sent him up a cup of nice strong tea at tea time, the brat who bore it found him lying dressed on the bed, snoring unbeautifully.
The evening wore on. It was fine frosty weather. The Whitechapel Road swarmed, with noisy life, as though it were a Saturday night. The stars flared in the sky like the lights of celestial costermongers. Everybody was on the alert for the advent of Mr. Gladstone. He must surely come through the Road on his journey from the West Bow- wards. But nobody saw him or his carriage, except those about the Hall. Probably he went by tram most of the way. He would have caught cold in an open carriage, or bobbing his head out of the window of a closed.
'If he had only been a German prince, or a cannibal king,' said Crowl bitterly, as he plodded toward the Club, 'we should have disguised Mile End in bunting and blue fire. But perhaps it's a compliment. He knows his London, and it's no use trying to hide the facts from him. They must have queer notions of cities, those monarchs. They must fancy everybody lives in a flutter of flags and walks about under triumphal arches, like as if I were to stitch shoes in my Sunday clothes.' By a defiance of chronology Crowl had them on to-day, and they seemed to accentuate the simile.
'And why shouldn't life be fuller of the Beautiful,' said Denzil. The poet had brushed the reluctant mud off his garments to the extent it was willing to go, and had washed his face, but his eyes were still bloodshot from the cultivation of the Beautiful. Denzil was accompanying Crowl to the door of the Club out of good-fellowship. Denzil was himself accompanied by Grodman, though less obtrusively. Least obtrusively was he accompanied by his usual Scotland Yard shadows, Wimp's agents. There was a surging nondescript crowd about the Club, and the police, and the door-keeper, and the stewards could with difficulty keep out the tide of the ticketless, through which the current of the privileged had equal difficulty in permeating. The streets all around were thronged with people longing for a glimpse of Gladstone. Mortlake drove up in a hansom (his head a self-conscious pendulum of popularity, swaying and bowing to right and left) and received all the pent-up enthusiasm.
'Well, good-by, Cantercot,' said Crowl.
'No, I'll see you to the door, Peter.'
They fought their way shoulder to shoulder.
Now that Grodman had found Denzil he was not going to lose him again. He had only found him by accident, for he was himself bound to the unveiling ceremony, to which he had been invited in view of his known devotion to the task of unveiling the Mystery. He spoke to one of the policemen about, who said, 'Ay, ay, sir,' and he was prepared to follow Denzil, if necessary, and to give up the pleasure of hearing Gladstone for an acuter thrill. The arrest must be delayed no longer.
But Denzil seemed as if he were going in on the heels of Crowl. This would suit Grodman better. He could then have the two pleasures. But Denzil was stopped half-way through the door.
'Ticket, sir!'
Denzil drew himself up to his full height.
'Press,' he said, majestically. All the glories and grandeurs of the Fourth Estate were concentrated in that haughty monosyllable. Heaven itself is full of journalists who have overawed St. Peter. But the door-keeper was a veritable dragon.
'What paper, sir?'
''New Pork Herald,'' said Denzil sharply. He did not relish his word being distrusted.
''New York Herald,'' said one of the bystanding stewards, scarce catching the sounds. 'Pass him in.'
And in the twinkling of an eye, Denzil had eagerly slipped inside.
But during the brief altercation Wimp had come up. Even he could not make his face quite impassive, and there was a suppressed intensity in the eyes and a quiver about the mouth. He went in on Denzil's heels, blocking up the doorway with Grodman. The two men were so full of their coming
'That was Cantercot just went in, wasn't it, Grodman?' said Wimp.
'I didn't notice,' said Grodman, in tones of utter indifference.
At bottom Wimp was terribly excited. He felt that his
With his usual courtesy and consideration, Mr. Gladstone had refused to perform the actual unveiling of Arthur Constant's portrait. 'That,' he said in his postcard, 'will fall most appropriately to Mr. Mortlake, a gentleman who has, I am given to understand, enjoyed the personal friendship of the late Mr. Constant, and has co-operated with him in various schemes for the organization of skilled and unskilled classes of labor, as well as for the diffusion of better ideals-ideals of self-culture and self-restraint-among the workingmen of Bow, who have been fortunate, so far as I can perceive, in the possession (if in one case unhappily only temporary possession) of two such men of undoubted ability and honesty to direct their divided counsels and to lead them along a road, which, though I cannot pledge myself to approve of it in all its turnings and windings, is yet not unfitted to bring them somewhat nearer to goals to which there are few of us but would extend some measure of hope that the working classes of this great Empire may in due course, yet with no unnecessary delay, be enabled to arrive.'
Mr. Gladstone's speech was an expansion of his postcard, punctuated by cheers. The only new thing in it was the graceful and touching way in which he revealed what had been a secret up till then-that the portrait had been painted and presented to the Bow Break o' Day Club, by Lucy Brent, who in the fulness of time would have been Arthur Constant's wife. It was a painting for which he had sat to her while alive, and she had stifled yet pampered her grief by working hard at it since his death. The fact added the last touch of pathos to the occasion. Crowl's face was hidden behind his red handkerchief; even the fire of excitement in Wimp's eye was quenched for a moment by a tear-drop, as he thought of Mrs. Wimp and Wilfred. As for Grodman, there was almost a lump in his throat. Denzil Cantercot was the only unmoved man in the room. He thought the episode quite too Beautiful, and was already weaving it into rhyme.
At the conclusion of his speech Mr. Gladstone called upon Tom Mortlake to unveil the portrait. Tom rose, pale and excited. His hand faltered as he touched the cord. He seemed overcome with emotion. Was it the mention of Lucy Brent that had moved him to his depths?
The brown holland fell away-the dead stood revealed as he had been in life. Every feature, painted by the hand of Love, was instinct with vitality: the fine, earnest face, the sad kindly eyes, the noble brow seeming still a-throb with the thought of Humanity. A thrill ran through the room-there was a low, undefinable murmur. O, the pathos