begun to growl. The Ministry, fearing a defeat, was straining every nerve. It was probable, thought Florent, that no better pretext for a rising would for a long time present itself.
One morning, at daybreak, he went to reconnoitre the neighbourhood of the Palais Bourbon. He forgot all about his duties as inspector, and lingered there, studying the approaches of the palace, till eight o'clock, without ever thinking that his absence would revolutionise the fish market. He perambulated all the surrounding streets, the Rue de Lille, the Rue de l'Universite, the Rue de Bourgogne, the Rue Saint Dominique, and even extended his examination to the Esplanade des Invalides, stopping at certain crossways, and measuring distances as he walked along. Then, on coming back to the Quai d'Orsay, he sat down on the parapet, and determined that the attack should be made simultaneously from all sides. The contingents from the Gros-Caillou district should arrive by way of the Champ de Mars; the sections from the north of Paris should come down by the Madeleine; while those from the west and the south would follow the quays, or make their way in small detachments through the then narrow streets of the Faubourg Saint Germain. However, the other side of the river, the Champs Elysees, with their open avenues, caused him some uneasiness; for he foresaw that cannon would be stationed there to sweep the quays. He thereupon modified several details of his plan, and marked down in a memorandum-book the different positions which the several sections should occupy during the combat. The chief attack, he concluded, must certainly be made from the Rue de Bourgogne and the Rue de l'Universite, while a diversion might be effected on the side of the river.
Whilst he thus pondered over his plans the eight o'clock sun, warming the nape of his neck, shone gaily on the broad footways, and gilded the columns of the great structure in front of him. In imagination he already saw the contemplated battle; clusters of men clinging round those columns, the gates burst open, the peristyle invaded; and then scraggy arms suddenly appearing high aloft and planting a banner there.
At last he slowly went his way homewards again with his gaze fixed upon the ground. But all at once a cooing sound made him look up, and he saw that he was passing through the garden of the Tuileries. A number of wood- pigeons, bridling their necks, were strutting over a lawn near by. Florent leant for a moment against the tub of an orange- tree, and looked at the grass and the pigeons steeped in sunshine. Right ahead under the chestnut-trees all was black. The garden was wrapped in a warm silence, broken only by the distant rumbling which came from behind the railings of the Rue de Rivoli. The scent of all the greenery affected Florent, reminding him of Madame Francois. However, a little girl ran past, trundling a hoop, and alarmed the pigeons. They flew off, and settled in a row on the arm of a marble statue of an antique wrestler standing in the middle of the lawn, and once more, but with less vivacity, they began to coo and bridle their necks.
As Florent was returning to the markets by way of the Rue Vauvilliers, he heard Claude Lantier calling to him. The artist was going down into the basement of the poultry pavilion. 'Come with me!' he cried. 'I'm looking for that brute Marjolin.'
Florent followed, glad to forget his thoughts and to defer his return to the fish market for a little longer. Claude told him that his friend Marjolin now had nothing further to wish for: he had become an utter animal. Claude entertained an idea of making him pose on all- fours in future. Whenever he lost his temper over some disappointing sketch he came to spend whole hours in the idiot's company, never speaking, but striving to catch his expression when he laughed.
'He'll be feeding his pigeons, I dare say,' he said; 'but unfortunately I don't know whereabouts Monsieur Gavard's storeroom is.'
They groped about the cellar. In the middle of it some water was trickling from a couple of taps in the dim gloom. The storerooms here are reserved for pigeons exclusively, and all along the trellising they heard faint cooings, like the hushed notes of birds nestling under the leaves when daylight is departing. Claude began to laugh as he heard it.
'It sounds as though all the lovers in Paris were embracing each other inside here, doesn't it?' he exclaimed to his companion.
However, they could not find a single storeroom open, and were beginning to think that Marjolin could not be in the cellar, when a sound of loud, smacking kisses made them suddenly halt before a door which stood slightly ajar. Claude pulled it open and beheld Marjolin, whom Cadine was kissing, whilst he, a mere dummy, offered his face without feeling the slightest thrill at the touch of her lips.
'Oh, so this is your little game, is it?' said Claude with a laugh.
'Oh,' replied Cadine, quite unabashed, 'he likes being kissed, because he feels afraid now in the dim light. You do feel frightened, don't you?'
Like the idiot he was, Marjolin stroked his face with his hands as though trying to find the kisses which the girl had just printed there. And he was beginning to stammer out that he was afraid, when Cadine continued: 'And, besides, I came to help him; I've been feeding the pigeons.'
Florent looked at the poor creatures. All along the shelves were rows of lidless boxes, in which pigeons, showing their motley plumage, crowded closely on their stiffened legs. Every now and then a tremor ran along the moving mass; and then the birds settled down again, and nothing was heard but their confused, subdued notes. Cadine had a saucepan near her; she filled her mouth with the water and tares which it contained, and then, taking up the pigeons one by one, shot the food down their throats with amazing rapidity. The poor creatures struggled and nearly choked, and finally fell down in the boxes with swimming eyes, intoxicated, as it were, by all the food which they were thus forced to swallow.[*]
[*] This is the customary mode of fattening pigeons at the Paris
markets. The work is usually done by men who make a specialty of
it, and are called
'Poor creatures!' exclaimed Claude.
'Oh, so much the worse for them,' said Cadine, who had now finished. 'They are much nicer eating when they've been well fed. In a couple of hours or so all those over yonder will be given a dose of salt water. That makes their flesh white and tender. Then two hours afterwards they'll be killed. If you would like to see the killing, there are some here which are quite ready. Marjolin will settle their account for them in a jiffy.'
Marjolin carried away a box containing some fifty pigeons, and Claude and Florent followed him. Squatting upon the ground near one of the water-taps, he placed the box by his side. Then he laid a framework of slender wooden bars on the top of a kind of zinc trough, and forthwith began to kill the pigeons. His knife flashed rapidly in his fingers, as he seized the birds by the wings, stunned them by a blow on the head from the knife-handle, and then thrust the point of the blade into their throats. They quivered for an instant, and ruffled their feathers as Marjolin laid them in a row, with their heads between the wooden bars above the zinc trough, into which their blood fell drop by drop. He repeated each different movement with the regularity of clockwork, the blows from the knife-handle falling with a monotonous tick-tack as he broke the birds' skulls, and his hand working backwards and forwards like a pendulum as he took up the living pigeons on one side and laid them down dead on the other. Soon, moreover, he worked with increasing rapidity, gloating over the massacre with glistening eyes, squatting there like a huge delighted bull-dog enjoying the sight of slaughtered vermin. 'Tick-tack! Tick- tack!' whilst his tongue clucked as an accompaniment to the rhythmical movements of his knife. The pigeons hung down like wisps of silken stuff.
'Ah, you enjoy that, don't you, you great stupid?' exclaimed Cadine. 'How comical those pigeons look when they bury their heads in their shoulders to hide their necks! They're horrid things, you know, and would give one nasty bites if they got the chance.' Then she laughed more loudly at Marjolin's increasing, feverish haste; and added: 'I've killed them sometimes myself, but I can't get on as quickly as he does. One day he killed a hundred in ten minutes.'
The wooden frame was nearly full; the blood could be heard falling into the zinc trough; and as Claude happened to turn round he saw Florent looking so pale that he hurriedly led him away. When they got above-ground again he made him sit down on a step.
'Why, what's the matter with you?' he exclaimed, tapping him on the shoulder. 'You're fainting away like a woman!'
'It's the smell of the cellar,' murmured Florent, feeling a little ashamed of himself.
The truth was, however, that those pigeons, which were forced to swallow tares and salt water, and then had their skulls broken and their throats slit, had reminded him of the wood-pigeons of the Tuileries gardens, strutting over the green turf, with their satiny plumage flashing iridescently in the sunlight. He again heard them cooing on the arm of the marble wrestler amidst the hushed silence of the garden, while children trundled their hoops in the deep gloom of the chestnuts. And then, on seeing that big fair-haired animal massacring his boxful of birds,
