unconcerned eyes and an expression suggestive of a little elderly wooden doll, still kept circling round her. With brisk movements she took pins out of the inexhaustible pincushion over her heart and pinned up Venus' tunic, but as she ran over all those plump nude charms with her shriveled hands, nothing was suggested to her. She was as one whom her sex does not concern.
'There!' said the young woman, taking a final look at herself in the mirror.
Bordenave was back again. He was anxious and said the third act had begun.
'Very well! I'm coming,' replied Nana. 'Here's a pretty fuss! Why, it's usually I that waits for the others.'
The gentlemen left the dressing room, but they did not say good-by, for the prince had expressed a desire to assist behind the scenes at the performance of the third act. Left alone, Nana seemed greatly surprised and looked round her in all directions.
'Where can she be?' she queried.
She was searching for Satin. When she had found her again, waiting on her trunk behind the curtain, Satin quietly replied:
'Certainly I didn't want to be in your way with all those men there!'
And she added further that she was going now. But Nana held her back. What a silly girl she was! Now that Bordenave had agreed to take her on! Why, the bargain was to be struck after the play was over! Satin hesitated. There were too many bothers; she was out of her element! Nevertheless, she stayed.
As the prince was coming down the little wooden staircase a strange sound of smothered oaths and stamping, scuffling feet became audible on the other side of the theater. The actors waiting for their cues were being scared by quite a serious episode. For some seconds past Mignon had been renewing his jokes and smothering Fauchery with caresses. He had at last invented a little game of a novel kind and had begun flicking the other's nose in order, as he phrased it, to keep the flies off him. This kind of game naturally diverted the actors to any extent.
But success had suddenly thrown Mignon off his balance. He had launched forth into extravagant courses and had given the journalist a box on the ear, an actual, a vigorous, box on the ear. This time he had gone too far: in the presence of so many spectators it was impossible for Fauchery to pocket such a blow with laughing equanimity. Whereupon the two men had desisted from their farce, had sprung at one another's throats, their faces livid with hate, and were now rolling over and over behind a set of side lights, pounding away at each other as though they weren't breakable.
'Monsieur Bordenave, Monsieur Bordenave!' said the stage manager, coming up in a terrible flutter.
Bordenave made his excuses to the prince and followed him. When he recognized Fauchery and Mignon in the men on the floor he gave vent to an expression of annoyance. They had chosen a nice time, certainly, with His Highness on the other side of the scenery and all that houseful of people who might have overheard the row! To make matters worse, Rose Mignon arrived out of breath at the very moment she was due on the stage. Vulcan, indeed, was giving her the cue, but Rose stood rooted to the ground, marveling at sight of her husband and her lover as they lay wallowing at her feet, strangling one another, kicking, tearing their hair out and whitening their coats with dust. They barred the way. A sceneshifter had even stopped Fauchery's hat just when the devilish thing was going to bound onto the stage in the middle of the struggle. Meanwhile Vulcan, who had been gagging away to amuse the audience, gave Rose her cue a second time. But she stood motionless, still gazing at the two men.
'Oh, don't look at THEM!' Bordenave furiously whispered to her. 'Go on the stage; go on, do! It's no business of yours! Why, you're missing your cue!'
And with a push from the manager, Rose stepped over the prostrate bodies and found herself in the flare of the footlights and in the presence of the audience. She had quite failed to understand why they were fighting on the floor behind her. Trembling from head to foot and with a humming in her ears, she came down to the footlights, Diana's sweet, amorous smile on her lips, and attacked the opening lines of her duet with so feeling a voice that the public gave her a veritable ovation.
Behind the scenery she could hear the dull thuds caused by the two men. They had rolled down to the wings, but fortunately the music covered the noise made by their feet as they kicked against them.
'By God!' yelled Bordenave in exasperation when at last he had succeeded in separating them. 'Why couldn't you fight at home? You know as well as I do that I don't like this sort of thing. You, Mignon, you'll do me the pleasure of staying over here on the prompt side, and you, Fauchery, if you leave the O.P. side I'll chuck you out of the theater. You understand, eh? Prompt side and O.P. side or I forbid Rose to bring you here at all.'
When he returned to the prince's presence the latter asked what was the matter.
'Oh, nothing at all,' he murmured quietly.
Nana was standing wrapped in furs, talking to these gentlemen while awaiting her cue. As Count Muffat was coming up in order to peep between two of the wings at the stage, he understood from a sign made him by the stage manager that he was to step softly. Drowsy warmth was streaming down from the flies, and in the wings, which were lit by vivid patches of light, only a few people remained, talking in low voices or making off on tiptoe. The gasman was at his post amid an intricate arrangement of cocks; a fireman, leaning against the side lights, was craning forward, trying to catch a glimpse of things, while on his seat, high up, the curtain man was watching with resigned expression, careless of the play, constantly on the alert for the bell to ring him to his duty among the ropes. And amid the close air and the shuffling of feet and the sound of whispering, the voices of the actors on the stage sounded strange, deadened, surprisingly discordant. Farther off again, above the confused noises of the band, a vast breathing sound was audible. It was the breath of the house, which sometimes swelled up till it burst in vague rumors, in laughter, in applause. Though invisible, the presence of the public could be felt, even in the silences.
'There's something open,' said Nana sharply, and with that she tightened the folds of her fur cloak. 'Do look, Barillot. I bet they've just opened a window. Why, one might catch one's death of cold here!'
Barillot swore that he had closed every window himself but suggested that possibly there were broken panes about. The actors were always complaining of drafts. Through the heavy warmth of that gaslit region blasts of cold air were constantly passing--it was a regular influenza trap, as Fontan phrased it.
'I should like to see YOU in a low-cut dress,' continued Nana, growing annoyed.
'Hush!' murmured Bordenave.
On the stage Rose rendered a phrase in her duet so cleverly that the stalls burst into universal applause. Nana was silent at this, and her face grew grave. Meanwhile the count was venturing down a passage when Barillot stopped him and said he would make a discovery there. Indeed, he obtained an oblique back view of the scenery and of the wings which had been strengthened, as it were, by a thick layer of old posters. Then he caught sight of a corner of the stage, of the Etna cave hollowed out in a silver mine and of Vulcan's forge in the background. Battens, lowered from above, lit up a sparkling substance which had been laid on with large dabs of the brush. Side lights with red glasses and blue were so placed as to produce the appearance of a fiery brazier, while on the floor of the stage, in the far background, long lines of gaslight had been laid down in order to throw a wall of dark rocks into sharp relief. Hard by on a gentle, 'practicable' incline, amid little points of light resembling the illumination lamps scattered about in the grass on the night of a public holiday, old Mme Drouard, who played Juno, was sitting dazed and sleepy, waiting for her cue.
Presently there was a commotion, for Simonne, while listening to a story Clarisse was telling her, cried out:
'My! It's the Tricon!'
It was indeed the Tricon, wearing the same old curls and looking as like a litigious great lady as ever.
When she saw Nana she went straight up to her.
'No,' said the latter after some rapid phrases had been exchanged, 'not now.' The old lady looked grave. Just then Prulliere passed by and shook hands with her, while two little chorus girls stood gazing at her with looks of deep emotion. For a moment she seemed to hesitate. Then she beckoned to Simonne, and the rapid exchange of sentences began again.
'Yes,' said Simonne at last. 'In half an hour.'
But as she was going upstairs again to her dressing room, Mme Bron, who was once more going the rounds with letters, presented one to her. Bordenave lowered his voice and furiously reproached the portress for having allowed the Tricon to come in. That woman! And on such an evening of all others! It made him so angry because His Highness was there! Mme Bron, who had been thirty years in the theater, replied quite sourly. How was she to know? she asked. The Tricon did business with all the ladies--M. le Directeur had met her a score of times without making remarks. And while Bordenave was muttering oaths the Tricon stood quietly by, scrutinizing the prince as
