BEAUFOY
(
A VOICE FROM THE GALLERY
Moses, Moses, king of the jews,
Wiped his arse in the
BLOOM
(
BEAUFOY
You low cad! You ought to be ducked in the horsepond, you rotter! (
BLOOM
(
FIRST WATCH
The King versus Bloom. Call the woman Driscoll.
THE CRIER
Mary Driscoll, scullerymaid!
(Mary Driscoll, a slipshod servant girl, approaches. She has a bucket on the crook of her arm and a scouringbrush in her hand.)
SECOND WATCH
Another! Are you of the unfortunate class?
MARY DRISCOLL
(
FIRST WATCH
What do you tax him with?
MARY DRISCOLL
He made a certain suggestion but I thought more of myself as poor as I am.
BLOOM
(
MARY DRISCOLL
(
FIRST WATCH
The offence complained of? Did something happen?
MARY DRISCOLL
He surprised me in the rere of the premises, Your honour, when the missus was out shopping one morning with a request for a safety pin. He held me and I was discoloured in four places as a result. And he interfered twict with my clothing.
BLOOM
She counterassaulted.
MARY DRISCOLL
(
(General laughter.)
GEORGE FOTTRELL
(
(Bloom, pleading not guilty and holding a fullblown waterlily, begins a long unintelligible speech. They would hear what counsel had to say in his stirring address to the grand jury. He was down and out but, though branded as a black sheep, if he might say so, he meant to reform, to retrieve the memory of the past in a purely sisterly way and return to nature as a purely domestic animal. A sevenmonths’ child, he had been carefully brought up and nurtured by an aged bedridden parent. There might have been lapses of an erring father but he wanted to turn over a new leaf and now, when at long last in sight of the whipping post, to lead a homely life in the evening of his days, permeated by the affectionate surroundings of the heaving bosom of the family. An acclimatised Britisher, he had seen that summer eve from the footplate of an engine cab of the Loop line railway company while the rain refrained from falling glimpses, as it were, through the windows of loveful households in Dublin city and urban district of scenes truly rural of happiness of the better land with Dockrell’s wallpaper at one and ninepence a dozen, innocent Britishborn bairns lisping prayers to the Sacred Infant, youthful scholars grappling with their pensums or model young ladies playing on the pianoforte or anon all with fervour reciting the family rosary round the crackling Yulelog while in the boreens and green lanes the colleens with their swains strolled what times the strains of the organtoned melodeon Britanniametalbound with four acting stops and twelvefold bellows, a sacrifice, greatest bargain ever ….
Renewed laughter. He mumbles incoherently. Reporters complain that they cannot hear.)
LONGHAND AND SHORTHAND
(
PROFESSOR MACHUGH
(
(The crossexamination proceeds re Bloom and the bucket. A large bucket. Bloom himself. Bowel trouble. In Beaver street. Gripe, yes. Quite bad. A plasterer’s bucket. By walking stifflegged. Suffered untold misery. Deadly agony. About noon. Love or burgundy. Yes, some spinach. Crucial moment. He did not look in the bucket. Nobody. Rather a mess. Not completely. A Titbits back number. Uproar and catcalls. Bloom in a torn frockcoat stained with whitewash, dinged silk hat sideways on his head, a strip of stickingplaster across his nose, talks inaudibly.)
J. J. O’MOLLOY
(
BLOOM
