The Three Cities Trilogy: Paris

looked at, however, on account of his scandalous article that morning, was Sagnier, the terrible Sagnier, looking bloated and apoplectical. Then there was Chaigneux, who had kept merely a modest bracket-seat for himself, and who scoured the passages, and climbed to every tier, for the last time preaching enthusiasm. Finally, the two ministers Monferrand and Dauvergne appeared in the box facing Duvillard's; whereupon many knowing smiles were exchanged, for everybody was aware that these personages had come to help on the success of the debutante.

On the latter point there had still been unfavourable rumours only the previous day. Sagnier had declared that the debut of such a notorious harlot as Silviane at the Comedie Francaise, in such a part too as that of 'Pauline,' which was one of so much moral loftiness, could only be regarded as an impudent insult to public decency. The whole press, moreover, had long been up in arms against the young woman's extraordinary caprice. But then the affair had been talked of for six months past, so that Paris had grown used to the idea of seeing Silviane at the Comedie. And now it flocked thither with the one idea of being entertained. Before the curtain rose one could tell by the very atmosphere of the house that the audience was a jovial, good-humoured one, bent on enjoying itself, and ready to applaud should it find itself at all pleased.

The performance really proved extraordinary. When Silviane, chastely robed, made her appearance in the first act, the house was quite astonished by her virginal face, her innocent-looking mouth, and her eyes beaming with immaculate candour. Then, although the manner in which she had understood her part at first amazed people, it ended by charming them. From the moment of confiding in 'Stratonice,' from the moment of relating her dream, she turned 'Pauline' into a soaring mystical creature, some saint, as it were, such as one sees in stained-glass windows, carried along by a Wagnerian Brunhilda riding the clouds. It was a thoroughly ridiculous conception of the part, contrary to reason and truth alike. Still, it only seemed to interest people the more, partly on account of mysticism being the fashion, and partly on account of the contrast between Silviane's assumed candour and real depravity. Her success increased from act to act, and some slight hissing which was attributed to Sagnier only helped to make the victory more complete. Monferrand and Dauvergne, as the newspapers afterwards related, gave the signal for applause; and the whole house joined in it, partly from amusement and partly perhaps in a spirit of irony.

During the interval between the fourth and fifth acts there was quite a procession of visitors to Duvillard's box, where the greatest excitement prevailed. Duthil, however, after absenting himself for a moment, came back to say: 'You remember our influential critic, the one whom I brought to dinner at the Cafe Anglais? Well, he's repeating to everybody that 'Pauline' is merely a little bourgeoise, and is not transformed by the heavenly grace until the very finish of the piece. To turn her into a holy virgin from the outset simply kills the part, says he.'

'Pooh!' repeated Duvillard, 'let him argue if he likes, it will be all the more advertisement. . . . The important point is to get Massot's article inserted in the 'Globe' to-morrow morning.'

On this point, unfortunately, the news was by no means good. Chaigneux, who had gone in search of Fonsegue, declared that the latter still hesitated in the matter in spite of Silviane's success, which he declared to be ridiculous. Thereupon, the Baron became quite angry. 'Go and tell Fonsegue,' he exclaimed, 'that I insist on it, and that I shall remember what he does.'

Meantime Princess Rosemonde was becoming quite delirious with enthusiasm. 'My dear Hyacinthe,' she pleaded, 'please take me to Silviane's dressing-room; I can't wait, I really must go and kiss her.'

'But we'll all go!' cried Duvillard, who heard her entreaty.

The passages were crowded, and there were people even on the stage. Moreover, when the party reached the door of Silviane's dressing-room, they found it shut. When the Baron knocked at it, a dresser replied that madame begged the gentlemen to wait a moment.

'Oh! a woman may surely go in,' replied Rosemonde, hastily slipping through the doorway. 'And you may come, Hyacinthe,' she added; 'there can be no objection to you.'

Silviane was very hot, and a dresser was wiping her perspiring shoulders when Rosemonde darted forward and kissed her. Then they chatted together amidst the heat and glare from the gas and the intoxicating perfumes of all the flowers which were heaped up in the little room. Finally, Hyacinthe heard them promise to see one another after the performance, Silviane even inviting Rosemonde to drink a cup of tea with her at her house. At this the young man smiled complacently, and said to the actress: 'Your carriage is waiting for you at the corner of the Rue Montpensier, is it not? Well, I'll take the Princess to it. That will be the simpler plan, you can both go off together!'

'Oh! how good of you,' cried Rosemonde; 'it's agreed.'

Just then the door was opened, and the men, being admitted, began to pour forth their congratulations. However, they had to regain their seats in all haste so as to witness the fifth act. This proved quite a triumph, the whole house bursting into applause when Silviane spoke the famous line, 'I see, I know, I believe, I am undeceived,' with the rapturous enthusiasm of a holy martyr ascending to heaven. Nothing could have been more soul-like, it was said. And so when the performers were called before the curtain, Paris bestowed an ovation on that virgin of the stage, who, as Sagnier put it, knew so well how to act depravity at home.

Accompanied by Duthil, Duvillard at once went behind the scenes in order to fetch Silviane, while Hyacinthe escorted Rosemonde to the brougham waiting at the corner of the Rue Montpensier. Having helped her into it, the young man stood by, waiting. And he seemed to grow quite merry when his father came up with Silviane, and was stopped by her, just as, in his turn, he wished to get into the carriage.

'There's no room for you, my dear fellow,' said she. 'I've a friend with me.'

Rosemonde's little smiling face then peered forth from the depths of the brougham. And the Baron remained there open-mouthed while the vehicle swiftly carried the two women away!

'Well, what would you have, my dear fellow?' said Hyacinthe, by way of explanation to Duthil, who also seemed somewhat amazed by what had happened. 'Rosemonde was worrying my life out, and so I got rid of her by packing her off with Silviane.'

Duvillard was still standing on the pavement and still looking dazed when Chaigneux, who was going home quite tired out, recognised him, and came up to say that Fonsegue had thought the matter over, and that Massot's article would be duly inserted. In the passages, too, there had been a deal of talk about the famous Trans-Saharan project.

Then Hyacinthe led his father away, trying to comfort him like a sensible friend, who regarded woman as a base and impure creature. 'Let's go home to bed,' said he. 'As that article is to appear, you can take it to her to- morrow. She will see you, sure enough.'

Thereupon they lighted cigars, and now and again exchanging a few words, took their way up the Avenue de l'Opera, which at that hour was deserted and dismal. Meantime, above the slumbering houses of Paris the breeze wafted a prolonged sigh, the plaint, as it were, of an expiring world.

III. THE GOAL OF LABOUR

EVER since the execution of Salvat, Guillaume had become extremely taciturn. He seemed worried and absent-minded. He would work for hours at the manufacture of that dangerous powder of which he alone knew the formula, and the preparation of which was such a delicate matter that he would allow none to assist him. Then, at other times he would go off, and return tired out by some long solitary ramble. He remained very gentle at home, and strove to smile there. But whenever anybody spoke to him he started as if suddenly called back from dreamland.

Pierre imagined his brother had relied too much upon his powers of renunciation, and found the loss of Marie unbearable. Was it not some thought of her that haunted him now that the date fixed for the marriage drew nearer and nearer? One evening, therefore, Pierre ventured to speak out, again offering to leave the house and disappear.

But at the first words he uttered Guillaume stopped him, and affectionately replied: 'Marie? Oh! I love her, I love her too well to regret what I have done. No, no! you only bring me happiness, I derive all my strength and courage from you now that I know you are both happy. . . . And I assure you that you are mistaken, there is nothing at all the matter with me; my work absorbs me, perhaps, but that is all.'

That same evening he managed to cast his gloom aside, and displayed delightful gaiety. During dinner he inquired if the upholsterer would soon call to arrange the two little rooms which Marie was to occupy with her