Heat Lightning

pants, fingerless gloves, nearly twins except that one was black and one was white.

The white kid said something to her, with a body gesture that was right next to a smirk, and Mai stopped and said something back to him, and held up a finger; and said something else, and waited; and the two boys turned away, got off the sidewalk, and slipped on down the street.

Virgil eased the truck back behind the corner before Mai could turn far enough to see it. When he eased forward again, she’d gone on, taking a left on Grand. He went up to the corner, looked left, and saw her turn at a tan-brick building with the red scrawl of a neon sign in the window. He was at too sharp an angle to read the sign, but it looked like a dance studio.

He thought about going back after the kids, to ask what she’d said to them, but there’d be a risk in that if they were local, and if she should encounter them again.

Besides, he didn’t really need to. He knew what had been said.

Something close to:

“Hey, mama, you wanna feel a really hard muscle?”

And she’d said, “Go away, little boys. You don’t want to mess with me.”

They’d gone, because they’d seen the same thing that Virgil saw.

Virgil didn’t know a hell of a lot about karate or kung fu or jujitsu, but standing there, Mai had looked like one of the sword women in the Chinese slasher films that Virgil had seen three of, with titles like The Pink Flowers of Eternity and Swords amp; Shit.

A certain pose that didn’t say dance, but said, instead, “I’ll pluck your fuckin’ eyeballs out.”

You find out the most interesting things by spying on people, Virgil thought. Especially if you’re a cynical and evil motherfucker.

Just take the girl dancing, Virgil.

DAVENPORT CALLED AS VIRGIL was driving back toward the motel.

“What’re you doing?” Davenport asked.

“Nothing much. How about you?”

“Nothing much here,” Davenport said.

“Okay. Well, talk to you tomorrow,” Virgil said.

“Virgil… I’m too tired. Just tell me.”

Virgil gave him a recap of the day, and when he finished, there was a moment of silence, then Davenport said, “Good.”

“One thing. These guys, Tai and Phem-you know anybody in the Mounties who might take a peek into a computer, see what’s up with them?”

“I don’t, but Larry McDonald up in Bemidji, he works with them all the time. I got his number here.”

Virgil jotted the number on his pad, on the seat beside him, and the car on the left honked as he swerved slightly into that lane. “Fuck you,” he muttered.

“What?”

“Not you. Guy just honked at me,” Virgil said. “Road rage. Okay, I’ll jack up McDonald, but I think my best bet is Bunton. I can’t find anybody to tell me about him.”

“Be patient; you’ll have him by noon tomorrow,” Davenport said. “The big question is, are there more targets? It’d be sort of a Bad Thing if another body turned up.”

“Thank you, boss.”

Mc DONALD, AN AGENT in the BCA’s northern Minnesota office, was in the middle of dinner, which he mentioned in passing, and which Virgil ignored. He explained what he needed, and McDonald said, “I can do that- but my guy up there, the computer guy, won’t be in until tomorrow morning.”

“Anything we can get,” Virgil said. “People are starting to grit their teeth down here.”

Another phone call from Carol. “The Sinclair guy just called, and he’s pissed.”

“Did he say what about?”

“He said something about some Vietnamese…”

“I’ll call him.”

He did.

Sinclair said, “Why did you tell Phem and Tai that I gave you their names? They think you’re investigating them. I could be out of a job. How in the hell did you even know about them?”

“Asked around,” Virgil said. “You mentioned working for Larson on the hotels that they want to build in Vietnam, and I thought, well, maybe there’d be some Vietnamese I could talk to. Turns out they’re Canadian.”

“Goddamnit, Flowers, it’s gonna take forever to paper this over.”

“I could give them a call,” Virgil said.

“But you lied to them,” Sinclair said. “What could you tell them this time?”

“That I misspoke?”

Sinclair said, “Ah, man.” Then, “Listen, you want to talk to them again, don’t bring my name into it, okay? I mean, you’re really messing me up here.”

VIRGIL APOLOGIZED one last time as he rolled into the motel parking lot. He had one foot out of the truck when Sandy, the researcher, called.

“I had to tell some lies,” she said.

Cops all lie, Virgil thought. But he said, “Let’s meet at the cathedral. I’ll sprinkle some holy water on your ass.”

“Sounds like a deal,” she said, with a slender note of invitation in her voice. She paused, looking for a reaction.

“ Sandy!” He was shocked. Sandy was the office virgin, though, he’d noticed, from a move he’d seen with another guy in a hallway, actual virginity was unlikely.

“Chicken,” she said. “All right, what I got is this. If Ray Bunton got an unexpected tax refund, and it was sent to an old girlfriend, and the girlfriend called his cousin up in Red Lake and asked where she could send the check, she’d get a phone number to call. The phone number is attached to an address in south Minneapolis, off Franklin.”

“Atta girl.”

“That’s what I need. More atta girls.” And she was gone.

Ray Bunton: Virgil looked up at the motel, sighed, and got back in the truck.

8

BUNTON WAS living in a ramshackle place off Franklin Avenue south of the Minneapolis loop, a house that hadn’t been painted in fifty years, a worn-out lawn that had been driven on repeatedly, dandelions glowing from patches of oily grass.

Virgil left the truck a few doors down so he could look at the house for a moment as he walked along; and after he stepped into the street, he thought about it for a moment, reached under the seat, got his pistol in the leather inside-the-belt holster, and stuck it in the small of his back, under his jacket.

As he headed down the street, he could hear somebody playing an old Black Sabbath piece, “Paranoid,” pounding out of a stereo or boom box. From the end of a cracked two-strip driveway that squeezed between the close-set houses, he could see a garage in back of Bunton’s place. A guy was lying under a rusted-out Blazer, which was up on steel ramps. A couple of work lights lay on the floor, shining on the underside of the car. A motorcycle, slung like a Harley softtail, sat on the drive in front of the garage.

Virgil watched for a few seconds, then wandered up the driveway. As he came up to the back of the house, the man pushed out from under the truck and wiped his hands on a rag. Virgil recognized him as Bunton. He walked up to the lip of the garage, hands in his jeans pockets, and stood there for a moment, until Bunton felt him and turned his face up, and Virgil said, “Hey.”

Bunton held up a finger, crawled across the floor to the boom box, and poked a button on it; the silence seemed to jump out of the ground.