objects. Against the hangings of pale rose- colored silk--a faded Turkish rose color, embroidered with gold thread--a whole world of them stood sharply outlined. They were from every land and in every possible style. There were Italian cabinets, Spanish and Portuguese coffers, models of Chinese pagodas, a Japanese screen of precious workmanship, besides china, bronzes, embroidered silks, his goatlike profile shone out with great distinctness, he stood showing off his figure and affecting the pose of one who has been cruelly abandoned. Nana went quietly up and shook hands with him.
'How are you getting on?'
'Oh, pretty fairly. And how are you?'
'Very well, thank you.'
That was all. They seemed to have only parted at the doors of the theater the day before. Meanwhile the players were waiting about, but Bordenave said that the third act would not be rehearsed. And so it chanced that old Bosc went grumbling away at the proper time, whereas usually the company were needlessly detained and lost whole afternoons in consequence. Everyone went off. Down on the pavement they were blinded by the broad daylight and stood blinking their eyes in a dazed sort of way, as became people who had passed three hours squabbling with tight-strung nerves in the depths of a cellar. The count, with racked limbs and vacant brain, got into a conveyance with Nana, while Labordette took Fauchery off and comforted him.
A month later the first night of the Petite Duchesse proved supremely disastrous to Nana. She was atrociously bad and displayed such pretentions toward high comedy that the public grew mirthful. They did not hiss--they were too amused. From a stage box Rose Mignon kept greeting her rival's successive entrances with a shrill laugh, which set the whole house off. It was the beginning of her revenge. Accordingly, when at night Nana, greatly chagrined, found herself alone with Muffat, she said furiously:
'What a conspiracy, eh? It's all owing to jealousy. Oh, if they only knew how I despise 'em! What do I want them for nowadays? Look here! I'll bet a hundred louis that I'll bring all those who made fun today and make 'em lick the ground at my feet! Yes, I'll fine-lady your Paris for you, I will!'
CHAPTER X
Thereupon Nana became a smart woman, mistress of all that is foolish and filthy in man, marquise in the ranks of her calling. It was a sudden but decisive start, a plunge into the garish day of gallant notoriety and mad expenditure and that daredevil wastefulness peculiar to beauty. She at once became queen among the most expensive of her kind. Her photographs were displayed in shopwindows, and she was mentioned in the papers. When she drove in her carriage along the boulevards the people would turn and tell one another who that was with all the unction of a nation saluting its sovereign, while the object of their adoration lolled easily back in her diaphanous dresses and smiled gaily under the rain of little golden curls which ran riot above the blue of her made- up eyes and the red of her painted lips. And the wonder of wonders was that the great creature, who was so awkward on the stage, so very absurd the moment she sought to act the chaste woman, was able without effort to assume the role of an enchantress in the outer world. Her movements were lithe as a serpent's, and the studied and yet seemingly involuntary carelessness with which she dressed was really exquisite in its elegance. There was a nervous distinction in all she did which suggested a wellborn Persian cat; she was an aristocrat in vice and proudly and rebelliously trampled upon a prostrate Paris like a sovereign whom none dare disobey. She set the fashion, and great ladies imitated her.
Nana's fine house was situated at the hangingscorner of the Rue Cardinet, in the Avenue de Villiers. The avenue was part of the luxurious quarter at that time springing up in the vague district which had once been the Plaine Monceau. The house had been built by a young painter, who was intoxicated by a first success, and had been perforce resold almost as soon as it was habitable. It was in the palatial Renaissance manner and had fantastic interior arrangements which consisted of modern conveniences framed in a setting of somewhat artificial originality. Count Muffat had bought the house ready furnished and full of hosts of beautiful objects--lovely Eastern hangings, old credences, huge chairs of the Louis XIII epoch. And thus Nana had come into artistic surroundings of the choicest kind and of the most extravagantly various dates. But since the studio, which occupied the central portion of the house, could not be of any use to her, she had upset existing arrangements, establishing a small drawing room on the first floor, next to her bedroom and dressing room, and leaving a conservatory, a large drawing room and a dining room to look after themselves underneath. She astonished the architect with her ideas, for, as became a Parisian workgirl who understands the elegancies of life by instinct, she had suddenly developed a very pretty taste for every species of luxurious refinement. Indeed, she did not spoil her house overmuch; nay, she even added to the richness of the furniture, save here and there, where certain traces of tender foolishness and vulgar magnificence betrayed the ex-flower seller who had been wont to dream in front of shopwindows in the arcades.
A carpet was spread on the steps beneath the great awning over the front door in the court, and the moment you entered the hall you were greeted by a perfume as of violets and a soft, warm atmosphere which thick hangings helped to produce. A window, whose yellow- and rose-colored panes suggested the warm pallor of human flesh, gave light to the wide staircase, at the foot of which a Negro in carved wood held out a silver tray full of visiting cards and four white marble women, with bosoms displayed, raised lamps in their uplifted hands. Bronzes and Chinese vases full of flowers, divans covered with old Persian rugs, armchairs upholstered in old tapestry, furnished the entrance hall, adorned the stairheads and gave the first-floor landing the appearance of an anteroom. Here men's overcoats and hats were always in evidence, and there were thick hangings which deadened every sound. It seemed a place apart: on entering it you might have fancied yourself in a chapel, whose very air was thrilling with devotion, whose very silence and seclusion were fraught with mystery.
Nana only opened the large and somewhat too-sumptuous Louis XVI drawing room on those gala nights when she received society from the Tuileries or strangers of distinction. Ordinarily she only came downstairs at mealtimes, and she woul of the finest needlework. Armchairs wide as beds and sofas deep as alcoves suggested voluptuous idleness and the somnolent life of the seraglio. The prevailing tone of the room was old gold blended with green and red, and nothing it contained too forcibly indicated the presence of the courtesan save the luxuriousness of the seats. Only two 'biscuit' statuettes, a woman in her shift, hunting for fleas, and another with nothing at all on, walking on her hands and waving her feet in the air, sufficed to sully the room with a note of stupid originality.
Through a door, which was nearly always ajar, the dressing room was visible. It was all in marble and glass with a white bath, silver jugs and basins and crystal and ivory appointments. A drawn curtain filled the place with a clear twilight which seemed to slumber in the warm scent of violets, that suggestive perfume peculiar to Nana wherewith the whole house, from the roof to the very courtyard, was penetrated.
The furnishing of the house was a most important undertaking. Nana certainly had Zoe with her, that girl so devoted to her fortunes. For months she had been tranquilly awaiting this abrupt, new departure, as became a woman who was certain of her powers of prescience, and now she was triumphant; she was mistress of the house and was putting by a round sum while serving Madame as honestly as possible. But a solitary lady's maid wasd feel rather lost on such days as she lunched by herself in the lofty dining room with its Gobelin tapestry and its monumental sideboard, adorned with old porcelain and marvelous pieces of ancient plate. She used to go upstairs again as quickly as possible, for her home was on the first floor, in the three rooms, the bed, dressing and small drawing room above described. Twice already she had done the bedchamber up anew: on the first occasion in mauve satin, on the second in blue silk under lace. But she had not been satisfied with this; it had struck her as 'nohowish,' and she was still unsuccessfully seeking for new colors and designs. On the elaborately upholstered bed, which was as low as a so no longer sufficient. A butler, a coachman, a porter and a cook were wanted. Besides, it was necessary to fill the stables. It was then that Labordette made himself most useful. He undertook to perform all sorts of errands which bored the count; he made a comfortable job of the purchase of horses; he visited the coachbuilders; he guided the young woman in her choice of things. She was to be met with at the shops, leaning on his arm. Labordette even got in the servants-- Charles, a great, tall coachman, who had been in service with the Duc de Corbreuse; Julien, a little, smiling, much-becurled butler, and a married couple, of whom the wife Victorine became cook while the husband Francois was taken on as porter and footman. The last mentioned in powder and breeches wore Nana's livery, which was a sky-blue one adorned with silver lace, and he received visitors in the hall. The whole thing was princely in the correctness of its style.
At the end of two months the house was set going. The cost had been more than three hundred thousand
