show his fans he was still keeping it real, so after dropping $23 million for a big, Waspy house on four acres, he dropped another half mil on this sick basketball court. He used the same contractor who built Shaq’s court in Orlando, and Dr. Dre’s in Oakland, but he hired Walco amp; Son to do the landscaping, and that’s how we found out about it.

For a month, we had the court to ourselves, but when Wilson invited his celebrity pals out to the country, it got to be even more fun.

First came a handful of actors and pro athletes, mainly from L.A. and New York. Through them word leaked into the hip-hop crowd. They told their people, and the next thing you know this court was the wildest scene in the Hamptons -ever-a nonstop party with athletes and rappers, CEOs and supermodels, and just enough gangsters to add some edge.

But as the celebs thinned out, one of the most expensive residential acres on Beach Road was starting to seem like a playground in a South Bronx housing project.

At that point, Wilson made his retreat. For weeks he barely ventured from the house; then he began to avoid the Hamptons altogether.

Now about the only person you can be sure of not running into at T. Smitty Wilson’s Hamptons compound is T. Smitty Wilson.

Chapter 5. Tom

ME, JEFF, FEIF, Walco, and Rochie are stretching and shooting around one basket when a maroon SUV rumbles up the driveway. Like a lot of cars here, it looks as if it just rolled off a showroom floor, and its arrival is announced well in advance by 500 watts of teeth-chattering hip-hop.

When the big Caddy lurches to a stop, three doors swing open and four black teens jump out, each sporting brand-new kicks and sweats.

Then, after a dramatic beat or two, the man-child himself, Dante Halleyville, slides out from the front passenger side. It’s hard not to gawk at the kid.

Halleyville is the real deal, without a doubt the best high school player in the country, and at six foot nine with ripped arms and chest tapering to a tiny waist and long, lean legs, he’s built like a basketball god. Dante is already being called the next Michael Jordan. Had he declared himself eligible for this year’s NBA draft, he would have been a top-three pick, no question, but he promised his grandmother at least one year of college.

The reason I know all this is that Dante grew up nine miles down the road, in Bridgehampton, and there’s a story about him every other day in the local paper, not to mention a weekly column he writes with the sports editor called Dante’s Diary. According to the stories, which suggest that Dante is actually a pretty sharp kid, he’s leaning toward Louisville -so rumor has it that’s the academic institution that leased him the car.

“You fellas want to have a run?” I ask.

“Hell, yeah,” says Dante, offering a charismatic smile that the Nike people are just going to love. “We’ll make it quick and painless for you.”

He slaps my head and bumps my chest, and thirty seconds later the crash of collapsing waves and squawking gulls mix with the squeak of sneakers and the sweet pock of a bouncing ball.

You might think the older white guys are about to get embarrassed, but we’ve got some talent too. My big brother, Jeff, is pushing fifty, but at six five, 270 he’s still pretty much unmovable under the boards, and Walco, Roche, and Feif, all in their early twenties, are good, scrappy athletes who can run forever.

As for me, I’m not as much of a ringer as Dante, and I’m pushing thirty-five-but I can still play a little.

Unless you’re a basketball junkie you haven’t heard of me, but I was second-team All-America at St. John’s and in ’95 the Minnesota Timberwolves made me the twenty-third pick in the first round of the NBA draft. My pro career was a wash. I blew out my knee before the end of my rookie season, but I’d be lying if I told you I couldn’t still hold my own on any playground, whether it’s a cratered cement court in the projects or this million-dollar beauty looking straight out at the big blue sea.

Chapter 6. Tom

PARADISE COULDN’T BE too much better than this.

Seagulls are flapping in the breeze, sailboats are bobbing on the waves, and the green rubberized surface is bathed in dazzling sunshine as I dribble the ball upcourt, cut around my brother’s double-wide pick, and snap off a bounce pass to an open Walco under the basket.

Walco is about to lay it in for an easy hoop when one of Dante’s teammates, a tall, wiry kid I will later find out is named Michael Walker, comes flying at him from behind. He blocks the shot and knocks Walco to the court. It’s a hard foul, and completely unnecessary in my opinion. A dirty play.

Now the Kings Highway squad is bringing the ball upcourt, and when one of their players goes up for a little jumper, he gets mugged just as bad by Rochie.

Pretty soon, no one stretched out on the grassy hill beside the court is noticing the flapping seagulls or bobbing sailboats because the informal Saturday-morning game has escalated into a war.

But then a beat-up Honda parks beside the court, and Dante’s pretty seventeen-year-old cousin, Nikki Robinson, steps out in very short cutoffs. When I see the way Feifer checks her out, I know the Montauk townies still have a chance to win this shoot-out by the sea.

Chapter 7. Tom

NIKKI ROBINSON LEANS provocatively against the wire fence, and the shameless Feifer immediately takes over the game. He uses his quickness, or stamina, or surprising strength to force three consecutive Kings Highway turnovers.

When Jeff taps in my missed jumper, we’re all tied at twenty.

Now Nikki isn’t the only one up against the fence. Artis LaFontaine and Mammy and Sly and everyone else on the hill are on their feet, making a lot of noise.

Michael Walker races upcourt with the ball.

With five pretty women paying attention instead of just one, Feifer swoops on Walker like an eagle bearing down on a rabbit on one of those TV nature shows. He effortlessly strips him of the ball and races the other way for the winning lay-up.

This time, however, he doesn’t stop at the rim. He keeps climbing, showing that Montauk boys got ups too. When he throws the ball down, Artis, Mammy, and Marwan go crazy on the sidelines, and Nikki Robinson rewards him with a little R-rated dance that seventeen-year-old girls aren’t supposed to know how to do.

This provokes Michael Walker to shove Rochie, Feif to shove him back, Dante to shove Feif, and Feif to really shove Dante.

Ten seconds later, on the prettiest day of the summer, Feif and Dante are squared off at half-court.

At this point, both sides should jump in and break it up, but neither does. The Kings Highway crew hangs back because they figure the white surfer boy is about to get a whupping and don’t want to bail him out. We stand and watch because in a dozen barroom brawls we’ve never seen Feif lose.

And right now, despite giving up a foot and more than fifty pounds to Dante, Feif’s holding his own.

But now I really have seen enough. This is bullshit, and I don’t want either of them to get hurt.

But as I jump between them, catching glancing blows from both for my trouble, the court falls silent.

There’s a high-pitched scream, the blur of people scattering, and then Artis yells, “Tom, he’s got a gun!

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