'And 'tight' or 'cheap' used to be this.' She stroked her chin.
'Meaning?'
'Jewish. With a beard.'
'Christ. I can see that needed some work.'
'And a person of same-sex orientation,' said Leslie, 'used to be-'
'Queer,' said Frances.
'Excuse me?'
'Queer. They're called queers now.'
'Right. Queer,' Leslie went on, 'used to be this.' He gave a languid flap of the wrist. 'Can you believe?'
'And now what is it?'
'Queer?' said Leslie, turning to Frances. 'What's queer now?'
'Queer? I think it's just sign language for
'We've come a long way,' said Richard.
'Too right,' said Frances.
'Too right,' said Leslie.
He took her hand. Or she took his. Or their hands joined. In a way nothing was expressed by this, no claim of love or friendship or even solidarity. But it still looked like sign language. Meaning the future, the next thing, meaning evolution, and
Frances said good-bye and very soon Richard was being guided toward the stairs by Leslie, who was saying, 'As hard as we're working here you can see we still have a way to go. Copies have been submitted for review. At the present time distribution is light going on minimal but if the reviews are perceived as positive then things may build from there. Can I ask you something? Are you just touring the States
Now Richard paused on the stairs. He saw no way out. 'I'm writing a piece about Gwyn Barry.'
'Isn't it amazing the attention he's getting?'
'Yes. Consternating. How do you account for it??
'I guess it's a book whose time has come. The Profundity Requital- that's the key for him. He's on fire. And if the Requital goes his way: abracadabra. Supernova.'
Don't worry about it, he wanted to answer: the Requital will not go Gwyn's way. Richard was resolved. He owed it to Profundity. He owed it to the universe.
They moved on.
'I'm sorry we can't get out there more for
At the front door he veered off to the left, into a storeroom or junk room. There were sounds of mauling and tugging and dragging and his sudden and surprising 'Shit!' and then more dragging, until he finally flung a lumpy brown mail sack out into the passage at Richard's feet and came stumbling in on after it.
'You're doing readings, signings,' said Leslie. He looked vivid- warmed up. 'I don't know. You could care less, right? I don't know. There's eighteen copies in there. You feeling strong?'
What could he do?
'Boston. That your first stop?'
'Last stop.'
'Oh. By the way. Great book.'
It wasn't until now that Richard teetered, all his weight gathering on his back foot. 'Thank you,' he said in a youthful voice. 'That's very kind of you. I did feel I was on to something. You don't think … I was worried about the penultimate bridging passages. You know: where the figment narrator pretends to attempt that series of decoy refocusings.'
Leslie nodded understandingly.
'Because the travesty is a counterfeit.'
'Yup.'
'Not that he's really a narrator.'
'Mm-hm.'
'Reliable or otherwise. But he had to be a surrogate if the sham refocusings were going to
'Absolutely. Hey are you sure you can handle that?'
Out on Ninth and B, between Bold Agenda and the Life Cafe, a little
bookshop (The Lazy Susan) lurked, in a half-basement, behind thick light- bending glass. Unlike most American bookshops-unlike the bookshops he had already meandered between on Fifth and on Madison
He tarried in the Lazy Susan Bookstore for over an hour. No one bought
Which Gwyn Barry would do well to learn, thought Richard, when he got back to the hotel. Shackled and hostaged to the secular, to the temporal, an eager hireling of his own novel, Gwyn was still Stockpiling interviews in his suite on the fourteenth floor. Richard watched and listened to three or four of them (simplicity, unsophistication, carpentry), quietly mesmerized by boredom and disgust. True,