protect me, sir.”

He tapped his chest, and Jack could see that the butler was indeed wearing body armor. He hid a smile. Ffinkworth looked impassively ahead.

“Even so,” returned Jack, “I think you’d better leave.”

“In good time, sir. Can I offer you a small glass of Madeira? The house, it is generally agreed, looks easier after a small tot of firewater.”

“No thanks. Did you see another officer come in here?”

“Certainly, sir. Constable Baker has, I understand, been shot in the leg. He is in some considerable pain but not yet in danger of expiration. Will that be all, sir?”

“Where are they?”

“His lordship is in the west library. Mr. Baker is with him. He is held, sir, in what I believe is referred to as a ‘hostage situation,’ sir.”

Jack looked at the several corridors that led out of the entrance hall. “Which way is the library?”

“I am sorry sir,” replied Ffinkworth loftily, “but I have been instructed not to offer you any help. If you require anything else, please do not hesitate to ring.”

He bowed stiffly from the waist and disappeared down through a trapdoor like someone in a conjuring trick.

Jack looked around and then walked slowly up the ornately carved wooden staircase. All the steps were of different heights and depths, and it was difficult not to stumble on the polished wood. As he was watching his feet, his head struck the roof of the entrance hall. The staircase went nowhere, the upstairs hall merely a trompe l’oeil that had been painted on the ceiling. Jack retraced his steps back to the front door. He walked off to the right, leaving the entrance hall, and opened a door at random into what seemed to be a drawing room. It was well furnished and lit by electric light, as the shutters were closed. At the far end of the room was another door, so Jack closed the one behind him and made his way cautiously across. The first sign of anything wrong came when he suddenly felt disoriented and fell over. Mary’s mobile dropped out of his pocket, and he was about to pick it up when it started to move, quite on its own, back in the direction he had just come. It gathered speed, shot under the table and hit the door he had entered with a sharp thud. Before he could think what had happened, he felt himself being pulled by some powerful force in the same direction. He tried to get up but fell over again and then followed the Nokia back to the door, hitting his chin on a chair leg on the way down. He was now back where he had started, but instead of lying on the floor, he found himself actually in a heap on the door, seemingly pulled by some invisible force. He retrieved the mobile and got shakily to his feet. He found, to his astonishment, that he could now stand upright on the wall. The floor had become the wall, the wall the floor. His heart beat faster as his mind tried to make some kind of order of the situation. There was another lurch, and he fell over again, sliding up the wall to the molded ceiling, past two plaster cherubs that grinned at him. He felt panic rise within him, but then a piece of wax fruit from the fruit bowl on the table dislodged itself and fell up to the ceiling, slowly rolling down to where he was sprawled on the cornice. In a flash Jack realized what was happening. The room was slowly revolving, with him in it. Once he had figured what was going on, he managed to stand up straight and within a few minutes had walked across the ceiling moldings, past the chandelier and down the opposite wall. Five minutes later the room had turned full circle, and he opened the far door and stepped out into the house again. He sighed a sigh of relief and leaned against the wall.

Jack noticed that the music had become louder, so he slowly followed its source and, rounding a corner, found Ffinkworth playing the violin.

“Hello, sir,” the butler said genially, “have you found his lordship yet?”

“N-no!” stammered Jack, running a shaking hand through his hair, noticing the silver salver with his undrunk Madeira upon a small table close by. “How did you manage that?”

“Sir?”

“The violin. I heard it when I spoke to you in the hall!”

“Ah,” said Ffinkworth, standing up and untensioning his bow. “As sir has probably found out, Castle Spongg is rarely what it seems. The usual physical laws of time and motion appear to have forsaken its twisting corridors. Caligari was indeed a genius, you know, sir.”

He picked up the salver with the Madeira on it and offered it to Jack. “If sir has changed his mind?”

“No thanks, I — ”

“If you will excuse me, sir, I have work to do. If you want to know where his lordship is, I should try the dining room. It is down the corridor on your left.”

Jack looked down the corridor. It seemed to go on forever. When he looked back, Ffinkworth was gone, whisked away through some secret passage that the infernal place seemed to be honeycombed with. A sound made him turn, and farther down the corridor, just opposite a billiard table screwed to the wall with a game apparently in the middle of play, were two large double doors. One of them creaked, and Jack stiffened. He walked slowly up and put his head round the door. There was no one inside, so he entered.

It seemed to be a dining room of some sort. The ceiling was elaborately decorated with plaster figures of cherubs at a feast, and the walls were covered with a deep red patterned silk. The room was dominated by a large oak table around which sat twelve matching chairs. On one wall, the wall above the door behind him, there was a painting depicting the Relief of Mafeking. On the other side was a large mirror that perfectly reflected the room, painting, table and everything else. Jack was moving slowly across the room when he noticed something that made his heart turn cold. The mirror reflected the room perfectly — but for one thing. Jack had no reflection. As he stood staring into the mirror and trying to make some kind of logical sense of it, he saw the door open behind him in the reflection. He turned to see Ffinkworth walking in with some silver candelabras that had just been polished. Jack turned back to the mirror. Ffinkworth was clearly reflected holding the candelabras, yet Jack was not. He felt a cold hand grasp his heart, and his throat went dry.

“Can I be of any assistance, sir?”

“My reflection, Ffinkworth — where is it?” he gasped, fear tightening his chest.

“I believe, sir, that it may be found in the mirror.”

Ffinkworth stood next to Jack and lifted his arm. His reflection did the same — but was alone in that huge mirror image of the room.

“Can you not see yourself, sir?” asked Ffinkworth with annoying calm.

“No, damn it,” replied Jack, his temper rising. “What’s going on?”

“I regret, sir, that I have no idea. To my mind the mirror seems to be functioning perfectly.”

Jack took a step closer, his voice dropping to a low snarl. “Listen — ”

“I have been instructed to ask for your mobile telephone, sir.”

“What?”

“By his lordship. He has asked me to inform you that he will answer all your questions — and also release Constable Baker — if you will relinquish said instrument.”

Ffinkworth stared passively ahead, and Jack reluctantly handed him Mary’s phone.

“Thank you, Ffinkworth. That will be all.”

Randolph Spongg’s voice was unmistakable, and Jack could see him in the mirror. Spongg was behind him, leaning on the door-frame below the painting of the Relief of Mafeking. Jack turned to where he thought Spongg would be, but Randolph was not in the room with him. Spongg, like Jack, was only on one side of the reflection — the other side. Jack turned back to the mirror as Randolph laughed at his frustration and walked to where Jack’s reflection should have been, giving Jack the unnerving experience of gazing into a reflection that wasn’t his own.

“Hello, Jack,” Spongg said brightly. “Things aren’t going too well for me, are they?”

“What’s going on?”

Spongg laughed. “Things are rarely what they seem at Castle Spongg.” He looked around admiringly. “Caligari was a genius, you know.”

“Where’s Baker?”

“He’s fine. Not in any real danger.”

“Randolph Spongg, you are under arrest for the murder of Humpty Dumpty, William Winkie and Dr. Carbuncle. You do not have to say anything. But it may — ”

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