In the well-sprung manor carriage, the trip from Newmarket to Bury St. Edmunds did not take long. They rolled into the town as the last traces of the day were fading from the western sky.
They joined the long queue of curricles, carriages, gigs and carts barely crawling along the main street.
Peering out the carriage window, Flick was amazed at the number of conveyances clogging the usually clear road. The clack of horses' hooves, the snap of whips and innumerable ripe curses filled the air. The pavements were awash with surging masses of men-laborers in drab, country squires in their tweeds, and gentlemen of every hue, from the nattily attired sportsman to the elegant rake, to the brash blades and bucks casting their eyes over any female unwise enough to appear in their sight.
Sitting back, Flick was glad of her thick veil. Not only would it hide her face but it would also hide her blushes. Glancing down, she wished she'd stopped to find a more 'widowish' dress-one with a high neckline and voluminous skirts, preferably in dull black. In her haste, she'd donned one of her day gowns, a scooped-necked, high waisted gown in soft voile in her favorite shade of lavender-blue. In it, she didn't look the least like a widow- she suspected she looked very young.
She would have to remember to keep her cloak fully about her at all times whenever she was out of her room. The cloak, luckily, was perfect-voluminous, heavy and dark with a deep hood. An old trunk, in the attic recalled from childhood rummagings had yielded the heavy, black lace veil. Old-fashioned it might be, but it was precisely what she needed-it covered her whole head, her hair as well as her face, obscuring all identifiable features, yet it did not interfere too drastically with her vision.
She was going to need to see, and see well, to play the part she would need to play.
With the veil over her head, and her hood up, the whole secured with two pins, she was certain no one would recognize her. As long as she kept her cloak completely about her, all would be well.
Clutching her black reticule, also liberated from the old trunk, she waited impatiently for the sign of The Angel to appear. The carriage rocked, stopped, then rocked and stopped again. The sound of carriage wheels scraping came to her ears-she promptly shut them to the ensuing curses.
Fixing her gaze on the carriage's wall, she reviewed her plans. She had, she thought, managed well thus far. She'd told the General she'd taken a sudden notion to visit a friend, Melissa Blackthorn, who helpfully lived just beyond Bury St. Edmunds. Over the past ten years, she and Melissa had frequently simply visited, without formal arrangements. The General was always at home, and the Blackthorns were always in residence; there was never any danger of not finding a welcome. So she'd claimed she would visit Melissa and, as usual, stay overnight.
Both the General and Foggy had accepted her decision with a little too much readiness for her liking. The General's understanding smile, his gentle pat on her hand, had left her with the distinct-and she was sure not inaccurate-impression that he thought it was Demon's absence that had prompted her visit to Melissa. That his absence was the cause of her restlessness.
Flick wasn't at all sure how she felt about that-irritated, yes, but in a rather odd way. Frowning, she glanced out of the window and abruptly sat up. They were passing the main courtyard of The Angel, already a sea of men and boys all heading in one direction or another. The majority of visitors were still finding places to lay their heads; Flick prayed, very hard, that she'd be successful in carrying out the next phase of her plan. An instant later, the carriage lurched, then turned, and rumbled under the arch into the stable yard of The Angel.
Where pandemonium reigned.
Gillies hauled the horses to a stop, and two inn boys rushed to the carriage. One pulled open the door and let down the steps; the other ran to the boot. Flick allowed the first to take her hand and help her down; as the second, discovering the boot was empty, returned at a loss, she waved him to the carriage. 'My bag is in there.'
Her voice was steady; she'd deepened and strengthened her usual tones so that she sounded older, more commanding. It seemed to work; retrieving her one small bag, the inn boys stood respectfully as, having handed the horses over to the ostlers, Gillies came up.
Lifting her arms wide, palms up to encompass the scene, Flick turned dramatically and launched into her charade. 'Good gracious, Giles! Just
Gillies simply stared at her.
One of the inn boys shifted his weight. 'It's a prizefight, m'lady. Over on Cobden's field t'morrow mornin'.'
'A
She stared-beneath her veil she glared-at Gillies.
After a moment, he said rather woodenly, 'Indeed not, ma'am.'
At least he'd remembered to address her as ma'am.
'Come, Giles-we must speak to the innkeeper immediately!' Gesturing dramatically toward the inn's main doors, she picked up her skirts and led the way. Her feminine tones, carrying a hint of imminent distress, had caused more than a few heads to turn, but, as she'd anticipated, the inn boys, responding to her dramatic flair, bustled close, eager to be part of whatever scene was to follow; together with the recently christened Giles, they cleared a path for her to the inn door.
Beyond the door lay a wide reception area fronted by a long counter presently manned by three harassed individuals-the innkeeper, his wife, and his brother. The length of the counter was packed with men-Flick could only catch glimpses of those behind it. Between her and the counter ranged a wall of male shoulders.
It had been years since she'd visited The Angel, but Flick recognized the innkeeper and made a beeline for him, giving wordless thanks when his sharp-eyed wife was called to deal with a customer at the counter's other end. The helpful inn boys, seeing that she'd be swamped, sent up a shout, waving her bag high. 'Make way for the lady.'
Flick could have kissed them.
Gentlemen's heads turned at the mention of a lady; as they took in her dark cloak and veil, those in her path politely stepped back. Between the inn boys and Gillies, she was conducted to the counter; as she fronted it, however, her escort deferentially stepped back, leaving her surrounded by gentlemen.
All of whom were studying her rather speculatively.
The innkeeper blinked at her; his expression one of concern, he asked, 'Aye, ma'am?'
Flick took her courage in both hands.
'Kind sir'-her voice hinted at a quaver-'I have just arrived in your fair town only to discover this crowd before me.' Setting her big black reticule on the counter before her, she clasped her hands tight about it so the innkeeper could not miss the huge square-cut topaz she wore on one gloved finger. It was not an expensive stone, but it was impressive in size and style; the innkeeper's eyes duly widened. Casting an agitated glance about her, she declared, 'I have already travelled far this day-I cannot go further. My horses, too…' She let the words fade, as if the situation threatened to overwhelm her.
Turning back to the innkeeper, looking into his face, she imploringly put out a hand. 'Oh, dear sir, please say you have one more room left for me?'
Her plea caused a hush.
The innkeeper pursed his lips. 'Hmm.' Brow furrowing, he drew his ledger closer and made a great show of scanning his lists of rooms, all of which Flick knew must already be taken.
Tapping his pencil, he glanced up at her. 'Just you, is it, ma'am?'
Flick drew a deep breath. 'Yes.' She made the word sound very small, very weak. 'I…' She drew in another breath and clasped her fingers more tightly on the reticule; the facets of the topaz flashed. 'I was recently widowed-well, it's been six months, now, I suppose-I've been travelling… for my health, you understand.'
She delivered the words in a slightly breathless rush, with what she hoped was just the right degree of feminine fragility. The innkeeper's lips formed a silent
Exceedingly glad of her veil, Flick glanced about; the innkeeper's eyes were not the only ones in which calculation gleamed.
'I say, Hodges,' one of her neighbors drawled, 'you'll have to find a room for the lady-can't possibly send her out into the night.'
