the alphabetical order, but the order of events themselves. I have long wished to make this classification. Come, look for the names on the envelopes; Aunt Dide first.'
At this moment the edge of the storm which lighted up the sky caught La Souleiade slantingly, and burst over the house in a deluge of rain. But they did not even close the window. They heard neither the peals of thunder nor the ceaseless beating of the rain upon the roof. She handed him the envelope bearing the name of Aunt Dide in large characters; and he took from it papers of all sorts, notes taken by him long ago, which he proceeded to read.
'Hand me Pierre Rougon. Hand me Ursule Macquart. Hand me Antoine Macquart.'
Silently she obeyed him, her heart oppressed by a dreadful anguish at all she was hearing. And the envelopes were passed on, displayed their contents, and were piled up again in the press.
First was the foundress of the family, Adelaide Fouque, the tall, crazy girl, the first nervous lesion giving rise to the legitimate branch, Pierre Rougon, and to the two illegitimate branches, Ursule and Antoine Macquart, all that
Then like a pack of hounds, the appetites were let loose. The supreme appetite of power in Eugene Rougon, the great man, the disdainful genius of the family, free from base interests, loving power for its own sake, conquering Paris in old boots with the adventurers of the coming Empire, rising from the legislative body to the senate, passing from the presidency of the council of state to the portfolio of minister; made by his party, a hungry crowd of followers, who at the same time supported and devoured him; conquered for an instant by a woman, the beautiful Clorinde, with whom he had been imbecile enough to fall in love, but having so strong a will, and burning with so vehement a desire to rule, that he won back power by giving the lie to his whole life, marching to his triumphal sovereignty of vice emperor.
With Aristide Saccard, appetite ran to low pleasures, the whole hot quarry of money, luxury, women-a devouring hunger which left him homeless, at the time when millions were changing hands, when the whirlwind of wild speculation was blowing through the city, tearing down everywhere to construct anew, when princely fortunes were made, squandered, and remade in six months; a greed of gold whose ever increasing fury carried him away, causing him, almost before the body of his wife Angele was cold in death, to sell his name, in order to have the first indispensable thousand francs, by marrying Renee. And it was Saccard, too, who, a few years later, put in motion the immense money-press of the Banque Universelle. Saccard, the never vanquished; Saccard, grown more powerful, risen to be the clever and daring grand financier, comprehending the fierce and civilizing role that money plays, fighting, winning, and losing battles on the Bourse, like Napoleon at Austerlitz and Waterloo; engulfing in disaster a world of miserable people; sending forth into the unknown realms of crime his natural son Victor, who disappeared, fleeing through the dark night, while he himself, under the impassable protection of unjust nature, was loved by the adorable Mme. Caroline, no doubt in recompense of all the evil he had done.
Here a tall, spotless lily had bloomed in this compost, Sidonie Rougon, the sycophant of her brother, the go- between in a hundred suspicious affairs, giving birth to the pure and divine Angelique, the little embroiderer with fairylike fingers who worked into the gold of the chasubles the dream of her Prince Charming, so happy among her companions the saints, so little made for the hard realities of life, that she obtained the grace of dying of love, on the day of her marriage, at the first kiss of Felicien de Hautecoeur, in the triumphant peal of bells ringing for her splendid nuptials.
The union of the two branches, the legitimate and the illegitimate, took place then, Marthe Rougon espousing her cousin Francois Mouret, a peaceful household slowly disunited, ending in the direst catastrophes -a sad and gentle woman taken, made use of, and crushed in the vast machine of war erected for the conquest of a city; her three children torn from her, she herself leaving her heart in the rude grasp of the Abbe Faujas. And the Rougons saved Plassans a second time, while she was dying in the glare of the conflagration in which her husband was being consumed, mad with long pent-up rage and the desire for revenge.
Of the three children, Octave Mouret was the audacious conqueror, the clear intellect, resolved to demand from the women the sovereignty of Paris, fallen at his
There remained the two other children, Serge Mouret and Desiree Mouret, the latter innocent and healthy, like some happy young animal; the former refined and mystical, who was thrown into the priesthood by a nervous malady hereditary in his family, and who lived again the story of Adam, in the Eden of Le Paradou. He was born again to love Albine, and to lose her, in the bosom of sublime nature, their accomplice; to be recovered, afterward by the Church, to war eternally with life, striving to kill his manhood, throwing on the body of the dead Albine the handful of earth, as officiating priest, at the very time when Desiree, the sister and friend of animals, was rejoicing in the midst of the swarming life of her poultry yard.
Further on there opened a calm glimpse of gentle and tragic life, Helene Mouret living peacefully with her little girl, Jeanne, on the heights of Passy, overlooking Paris, the bottomless, boundless human sea, in face of which was unrolled this page of love: the sudden passion of Helene for a stranger, a physician, brought one night by chance to the bedside of her daughter; the morbid jealousy of Jeanne- the instinctive jealousy of a loving girl-disputing her mother with love, her mother already so wasted by her unhappy passion that the daughter died because of her fault; terrible price of one hour of desire in the entire cold and discreet life of a woman, poor dead child, lying alone in the silent cemetery, in face of eternal Paris.
With Lisa Macquart began the illegitimate branch; appearing fresh and strong in her, as she displayed her portly, prosperous figure, sitting at the door of her pork shop in a light colored apron, watching the central market, where the hunger of a people muttered, the age-long battle of the Fat and the Lean, the lean Florent, her brother- in-law, execrated, and set upon by the fat fishwomen and the fat shopwomen, and whom even the fat pork-seller herself, honest, but unforgiving, caused to be arrested as a republican who had broken his ban, convinced that she was laboring for the good digestion of all honest people.
From this mother sprang the sanest, the most human of girls, Pauline Quenu, the well-balanced, the reasonable, the virgin; who, knowing everything, accepted the joy of living in so ardent a love for others that, in spite of the revolt of her youthful heart, she resigned to her friend her cousin and betrothed, Lazare, and afterward saved the child of the disunited household, becoming its true mother; always triumphant, always gay, notwithstanding her sacrificed and ruined life, in her monotonous solitude, facing the great sea, in the midst of a little world of sufferers groaning with pain, but who did not wish to die.
Then came Gervaise Macquart with her four children: bandy-legged, pretty, and industrious Gervaise, whom her lover Lantier turned into the street in the faubourg, where she met the zinc worker Coupeau, the skilful, steady workman whom she married, and with whom she lived so happily at first, having three women working in her laundry, but afterward sinking with her husband, as was inevitable, to the degradation of her surroundings. He, gradually conquered by alcohol, brought by it to madness and death; she herself perverted, become a slattern, her moral ruin completed by the return of Lantier, living in the tranquil ignominy of a household of three, thenceforward the wretched victim of want, her accomplice, to which she at last succumbed, dying one night of starvation.
Her eldest son, Claude, had the unhappy genius of a great painter struck with madness, the impotent madness of feeling within him the masterpiece to which his fingers refused to give shape; a giant wrestler always defeated, a crucified martyr to his work, adoring woman, sacrificing his wife Christine, so loving and for a time so beloved, to the increate, divine woman of his visions, but whom his pencil was unable to delineate in her nude perfection, possessed by a devouring passion for producing, an insatiable longing to create, a longing so torturing when it could not be satisfied, that he ended it by hanging himself.