perfect dress was always a little greasy, and then went off to buy her fish. During the day that story about the kick on the bottom occupied her thoughts. She even spoke about it to Fontan and again posed as a sturdy woman who was not going to stand the slightest flick from anybody. Fontan, as became a philosophic spirit, declared that all men of fashion were beasts whom it was one's duty to despise. And from that moment forth Nana was full of very real disdain.
That same evening they went to the Bouffes-Parisiens Theatre to see a little woman of Fontan's acquaintance make her debut in a part of some ten lines. It was close on one o'clock when they once more trudged up the heights of Montmartre. They had purchased a cake, a 'mocha,' in the Rue de la Chaussee-d'Antin, and they ate it in bed, seeing that the night was not warm and it was not worth while lighting a fire. Sitting up side by side, with the bedclothes pulled up in front and the pillows piled up behind, they supped and talked about the little woman. Nana thought her plain and lacking in style. Fontan, lying on his stomach, passed up the pieces of cake which had been put between the candle and the matches on the edge of the night table. But they ended by quarreling.
'Oh, just to think of it!' cried Nana. 'She's got eyes like gimlet holes, and her hair's the color of tow.'
'Hold your tongue, do!' said Fontan. 'She has a superb head of hair and such fire in her looks! It's lovely the way you women always tear each other to pieces!'
He looked annoyed.
'Come now, we've had enough of it!' he said at last in savage tones. 'You know I don't like being bored. Let's go to sleep, or things'll take a nasty turn.'
And he blew out the candle, but Nana was furious and went on talking. She was not going to be spoken to in that voice; she was accustomed to being treated with respect! As he did not vouchsafe any further answer, she was silenced, but she could not go to sleep and lay tossing to and fro.
'Great God, have you done moving about?' cried he suddenly, giving a brisk jump upward.
'It isn't my fault if there are crumbs in the bed,' she said curtly.
In fact, there were crumbs in the bed. She felt them down to her middle; she was everywhere devoured by them. One single crumb was scorching her and making her scratch herself till she bled. Besides, when one eats a cake isn't it usual to shake out the bedclothes afterward? Fontan, white with rage, had relit the candle, and they both got up and, barefooted and in their night dresses, they turned down the clothes and swept up the crumbs on the sheet with their hands. Fontan went to bed again, shivering, and told her to go to the devil when she advised him to wipe the soles of his feet carefully. And in the end she came back to her old position, but scarce had she stretched herself out than she danced again. There were fresh crumbs in the bed!
'By Jove, it was sure to happen!' she cried. 'You've brought them back again under your feet. I can't go on like this! No, I tell you, I can't go on like this!'
And with that she was on the point of stepping over him in order to jump out of bed again, when Fontan in his longing for sleep grew desperate and dealt her a ringing box on the ear. The blow was so smart that Nana suddenly found herself lying down again with her head on the pillow.
She lay half stunned.
'Oh!' she ejaculated simply, sighing a child's big sigh.
For a second or two he threatened her with a second slap, asking her at the same time if she meant to move again. Then he put out the light, settled himself squarely on his back and in a trice was snoring. But she buried her face in the pillow and began sobbing quietly to herself. It was cowardly of him to take advantage of his superior strength! She had experienced very real terror all the same, so terrible had that quaint mask of Fontan's become. And her anger began dwindling down as though the blow had calmed her. She began to feel respect toward him and accordingly squeezed herself against the wall in order to leave him as much room as possible. She even ended by going to sleep, her cheek tingling, her eyes full of tears and feeling so deliciously depressed and wearied and submissive that she no longer noticed the crumbs. When she woke up in the morning she was holding Fontain in her naked arms and pressing him tightly against her breast. He would never begin it again, eh? Never again? She loved him too dearly. Why, it was even nice to be beaten if he struck the blow!
After that night a new life began. For a mere trifle--a yes, a no-- Fontan would deal her a blow. She grew accustomed to it and pocketed everything. Sometimes she shed tears and threatened him, but he would pin her up against the wall and talk of strangling her, which had the effect of rendering her extremely obedient. As often as not, she sank down on a chair and sobbed for five minutes on end. But afterward she would forget all about it, grow very merry, fill the little lodgings with the sound of song and laughter and the rapid rustle of skirts. The worst of it was that Fontan was now in the habit of disappearing for the whole day and never returning home before midnight, for he was going to cafes and meeting his old friends again. Nana bore with everything. She was tremulous and caressing, her only fear being that she might never see him again if she reproached him. But on certain days, when she had neither Mme Maloir nor her aunt and Louiset with her, she grew mortally dull. Thus one Sunday, when she was bargaining for some pigeons at La Rochefoucauld Market, she was delighted to meet Satin, who, in her turn, was busy purchasing a bunch of radishes. Since the evening when the prince had drunk Fontan's champagne they had lost sight of one another.
'What? It's you! D'you live in our parts?' said Satin, astounded at seeing her in the street at that hour of the morning and in slippers too. 'Oh, my poor, dear girl, you're really ruined then!'
Nana knitted her brows as a sign that she was to hold her tongue, for they were surrounded by other women who wore dressing gowns and were without linen, while their disheveled tresses were white with fluff. In the morning, when the man picked up overnight had been newly dismissed, all the courtesans of the quarter were wont to come marketing here, their eyes heavy with sleep, their feet in old down- at-heel shoes and themselves full of the weariness and ill humor entailed by a night of boredom. From the four converging streets they came down into the market, looking still rather young in some cases and very pale and charming in their utter unconstraint; in others, hideous and old with bloated faces and peeling skin. The latter did not the least mind being seen thus outside working hours, and not one of them deigned to smile when the passers-by on the sidewalk turned round to look at them. Indeed, they were all very full of business and wore a disdainful expression, as became good housewives for whom men had ceased to exist. Just as Satin, for instance, was paying for her bunch of radishes a young man, who might have been a shop-boy going late to his work, threw her a passing greeting:
'Good morning, duckie.'
She straightened herself up at once and with the dignified manner becoming an offended queen remarked:
'What's up with that swine there?'
Then she fancied she recognized him. Three days ago toward midnight, as the was coming back alone from the boulevards, she had talked to him at the corner of the Rue Labruyere for nearly half an hour, with a view to persuading him to come home with her. But this recollection only angered her the more.
'Fancy they're brutes enough to shout things to you in broad daylight!' she continued. 'When one's out on business one ought to be respecifully treated, eh?'
Nana had ended by buying her pigeons, although she certainly had her doubts of their freshness. After which Satin wanted to show her where she lived in the Rue Rochefoucauld close by. And the moment they were alone Nana told her of her passion for Fontan. Arrived in front of the house, the girl stopped with her bundle of radishes under her arm and listened eagerly to a final detail which the other imparted to her. Nana fibbed away and vowed that it was she who had turned Count Muffat out of doors with a perfect hail of kickastliness of the men. Nana was overpowering on the subject of Fontan. She could not say a dozen words without lapsing into endless repetitions of his sayings and his doings. But Satin, like a good-natured girl, would listen unwearyingly to everlasting accounts of how Nana had watched for him at the window, how they had fallen out over a burnt dish of hash and how they had made it up in bed after hours of silent sulking. In her desire to be always talking about these things Nana had gs on the posterior.
'Oh how smart!' Satin repeated. 'How very smart! Kicks, eh? And he never said a word, did he? What a blooming coward! I wish I'd been there to see his ugly mug! My dear girl, you were quite right. A pin for the coin! When I'M on with a mash I starve for it! You'll come and see me, eh? You promise? It's the left-hand door. Knock three knocks, for there's a whole heap of damned squints about.'
After that whenever Nana grew too weary of life she went down and saw Satin. She was always sure of finding her, for the girl never went out before six in the evening. Satin occupied a couple of rooms which a chemist had furnished for her in order to save her from the clutches of the police, but in little more than a twelvemonth she had broken the furniture, knocked in the chairs, dirtied the curtains, and that in a manner so furiously filthy and untidy that the lodgings seemed as though inhabited by a pack of mad cats. On the mornings when she grew disgusted
