?I wasn?t sure if you?d want me to call at home, but you left the number so I figured I?d try.?
?Glad you did. Thank you.? Thank you. Thank you. ?I want to pick your brain about a situation we?ve got up here. If that?s okay??
?Tempe, when will you stop disappointing me?? Feigned hurt.
We?d had dinner at Academy meetings, the possibility of a fling hanging heavy between us at first. Should we tamper with teenaged memories? Was the passion still there? Nothing verbalized, the idea waned bilaterally. Better to leave the past intact.
?What about the new love interest you were telling me about last year??
?Gone.?
?Sorry. J.S., we?ve had some murders here that I think are tied together. If I give you an overview, can you opine on whether we have a serial??
?I can opine on anything.? One of our old pet phrases.
I described the Adkins and Morisette-Champoux scenes, and outlined what had been done to the victims. I described how and where the other bodies were found, and how they?d been mutilated. Then I added my theories about the M #233;tro and want ads.
?I?m having trouble convincing the cops these cases are connected. They keep saying there?s no pattern. They?re right to some extent. The victims are all different, one is shot, the others aren?t. They lived all over the place. Nothing hooks together.?
?Whoa. Whoa. Slow down. You?re going about this all wrong. First of all, most of what you?ve described has to do with modus operandi.?
?Yes.?
?Similarities in MO can be useful, don?t get me wrong, but disparities are extremely common. A perpetrator may gag or tie his victim with the phone cord at one scene, then bring his own rope to the next. He may stab or slash one victim, shoot or strangle the next, steal from one, not from another. I profiled one guy who used a different kind of weapon at every scene. You still there??
?Yes.?
?A criminal?s MO is never static. It?s like anything else, there?s a learning curve. These guys get better with practice. They learn what works and what doesn?t. They?re continually improving their technique. Some more than others, of course.?
?Comforting.?
?Also, there are all kinds of random events that can affect what a perpetrator does, regardless of his best-laid plans. A phone rings. A neighbor shows up. A cord breaks. He has to improvise.?
?I see.?
?Don?t misunderstand. Patterns in MO are useful, and we use that. But variations don?t mean much.?
?What
?Ritual.?
?Ritual??
?Some of my colleagues call it a signature, or a calling card, and it?s only seen at some crime scenes. Most perpetrators develop an MO because once a plan works a couple of times they gain confidence in it and believe it lowers their risk of getting caught. But with violent, repetitive offenders there?s something else operating. These people are driven by anger. Their anger leads them to fantasize about violence, and eventually they act out the fantasies. But the violence isn?t enough. They evolve rituals for expressing the anger. It?s these rituals that give them away.?
?What sort of rituals??
?Usually they involve controlling, maybe humiliating the victim. You see, it isn?t really the victim that?s important. Her age, her appearance may be irrelevant. It?s the need to express the anger. I did one guy whose victims ranged from seven to eighty-one years in age.?
?So, what would you look for??
?How does he encounter his victim? Does he jump her? Does he use a verbal approach? How does he control her once he?s made contact? Does he assault her sexually? Does he do it before or after he kills her? Does he torture his victim? Does he mutilate the body? Does he leave anything at the scene? Take anything away??
?But can?t those things be affected by unexpected contingencies also??
?Of course. But the critical thing is he does these things as part of his fantasy enactment, his anger dissipation ritual, not just to cover his ass.?
?So, what do you think? Does what I described have a signature??
?Off the record??
?Of course.?
?Absolutely.?
?Really?? I began taking notes.
?I?d bet my ass on it.?
?Your buns are safe, J.S. Do you think it?s a sexual sadist??
I heard a rattling as he switched the phone. ?Sexual sadists are turned on by their victim?s pain. They don?t just want to kill, they want their victims to suffer. And-and this is critical-they?re sexually aroused by it.?
?And??
?Part of your pattern says yes. Insertion of objects into the vagina or rectum is very common with these guys. Were your victims alive when this was done??
?At least one. Hard to tell with the other two since the bodies were so decomposed.?
?Sounds like sexual sadism is a possibility. The real question remains, was the killer sexually aroused by his actions??
I couldn?t answer that. No semen was found on any of the victims. I said this.
?Useful, but doesn?t rule out SS. I had one guy who?d masturbate in his victim?s hand, cut it off, then grind it up in a blender. Never found semen at the scenes.?
?How?d you get him??
?One time his aim wasn?t so good.?
?Three of these women were dismembered. We know that for certain.?
?That may show a pattern, but it?s not proof of sexual sadism. Unless it was done before the victim?s death. Serial killers, whether sexual sadists or not, are very cunning. They put a lot of planning into their crimes. Postmortem mutilation doesn?t necessarily mean there?s a sexual or sadistic component. Some cut the body up just to make it easier to hide.?
?What about the mutilation? The hands??
?Same answer. It?s a pattern, it?s overkill, but it may or may not be sexual. Sometimes it?s just a way of rendering the victim powerless. I do see some indicators, however. You say the victims were unknown to their killer. They were savagely beaten. Three suffered object insertion, probably antemortem. That combination is characteristic.?
I was writing furiously.
?Check whether the objects were brought to the scene or were already there. That could be part of this guy?s signature, planned as opposed to opportunistic cruelty.?
I noted it, starred it.
?What are some other characteristics of sexual sadism??
?Patterned MO. Use of a pretext to make contact. A need to control and humiliate the victim. Excessive cruelty. Sexual arousal from the victim?s fear and pain. Keeping victim memorabilia. The-?
?What was that last one?? I was writing so fast my hand was cramping.
?Memorabilia. Souvenirs.?
?What kind of souvenirs??
?Items from the murder scene, pieces of the victim?s clothing, jewelry, that sort of thing.?
?Newspaper clippings??
?Sexual sadists love their own press.?
?Would they keep records??
?Maps, diaries, calendars, drawings, you name it. Some of them make tapes. The fantasy isn?t just the kill.
