 'Are you f-f-fond of Aunt Eleanor, Aunt Lucy?' to which her aunt replied, with her nervous hen-like twitter of a laugh, 'My dear child, what questions you do ask!'
'How fond? Very fond!' Rachel pursued.
'I can't say I've ever thought 'how,'' said Miss Vinrace. 'If one cares one doesn't think
'how,' Rachel,' which was aimed at the niece who had never yet 'come' to her aunts as cordially as they wished.
'But you know I care for you, don't you, dear, because you're your mother's daughter, if for no other reason, and there _are_ plenty of other reasons'--and she leant over and kissed her with some emotion, and the argument was spilt irretrievably about the place like a bucket of milk.
By these means Rachel reached that stage in thinking, if thinking it can be called, when the eyes are intent upon a ball or a knob and the lips cease to move. Her efforts to come to an understanding had only hurt her aunt's feelings, and the conclusion must be that it is better not to try. To feel anything strongly was to create an abyss between oneself and others who feel strongly perhaps but differently. It was far better to play the piano and forget all the rest. The conclusion was very welcome. Let these odd men and women--her aunts, the Hunts, Ridley, Helen, Mr. Pepper, and the rest--be symbols,--featureless but dignified, symbols of age, of youth, of motherhood, of learning, and beautiful often as people upon the stage are beautiful. It appeared that nobody ever said a thing they meant, or ever talked of a feeling they felt, but that was what music was for. Reality dwelling in what one saw and felt, but did not talk about, one could accept a system in which things went round and round quite satisfactorily to other people, without often troubling to think about it, except as something superficially strange. Absorbed by her music she accepted her lot very complacently, blazing into indignation perhaps once a fortnight, and subsiding as she subsided now. Inextricably mixed in dreamy confusion, her mind seemed to enter into communion, to be delightfully expanded and combined with the spirit of the whitish boards on deck, with the spirit of the sea, with the spirit of Beethoven Op. 112, even with the spirit of poor William Cowper there at Olney. Like a ball of thistledown it kissed the sea, rose, kissed it again, and thus rising and kissing passed finally out of sight. The rising and falling of the ball of thistledown was represented by the sudden droop forward of her own head, and when it passed out of sight she was asleep.
Ten minutes later Mrs. Ambrose opened the door and looked at her. It did not surprise her to find that this was the way in which Rachel passed her mornings. She glanced round the room at the piano, at the books, at the general mess. In the first place she considered Rachel aesthetically; lying unprotected she looked somehow like a victim dropped from the claws of a bird of prey, but considered as a woman, a young woman of twenty-four, the sight gave rise to reflections. Mrs. Ambrose stood thinking for at least two minutes. She then smiled, turned noiselessly away and went, lest the sleeper should waken, and there should be the awkwardness of speech between them.
Chapter III
Early next morning there was a sound as of chains being drawn roughly overhead; the steady heart of the _Euphrosyne_ slowly ceased to beat; and Helen, poking her nose above deck, saw a stationary castle upon a stationary hill. They had dropped anchor in the mouth of the Tagus, and instead of cleaving new waves perpetually, the same waves kept returning and washing against the sides of the ship.
As soon as breakfast was done, Willoughby disappeared over the vessel's side, carrying a brown leather case, shouting over his shoulder that every one was to mind and behave themselves, for he would be kept in Lisbon doing business until five o'clock that afternoon.
At about that hour he reappeared, carrying his case, professing himself tired, bothered, hungry, thirsty, cold, and in immediate need of his tea. Rubbing his hands, he told them the adventures of the day: how he had come upon poor old Jackson combing his moustache before the glass in the office, little expecting his descent, had put him through such a morning's work as seldom came his way; then treated him to a lunch of champagne and ortolans; paid a call upon Mrs. Jackson, who was fatter than ever, poor woman, but asked kindly after Rachel--and O Lord, little Jackson had confessed to a confounded piece of weakness--well, well, no harm was done, he supposed, but what was the use of his giving orders if they were promptly disobeyed? He had said distinctly that he would take no passengers on this trip. Here he began searching in his pockets and eventually discovered a card, which he planked down on the table before Rachel. On it she read, 'Mr. and Mrs. Richard Dalloway, 23 Browne Street, Mayfair.'
'Mr. Richard Dalloway,' continued Vinrace, 'seems to be a gentleman who thinks that because he was once a
