his side, retained a very frigid bearing.
'It's I, my dear master,' exclaimed the Princess. 'I promised you a visit, you remember, for I am such a great admirer of your genius. And our young friend here has been kind enough to bring me. We have only just returned from Norway, and my very first visit is for you.'
She turned as she spoke, and bowed in an easy and gracious way to Pierre and Marie, Francois and Antoine, who were also there. Then she resumed: 'Oh! my dear master, you have no idea how beautifully virginal Norway is! We all ought to go and drink at that new source of the Ideal, and we should return purified, rejuvenated and capable of great renunciations!'
As a matter of fact she had been well-nigh bored to death there. To make one's honeymoon journey to the land of the ice and snow, instead of to Italy, the hot land of the sun, was doubtless a very refined idea, which showed that no base materialism formed part of one's affections. It was the soul alone that travelled, and naturally it was fit that only kisses of the soul should be exchanged on the journey. Unfortunately, however, Hyacinthe had carried his symbolism so far as to exasperate Rosemonde, and on one occasion they had come to blows over it, and then to tears when this lover's quarrel had ended as many such quarrels do. Briefly, they had no longer deemed themselves pure enough for the companionship of the swans and the lakes of dreamland, and had therefore taken the first steamer that was sailing for France.
As it was altogether unnecessary to confess to everybody what a failure their journey had proved, the Princess abruptly brought her rapturous references to Norway to an end, and then explained: 'By the way, do you know what I found awaiting me on my return? Why, I found my house pillaged, oh! completely pillaged! And in such a filthy condition, too! We at once recognised the mark of the beast, and thought of Bergaz's young friends.'
Already on the previous day Guillaume had read in the newspapers that a band of young Anarchists had entered the Princess's little house by breaking a basement window. She had left it quite deserted, unprotected even by a caretaker; and the robbers had not merely removed everything from the premises-including even the larger articles of furniture, but had lived there for a couple of days, bringing provisions in from outside, drinking all the wine in the cellars, and leaving every room in a most filthy and disgusting condition. On discovering all this, Rosemonde had immediately remembered the evening she had spent at the Chamber of Horrors in the company of Bergaz and his acolytes, Rossi and Sanfaute, who had heard her speak of her intended trip to Norway. The two young men had therefore been arrested, but Bergaz had so far escaped. The Princess was not greatly astonished by it all, for she had already been warned of the presence of dangerous characters among the mixed cosmopolitan set with which she associated. Janzen had told her in confidence of a number of villanous affairs which were attributed to Bergaz and his band. And now the Anarchist leader openly declared that Bergaz had sold himself to the police like Raphanel; and that the burglary at the Princess's residence had been planned by the police officials, who thereby hoped to cover the Anarchist cause with mire. If proof was wanted of this, added Janzen, it could be found in the fact that the police had allowed Bergaz to escape.
'I fancied that the newspapers might have exaggerated matters,' said Guillaume, when the Princess had finished her story. 'They are inventing such abominable things just now, in order to blacken the case of that poor devil Salvat.'
'Oh! they've exaggerated nothing!' Rosemonde gaily rejoined. 'As a matter of fact they have omitted a number of particulars which were too filthy for publication. . . . For my part, I've merely had to go to an hotel. I'm very comfortable there; I was beginning to feel bored in that house of mine. . . . All the same, however, Anarchism is hardly a clean business, and I no longer like to say that I have any connection with it.'
She again laughed, and then passed to another subject, asking Guillaume to tell her of his most recent researches, in order, no doubt, that she might show she knew enough chemistry to understand him. He had been rendered thoughtful, however, by the story of Bergaz and the burglary, and would only answer her in a general way.
Meantime, Hyacinthe was renewing his acquaintance with his school-fellows, Francois and Antoine. He had accompanied the Princess to Montmartre against his own inclinations; but since she had taken to whipping him he had become afraid of her. The chemist's little home filled him with disdain, particularly as the chemist was a man of questionable reputation. Moreover, he thought it a duty to insist on his own superiority in the presence of those old school-fellows of his, whom he found toiling away in the common rut, like other people.
'Ah! yes,' said he to Francois, who was taking notes from a book spread open before him, 'you are at the Ecole Normale, I believe, and are preparing for your licentiate. Well, for my part, you know, the idea of being tied to anything horrifies me. I become quite stupid when there's any question of examination or competition. The only possible road for one to follow is that of the Infinite. And between ourselves what dupery there is in science, how it narrows our horizon! It's just as well to remain a child with eyes gazing into the invisible. A child knows more than all your learned men.'
Francois, who occasionally indulged in irony, pretended to share his opinion. 'No doubt, no doubt,' said he, 'but one must have a natural disposition to remain a child. For my part, unhappily, I'm consumed by a desire to learn and know. It's deplorable, as I'm well aware, but I pass my days racking my brain over books. . . . I shall never know very much, that's certain; and perhaps that's the reason why I'm ever striving to learn a little more. You must at all events grant that work, like idleness, is a means of passing life, though of course it is a less elegant and aesthetic one.'
'Less aesthetic, precisely,' rejoined Hyacinthe. 'Beauty lies solely in the unexpressed, and life is simply degraded when one introduces anything material into it.'
Simpleton though he was in spite of the enormity of his pretensions, he doubtless detected that Francois had been speaking ironically. So he turned to Antoine, who had remained seated in front of a block he was engraving. It was the one which represented Lise reading in her garden, for he was ever taking it in hand again and touching it up in his desire to emphasise his indication of the girl's awakening to intelligence and life.
'So you engrave, I see,' said Hyacinthe. 'Well, since I renounced versification-a little poem I had begun on the End of Woman-because words seemed to me so gross and cumbersome, mere paving-stones as it were, fit for labourers, I myself have had some idea of trying drawing, and perhaps engraving too. But what drawing can portray the mystery which lies beyond life, the only sphere that has any real existence and importance for us? With what pencil and on what kind of plate could one depict it? We should need something impalpable, something unheard of, which would merely suggest the essence of things and beings.'
'But it's only by material means,' Antoine somewhat roughly replied, 'that art can render the essence of things and beings, that is, their full significance as we understand it. To transcribe life is my great passion; and briefly life is the only mystery that there is in things and beings. When it seems to me that an engraving of mine lives, I'm well pleased, for I feel that I have created.'
Hyacinthe pouted by way of expressing his contempt of all fruitfulness. Any fool might beget offspring. It was the sexless idea, existing by itself, that was rare and exquisite. He tried to explain this, but became confused, and fell back on the conviction which he had brought back from Norway, that literature and art were done for in France, killed by baseness and excess of production.
'It's evident!' said Francois gaily by way of conclusion. 'To do nothing already shows that one has some talent!'
Meantime, Pierre and Marie listened and gazed around them, somewhat embarrassed by this strange visit which had set the usually grave and peaceful workroom topsy-turvy. The little Princess, though, evinced much amiability, and on drawing near to Marie admired the wonderful delicacy of some embroidery she was finishing. Before leaving, moreover, Rosemonde insisted upon Guillaume inscribing his autograph in an album which Hyacinthe had to fetch from her carriage. The young man obeyed her with evident boredom. It could be seen that they were already weary of one another. Pending a fresh caprice, however, it amused Rosemonde to terrorize her sorry victim. When she at length led him away, after declaring to Guillaume that she should always regard that visit as a memorable incident in her life, she made the whole household smile by saying: 'Oh! so your sons knew Hyacinthe at college. He's a good-natured little fellow, isn't he? and he would really be quite nice if he would only behave like other people.'
That same day Janzen and Bache came to spend the evening with Guillaume. Once a week they now met at Montmartre, as they had formerly done at Neuilly. Pierre, on these occasions, went home very late, for as soon as Mere-Grand, Marie, and Guillaume's sons had retired for the night, there were endless chats in the workroom, whence Paris could be seen spangled with thousands of gas lights. Another visitor at these times was Theophile Morin, but he did not arrive before ten o'clock, as he was detained by the work of correcting his pupils' exercises or
