finished it and gave it to me. It brings back a lot of memories.' A smile lit his face. He added simply, 'And it warms my heart.'
She shook her head as she saw the tenderness in his expression. How could she do anything that would take that expression away?
Cathy, my dear, you may have lost this one.
FOUR
'Can you come over here for a minute, Hannah?' Conner crawled out from behind a displaced control panel. 'I've found something… weird.'
'In a minute.' She focused her camera and took another shot of the cavity behind the navigation console before she turned and walked toward him. 'What is it?'
'There's another metal plate bolted to this surface metal.'
'What's it for? Is it on the schematic that the Navy furnished?'
'Hell, no.' He frowned. 'And I have no idea what it's for. I'm trying to find out. I thought you might know. I've taken out the first three screws. Two more to go.' He went back to work. 'I'll get this one. You unscrew the other one.'
'It could be nothing.' She knelt beside him and started to unscrew the bolt. 'You know that all Class Oscar IIs aren't absolutely identical.'
'But the Russians usually have a logical reason for everything. An extra plate here doesn't make sense.'
'You mean three extra plates.'
'What do you mean?'
She aimed her flashlight lower. Below the plate were two others, all bolted to the reverse side of the bulkhead in the same fashion. Each plate was a dull brass color and measured approximately two feet by three feet. She grinned at him. 'Now let's take these off and see if they're plugging holes to keep this tub afloat.'
'Very funny.' He carefully removed the top plate. 'I'd appreciate a little sober consideration. This is the first thing we've found in the past three days of taking this sub apart that wasn't cut-and-dried and by the book. Isn't that what the museum wanted us to look for?'
'Yep. Sorry, I couldn't resist teasing you. You looked like you'd discovered a hydrogen bomb that Cox's Captain Samuel had left behind.' She shined her beam on the detached metal plate. 'And I don't think the Russians are as infallible as you might-' She gave a low whistle. 'What the hell?'
The reverse side of the plate appeared as if it had been once part of a large industrial food container, now cut and flattened to fit flush against the bulkhead. Conner turned the plate back around. Faint marks were visible on its dull surface. 'It looks like hen scratching. Somebody's idea of a joke?'
'It's not hen scratching.' She took the tin plate out and laid it on the floor. 'And I don't think it was a joke.'
In the illumination of the work lights, Hannah could see that the plate was covered with an intricate pattern of symbols and geometric shapes.
'Triangles, circles, and squares, oh my,' Conner murmured.
'And I thought we were going to get through this job without a
'Conner…'
As was often the case on their jobs together, it was as if he had read her mind. He had already begun to unfasten the other two plates. 'You've seen this kind of stuff before? What is it?'
'I saw something like it in one of the captain's books. I'm not sure if it's the same thing.'
'So what do we do with it? Turn it over to the museum?'
She nodded. 'It's almost midnight, or I'd call them now. I'll contact them tomorrow morning and ask them if they want it sent to the lab or if they'd rather we just replace it where we found it. Until they decide, we document the discovery, photograph it, and add it to the schematic.'
'Got you.' He finished detaching the other two plates and placed them on the floor next to the first one. They featured the same distinctive arrangement of numbers and symbols.
Hannah pointed to the second two plates. 'Look, the handwriting gets more and more erratic. By the time we get to the bottom of the third plate, the symbols are very difficult to read.'
'In this light,
'Then do it.' Hannah went to the table where she'd set her laptop. 'I'll do the initial journal entry. You can do the entire expanded report later.'
'I knew I wasn't going to get off with taking a few photos.' Conner sighed. 'I think you should have to do the paperwork since I made this historic discovery.'
'You called it hen scratchings. Now it's historic?'
'Historic hen scratchings,' he said firmly. 'And you should do all the paperwork.'
'We'll talk about it after I notify the museum.' Her gaze returned to the computer screen. 'And after you get us some decent photos to accompany the report.'
'I'm on it.' He propped one of the panels against the chair and studied it in the viewfinder. 'Not clear enough. I'll have to go back to the van and get the lights.'
'I'll do it.' She pressed SAVE and stood up. 'I need to call Bradworth and tell him about the find anyway. I can't get good reception on my cell in here.'
'Yeah, I know. I always have to go out on the pier to talk to Cathy. Why don't you wait until tomorrow and call Bradworth at the same time you call the museum?'
'He said he was at our disposal day or night, and we might as well take him at his word. Your hen scratchings could be important, if not historic, and I'm shifting the responsibility onto his shoulders.'
'Good idea.' He took another picture and then changed the position of the plate and backed away from it. 'Bring my other camera too.'
'That's right, load me up like a pack mule.' She headed for the ladder. 'You're just trying to punish me for making you do the report.'
He grinned at her over his shoulder. 'How did you guess? Maybe you could bring the tripod, the heavy one, and the video camera, and a-'
'No way. You want anything more than those lights and you go after them yourself,' she said as she opened the hatch. 'And if you manage to get the photos without those monster lights before I get back, I'll break your neck.'
'Abuse and threats. It's a wonder I put up with you.'
'Ditto.'
Her smile faded as she jumped down on the pier. The call to Bradworth might be totally unnecessary, but she was uneasy and curious. The plates had clearly been hidden, and the marks on their surface done hurriedly and by hand. Why?
Well, it wasn't her concern. It was an interesting anomaly that she should ignore and get on with her work. After she turned the panels over to Bradworth or the museum, they could do what they wanted with them.
She was dialing Bradworth's number as she walked down the pier. She quickly filled him in as she opened the back door of the van and started to pull the strobe light out. 'That's the story. It's up to you whether you want to notify the museum tonight. I'm going back to the sub to finish taking the photos and make the report and you can let me know tomorrow what I should do with-'
'Markings? What kind of markings?'
'Conner calls them hen scratchings, but that's only because they're pretty crude. They could be some kind of