The Sound and the Fury

surrey and a weathered house from an upper window of which hung a garment of vivid pink.

'Does that look like your house?' I said. She looked at me over the bun. 'This one?' I said, pointing. She just chewed, but it seemed to me that I discerned something affirmative, acquiescent even if it wasn't eager, in her air. 'This one?' I said. 'Come on, then.' I entered the broken gate. I looked back at her. 'Here?' I said. 'This look like your house?'

She nodded her head rapidly, looking at me, gnawing into the damp halfmoon of the bread. We went on. A walk of broken random flags, speared by fresh coarse blades of grass, led to the broken stoop. There was no movement about the house at all, and the pink garment hanging in no wind from the upper window. There was a bell pull with a porcelain knob, attached to about six feet of wire when I stopped pulling and knocked. The little girl had the crust edgeways in her chewing mouth.

A woman opened the door. She looked at me, then she spoke rapidly to the little girl in Italian, with a rising inflexion, then a pause, interrogatory. She spoke to her again the little girl looking at her across the end of the crust, pushing it into her mouth with a dirty hand

'She says she lives here.' I said. 'I met her down town. Is this your bread?

'No spika,' the woman said. She spoke to the little girl again. The little girl just looked at her.

'No live here?' I said. I pointed to the girl, then at her, then at the door. The woman shook her head. She spoke rapidly. She came to the edge of the porch and pointed down the road, speaking.

I nodded violently too. 'You come show?' I said. I took her arm, waving my other hand toward the road. She spoke swiftly, pointing. 'You come show,' I said, trying to lead her down the steps.

'Si, si,' she said, holding back, showing me whatever it was. I nodded again.

'Thanks. Thanks. Thanks.' I went down the steps and walked toward the gate, not running, but pretty fast. I reached the gate and stopped and looked at her for a while. The crust was gone now, and she looked at me with her black, friendly stare. The woman stood on the stoop, watching us.

'Come on, then,' I said. 'We'll have to find the right one sooner or later.'

She moved along just under my elbow. We went on. The houses all seemed empty. Not a soul in sight. A sort of breathlessness that empty houses have. Yet they couldn't all be empty. All the different rooms, if you could just slice the walls away all of a sudden. Madam, your daughter, if you please. No. Madam, for God's sake, your daughter. She moved along just under my elbow, her shiny tight pigtails, and then the last house played out and the road curved out of sight beyond a wall, following the river. The woman was emerging from the broken gate, with a shawl over ner head and clutched under her chary. The road curved on, empty. I found a coin and gave it to the little girl. A quarter. 'Goodbye, sister,' I said. Then I ran.

I ran fast, not looking back. Just before the road curved away I looked back. She stood in the road, a small figure clasping the loaf of bread to her filthv little dress, her eyes still and black and unwinking I ran on

A lane turned from the road. I entered it and after a while I slowed to a fast walk. The lane went between back premises-- unpainted houses with more of those gay and startling colored garments on lines, a barn broken-backed, decaying quietly among rank orchard trees, unpruned and weed-choked, pink and white and murmurous with sunlight and with bees. I looked back. The entrance to the lane was empty. I slowed still more, my shadow pacing me, dragging its head through the weeds that hid the fence.

The lane went back to a barred gate, became defunctive in grass, a mere path scarred quietly into new grass. I climbed the gate into a woodlot and crossed it and came to another wall and followed that one, my shadow behind me now. There were vines and creepers where at home would be honeysuckle. Coming and coming especially in the dusk when it rained, getting honeysuckle all mixed up in it as though it were not enough without that, not unbearable enough. What did you let him for kiss kiss

I didn't let him I made him watching me getting mad What do you think of that? Red print of my hand coming up through her face like turning a light on under your hand her eyes going bright

It's not for kissing I slapped you. Girl's elbows at fifteen Father said you swallow like you had a fishbone in your throat what's the matter with you and Caddy across the table not to look at me. It's for letting it be some darn town squirt I slapped you you will will you now I guess you say calf rope. My red hand coming up out of her face. What do you think of that scouring her head into the. Grass sticks cries-crossed into the flesh tingling scouring her head. Say calf rope say it

I didn't kiss a dirty girl like Natalie anyway The wall went into shadow, and then my shadow, I had tricked it again. I had forgot about the river curving along the road. I climbed the wall. And then she watched me jump down, holding the loaf against her dress.

I stood in the weeds and we looked at one another for a while.

'Why didn't you tell me you lived out this way, sister?' The loaf was wearing slowly out of the paper; already it needed a new one. 'Well, come on then and show me the house.' not a dirty girl like Natalie. It was raining we could hear it on the roof, sighing through the high sweet emptiness of the barn.

There? touching her

Not there

There? not raining hard but we couldn't hear anything but the roof and if it was my blood or her blood

She pushed me down the ladder and ran off and left me Caddy did

Was it there it hurt you when Caddy did ran off was it there

Oh She walked just under my elbow, the top of her patent leather head, the loaf fraying out of the newspaper.

'If you dont get home pretty soon you're going to wear that loaf out. And then what'll your mamma say?' I bet I can lift you up

You cant I'm too heavy

Did Caddy go away did she go to the house you cant see the barn from our house did you ever try to see the barn from

It was her fault she pushed me she ran away

I can lift you up see how I can

Oh her blood or my blood Oh We went on in the thin dust, our feet silent as rubber in the thin dust where pencils of sun slanted in the trees. And I could feel water again running swift and peaceful in the secret shade.

'You live a long way, dont you. You're mighty smart to go this far to town by yourself.' It's like dancing sitting down did you ever dance sitting down? We could hear the rain, a rat in the crib, the empty barn vacant with horses. How do you hold to dance do you hold like this

Oh

I used to hold like this you thought I wasn't strong enough didn't you

Oh Oh Oh Oh

I hold to use like this I mean did you hear what I said I said

oh oh oh oh

The road went on, still and empty, the sun slanting more and more. Her stiff little Pigtails were bound at the tips with bits of crimson cloth. A corner of the wrapping flapped a little as she walked, the nose of the loaf naked. I stopped.

'Look here. Do you live down this road? We haven't passed a house in a mile, almost.'

She looked at me, black and secret and friendly.

'Where do you live, sister? Dont you live back there in town?'

There was a bird somewhere in the woods, beyond the broken and infrequent slanting of sunlight.

'Your Papa's going to be worried about you. Dont you reckon you'll get a whipping for not coming straight home with that bread?'

The bird whistled again, invisible, a sound meaningless and profound, inflexionless, ceasing as though cut off with the blow of a knife, and again, and that sense of water swift and peaceful above secret places, felt, not seen not heard.

'Oh, hell, sister.' About half the paper hung limp. 'That's not doing any good now.' I tore it off and dropped it beside the road. 'Come on. We'll have to go back to town. We'll go back along the river.'

We left the road. Among the moss little pale flowers grew, and the sense of water mute and unseen. I hold to use like this I mean I use to hold She stood in the door looking at us her hands on her