paintings of an extraordinary character. He had even started on one, having his friend Marjolin and that jade Cadine to pose for him; but it was hard work to paint those confounded vegetables and fruit and fish and meat -they were all so beautiful! Florent listened to the artist's enthusiastic talk with a void and hunger-aching stomach. It did not seem to occur to Claude that all those things were intended to be eaten. Their charm for him lay in their colour. Suddenly, however, he ceased speaking and, with a gesture that was habitual to him, tightened the long red sash which he wore under his green-stained coat.
And then with a sly expression he resumed:
'Besides, I breakfast here, through my eyes, at any rate, and that's better than getting nothing at all. Sometimes, when I've forgotten to dine on the previous day, I treat myself to a perfect fit of indigestion in the morning by watching the carts arrive here laden with all sorts of good things. On such mornings as those I love my vegetables more than ever. Ah! the exasperating part, the rank injustice of it all, is that those rascally Philistines really eat these things!'
Then he went on to tell Florent of a supper to which a friend had treated him at Baratte's on a day of affluence. They had partaken of oysters, fish, and game. But Baratte's had sadly fallen, and all the carnival life of the old Marche des Innocents was now buried. In place thereof they had those huge central markets, that colossus of ironwork, that new and wonderful town. Fools might say what they liked; it was the embodiment of the spirit of the times. Florent, however, could not at first make out whether he was condemning the picturesqueness of Baratte's or its good cheer.
But Claude next began to inveigh against romanticism. He preferred his piles of vegetables, he said, to the rags of the middle ages; and he ended by reproaching himself with guilty weakness in making an etching of the Rue Pirouette. All those grimy old places ought to be levelled to the ground, he declared, and modern houses ought to be built in their stead.
'There!' he exclaimed, coming to a halt, 'look at the corner of the footway yonder! Isn't that a picture readymade, ever so much more human and natural than all their confounded consumptive daubs?'
Along the covered way women were now selling hot soup and coffee. At one corner of the foot-pavement a large circle of customers clustered round a vendor of cabbage soup. The bright tin caldron, full of broth, was steaming over a little low stove, through the holes of which came the pale glow of the embers. From a napkin-lined basket the woman took some thin slices of bread and dropped them into yellow cups; then with a ladle she filled the cups with liquor. Around her were saleswomen neatly dressed, market gardeners in blouses, porters with coats soiled by the loads they had carried, poor ragged vagabonds-in fact, all the early hungry ones of the markets, eating, and scalding their mouths, and drawing back their chins to avoid soiling them with the drippings from their spoons. The delighted artist blinked, and sought a point of view so as to get a good ensemble of the picture. That cabbage soup, however, exhaled a very strong odour. Florent, for his part, turned his head away, distressed by the sight of the full cups which the customers emptied in silence, glancing around them the while like suspicious animals. As the woman began serving a fresh customer, Claude himself was affected by the odorous steam of the soup, which was wafted full in his face.
He again tightened his sash, half amused and half annoyed. Then resuming his walk, and alluding to the punch paid for by Alexandre, he said to Florent in a low voice:
'It's very odd, but have you ever noticed that although a man can always find somebody to treat him to something to drink, he can never find a soul who will stand him anything to eat?'
The dawn was now rising. The houses on the Boulevard de Sebastopol at the end of the Rue de la Cossonnerie were still black; but above the sharp line of their slate roofs a patch of pale blue sky, circumscribed by the arch- pieces of the covered way, showed like a gleaming half-moon. Claude, who had been bending over some grated openings on a level with the ground, through which a glimpse could be obtained of deep cellars where gas lights glimmered, now glanced up into the air between the lofty pillars, as though scanning the dark roofs which fringed the clear sky. Then he halted again, with his eyes fixed on one of the light iron ladders which connect the superposed market roofs and give access from one to the other. Florent asked him what he was seeking there.
'I'm looking for that scamp of a Marjolin,' replied the artist. 'He's sure to be in some guttering up there, unless, indeed, he's been spending the night in the poultry cellars. I want him to give me a sitting.'
Then he went on to relate how a market saleswoman had found his friend Marjolin one morning in a pile of cabbages, and how Marjolin had grown up in all liberty on the surrounding footways. When an attempt had been made to send him to school he had fallen ill, and it had been necessary to bring him back to the markets. He knew every nook and corner of them, and loved them with a filial affection, leading the agile life of a squirrel in that forest of ironwork. He and Cadine, the hussy whom Mother Chantemesse had picked up one night in the old Market of the Innocents, made a pretty couple-he, a splendid foolish fellow, as glowing as a Rubens, with a ruddy down on his skin which attracted the sunlight; and she, slight and sly, with a comical phiz under her tangle of black curly hair.
Whilst talking Claude quickened his steps, and soon brought his companion back to Saint Eustache again. Florent, whose legs were once more giving way, dropped upon a bench near the omnibus office. The morning air was freshening. At the far end of the Rue Rambuteau rosy gleams were streaking the milky sky, which higher up was slashed by broad grey rifts. Such was the sweet balsamic scent of this dawn, that Florent for a moment fancied himself in the open country, on the brow of a hill. But behind the bench Claude pointed out to him the many aromatic herbs and bulbs on sale. All along the footway skirting the tripe market there were, so to say, fields of thyme and lavender, garlic and shallots; and round the young plane-trees on the pavement the vendors had twined long branches of laurel, forming trophies of greenery. The strong scent of the laurel leaves prevailed over every other odour.
At present the luminous dial of Saint Eustache was paling as a night- light does when surprised by the dawn. The gas jets in the wine shops in the neighbouring streets went out one by one, like stars extinguished by the brightness. And Florent gazed at the vast markets now gradually emerging from the gloom, from the dreamland in which he had beheld them, stretching out their ranges of open palaces. Greenish-grey in hue, they looked more solid now, and even more colossal with their prodigious masting of columns upholding an endless expanse of roofs. They rose up in geometrically shaped masses; and when all the inner lights had been extinguished and the square uniform buildings were steeped in the rising dawn, they seemed typical of some gigantic modern machine, some engine, some caldron for the supply of a whole people, some colossal belly, bolted and riveted, built up of wood and glass and iron, and endowed with all the elegance and power of some mechanical motive appliance working there with flaring furnaces, and wild, bewildering revolutions of wheels.
Claude, however, had enthusiastically sprung on to the bench, and stood upon it. He compelled his companion to admire the effect of the dawn rising over the vegetables. There was a perfect sea of these extending between the two clusters of pavilions from Saint Eustache to the Rue des Halles. And in the two open spaces at either end the flood of greenery rose to even greater height, and quite submerged the pavements. The dawn appeared slowly, softly grey in hue, and spreading a light water-colour tint over everything. These surging piles akin to hurrying waves, this river of verdure rushing along the roadway like an autumn torrent, assumed delicate shadowy tints- tender violet, blush-rose, and greeny yellow, all the soft, light hues which at sunrise make the sky look like a canopy of shot silk. And by degrees, as the fires of dawn rose higher and higher at the far end of the Rue Rambuteau, the mass of vegetation grew brighter and brighter, emerging more and more distinctly from the bluey gloom that clung to the ground. Salad herbs, cabbage-lettuce, endive, and succory, with rich soil still clinging to their roots, exposed their swelling hearts; bundles of spinach, bundles of sorrel, clusters of artichokes, piles of peas and beans, mounds of cos-lettuce, tied round with straws, sounded every note in the whole gamut of greenery, from the sheeny lacquer-like green of the pods to the deep-toned green of the foliage; a continuous gamut with ascending and descending scales which died away in the variegated tones of the heads of celery and bundles of leeks. But the highest and most sonorous notes still came from the patches of bright carrots and snowy turnips, strewn in prodigious quantities all along the markets and lighting them up with the medley of their two colours.
At the crossway in the Rue des Halles cabbages were piled up in mountains; there were white ones, hard and compact as metal balls, curly savoys, whose great leaves made them look like basins of green bronze, and red cabbages, which the dawn seemed to transform into superb masses of bloom with the hue of wine-lees, splotched with dark purple and carmine. At the other side of the markets, at the crossway near Saint Eustache, the end of the Rue Rambuteau was blocked by a barricade of orange-hued pumpkins, sprawling with swelling bellies in two superposed rows. And here and there gleamed the glistening ruddy brown of a hamper of onions, the blood-red crimson of a heap of tomatoes, the quiet yellow of a display of marrows, and the sombre violet of the fruit of the
