Thomas smiled: 'Well, you must remain patient just a little longer,' said he; 'I believe that I am on the right road.'
Then Grandidier shook hands with him and Pierre, and went off to make his usual round through his busy, bustling works, whilst near at hand, awaiting his return, stood the closed pavilion, where every evening he was fated to relapse into endless, incurable anguish.
The daylight was already waning when Pierre and Thomas, after re-ascending the height of Montmartre, walked towards the large work-shop which Jahan, the sculptor, had set up among the many sheds whose erection had been necessitated by the building of the Sacred Heart. There was here a stretch of ground littered with materials, an extraordinary chaos of building stone, beams and machinery; and pending the time when an army of navvies would come to set the whole place in order, one could see gaping trenches, rough flights of descending steps and fences, imperfectly closing doorways which conducted to the substructures of the basilica.
Halting in front of Jahan's work-shop, Thomas pointed to one of these doorways by which one could reach the foundation works. 'Have you never had an idea of visiting the foundations?' he inquired of Pierre. 'There's quite a city down there on which millions of money have been spent. They could only find firm soil at the very base of the height, and they had to excavate more than eighty shafts, fill them with concrete, and then rear their church on all those subterranean columns. . . . Yes, that is so. Of course the columns cannot be seen, but it is they who hold that insulting edifice aloft, right over Paris!'
Having drawn near to the fence, Pierre was looking at an open doorway beyond it, a sort of dark landing whence steps descended as if into the bowels of the earth. And he thought of those invisible columns of concrete, and of all the stubborn energy and desire for domination which had set and kept the edifice erect.
Thomas was at last obliged to call him. 'Let us make haste,' said he, 'the twilight will soon be here. We shan't be able to see much.'
They had arranged to meet Antoine at Jahan's, as the sculptor wished to show them a new model he had prepared. When they entered the work-shop they found the two assistants still working at the colossal angel which had been ordered for the basilica. Standing on a scaffolding they were rough-hewing its symmetrical wings, whilst Jahan, seated on a low chair, with his sleeves rolled up to his elbows, and his hands soiled with clay, was contemplating a figure some three feet high on which he had just been working.
'Ah! it's you,' he exclaimed. 'Antoine has been waiting more than half an hour for you. He's gone outside with Lise to see the sun set over Paris, I think. But they will soon be back.'
Then he relapsed into silence, with his eyes fixed on his work.
This was a bare, erect, lofty female figure, of such august majesty, so simple were its lines, that it suggested something gigantic. The figure's abundant, outspread hair suggested rays around its face, which beamed with sovereign beauty like the sun. And its only gesture was one of offer and of greeting; its arms were thrown slightly forward, and its hands were open for the grasp of all mankind.
Still lingering in his dream Jahan began to speak slowly: 'You remember that I wanted a pendant for my figure of Fecundity. I had modelled a Charity, but it pleased me so little and seemed so commonplace that I let the clay dry and spoil. . . . And then the idea of a figure of Justice came to me. But not a gowned figure with the sword and the scales! That wasn't the Justice that inspired me. What haunted my mind was the other Justice, the one that the lowly and the sufferers await, the one who alone can some day set a little order and happiness among us. And I pictured her like that, quite bare, quite simple, and very lofty. She is the sun as it were, a sun all beauty, harmony and strength; for justice is only to be found in the sun which shines in the heavens for one and all, and bestows on poor and rich alike its magnificence and light and warmth, which are the source of all life. And so my figure, you see, has her hands outstretched as if she were offering herself to all mankind, greeting it and granting it the gift of eternal life in eternal beauty. Ah! to be beautiful and strong and just, one's whole dream lies in that.'
Jahan relighted his pipe and burst into a merry laugh. 'Well, I think the good woman carries herself upright. . . . What do you fellows say?'
His visitors highly praised his work. Pierre for his part was much affected at finding in this artistic conception the very idea that he had so long been revolving in his mind-the idea of an era of Justice rising from the ruins of the world, which Charity after centuries of trial had failed to save.
Then the sculptor gaily explained that he had prepared his model there instead of at home, in order to console himself a little for his big dummy of an angel, the prescribed triteness of which disgusted him. Some fresh objections had been raised with respect to the folds of the robe, which gave some prominence to the thighs, and in the end he had been compelled to modify all of the drapery.
'Oh! it's just as they like!' he cried; 'it's no work of mine, you know; it's simply an order which I'm executing just as a mason builds a wall. There's no religious art left, it has been killed by stupidity and disbelief. Ah! if social or human art could only revive, how glorious to be one of the first to bear the tidings!'
Then he paused. Where could the youngsters, Antoine and Lise, have got to, he wondered. He threw the door wide open, and, a little distance away, among the materials littering the waste ground, one could see Antoine's tall figure and Lise's short slender form standing out against the immensity of Paris, which was all golden amidst the sun's farewell. The young man's strong arm supported Lise, who with this help walked beside him without feeling any fatigue. Slender and graceful, like a girl blossoming into womanhood, she raised her eyes to his with a smile of infinite gratitude, which proclaimed that she belonged to him for evermore.
'Ah! they are coming back,' said Jahan. 'The miracle is now complete, you know. I'm delighted at it. I did not know what to do with her; I had even renounced all attempts to teach her to read; I left her for days together in a corner, infirm and tongue-tied like a lack-wit. . . . But your brother came and took her in hand somehow or other. She listened to him and understood him, and began to read and write with him, and grow intelligent and gay. Then, as her limbs still gained no suppleness, and she remained infirm, ailing and puny, he began by carrying her here, and then helped her to walk in such wise that she can now do so by herself. In a few weeks' time she has positively grown and become quite charming. Yes, I assure you, it is second birth, real creation. Just look at them!'
Antoine and Lise were still slowly approaching. The evening breeze which rose from the great city, where all was yet heat and sunshine, brought them a bath of life. If the young man had chosen that spot, with its splendid horizon, open to the full air which wafted all the germs of life, it was doubtless because he felt that nowhere else could he instil more vitality, more soul, more strength into her. And love had been created by love. He had found her asleep, benumbed, without power of motion or intellect, and he had awakened her, kindled life in her, loved her, that he might be loved by her in return. She was his work, she was part of himself.
'So you no longer feel tired, little one?' said Jahan.
She smiled divinely. 'Oh! no, it's so pleasant, so beautiful, to walk straight on like this. . . . All I desire is to go on for ever and ever with Antoine.'
The others laughed, and Jahan exclaimed in his good-natured way: 'Let us hope that he won't take you so far. You've reached your destination now, and I shan't be the one to prevent you from being happy.'
Antoine was already standing before the figure of Justice, to which the falling twilight seemed to impart a quiver of life. 'Oh! how divinely simple, how divinely beautiful!' said he.
For his own part he had lately finished a new wood engraving, which depicted Lise holding a book in her hand, an engraving instinct with truth and emotion, showing her awakened to intelligence and love. And this time he had achieved his desire, making no preliminary drawing, but tackling the block with his graver, straight away, in presence of his model. And infinite hopefulness had come upon him, he was dreaming of great original works in which the whole period that he belonged to would live anew and for ever.
Thomas now wished to return home. So they shook hands with Jahan, who, as his day's work was over, put on his coat to take his sister back to the Rue du Calvaire.
'Till to-morrow, Lise,' said Antoine, inclining his head to kiss her.
She raised herself on tip-toes, and offered him her eyes, which he had opened to life. 'Till to-morrow, Antoine,' said she.
Outside, the twilight was falling. Pierre was the first to cross the threshold, and as he did so, he saw so extraordinary a sight that for an instant he felt stupefied. But it was certain enough: he could plainly distinguish his brother Guillaume emerging from the gaping doorway which conducted to the foundations of the basilica. And he saw him hastily climb over the palings, and then pretend to be there by pure chance, as though he had come up from the Rue Lamarck. When he accosted his two sons, as if he were delighted to meet them, and began to say that he had just come from Paris, Pierre asked himself if he had been dreaming. However, an anxious glance which his brother cast at him convinced him that he had been right. And then he not only felt ill at ease in presence of that
