her to make, for Willy.
She had not mentioned this to Mary, as she was aware that Mary was intensely jealous of anyone who performed services for Willy. This sort of discretion came to Paula quite naturally and unreflectively.
Paula was carrying a large basket full of books and also a parcel under her arm. She thought, well that's the lot, but what shall I do with all this weighty stuff now. There was still some time before the train on which she and Pierce and Mary were to travel back to Dorset. Paula thought, I'll go to the National Gallery and dump these in the cloakroom and look at some pictures.
She emerged into the hot and crowded street and hailed a taxi. Up and up. Heat Wave to Continue, said the posters.
Paula knew a good deal about pictures and they brought to her an intense and completely pure and absorbing pleasure which she received from no other art, although in fact her knowledge of literature was much greater. Today, however, as she mounted the familiar steps and turned to the left into the golden company of the Italian primitives all she could think about was Eric, the image of whom, banished by the bookhunt, now returned to her with renewed force. Eric slowly, slowly moving towards her like a big black fly crawling over the surface of the round world. She had just had a postcard from him posted in Colombo.
Paula had an image of Eric's hands. He had strange square hands with very broad flattened fingers and long silky golden aown to the seconu anger joint. signet ring wnicn he wore was quite buried in this tawny grass. Perhaps his hands had somehow decided for him that he must be a potter. Paula could smell his hands smelling with the cool sleek smell of wet clay.
Eric had only just managed to make a living with his pottery at Chiswick. Paula had liked his lack of worldliness, she had liked his hands miraculously wooing the rising clay, she had liked the clay. It was all so different from Richard. Perhaps'I fell in love with Eric's hands, she thought, perhaps I fell in love with the clay. Eric had seemed to her, after Richard's mixture of intellectualism and sophisticated sensuality, so solid and natural. Yet Eric was terribly neurotic, she thought for the first time. He was posing as a natural man, as an artisan, with his curious smock and his great leonine head of unkempt golden hair. Big Eric, big man. So much the greater the appalling horror of his… defeat by Richard. How could Eric ever forgive her for that defeat? The thought came to her, perhaps Eric is coming back to kill me. Perhaps that is the only thing which can give him peace now. To kill me. Or to kill Richard.
Richard. Paula, who had been walking at random through the rooms, stopped dead in front of Bronzino's picture of Venus, Cupid, Folly and Time. Richard's special picture. 'There's a real piece of pornography for you,' she could hear Richard's high-pitched voice saying. 'There's the only real kiss ever represented in a picture. A kiss and not a kiss. Paula, Paula, give me a Bronzino kiss.' Paula went to the middle of the room and sat down. It was long ago, before their marriage even, that Richard had 'taken over' that picture of Bronzino. It was he who had first made her really look at it, and it had become the symbol of their courtship, a symbol which Paula had endorsed the more since she found it in a way alien to her. It was a transfiguration of Richard's sensuality, Richard's lechery, and she took it to her with a quick gasp of surprise even as she took Richard. Chaste Paula, cool Paula, bluestocking Paula, had found in her husband's deviously lecherous nature a garden of undreamt delights. Paula was incapable of unmarried bliss. Her married bliss had been bliss indeed.
Paula sat and looked at the picture. A slim elongated naked Venus turns languidly towards a slim elongated naked Cupid.
Cupid stoops against her, his long-fingered left hand supporting her head, his long-fingered right hand curled about her left breast. His lips have just come to rest very lightly upon hers, or perhaps just beside hers. It is the long still moment of dreamy suspended passion before the spinning clutching descent.
Against a background of smooth masks and desperate faces the curly-headed Folly advanced to deluge with rose petals the drugged and amorous pair, while the old lecher Time himself reaches out a long and powerful arm above the scene to bring all sweet things to an end. 'Did you go to see my picture, Paula?' Richard would always say, if Paula had been to the Gallery. The last time he had said it to her was at the end of the first and only quarrel they had had about Eric. He had said it to reconcile them. She had not replied.
Paula told the taxi to stop at the corner of Smith Street and the King's Road. She paused beside the grocer's shop on the corner and the grocer, who recognized her, bowed and smiled.
She smiled a quick constricted smile and began to walk down the street. This was an idiotic way of torturing herself, as idiotic as the impulse she had suddenly had last year to ring Richard up at the office. She had listened silently for a minute to his familiar voice saying 'Biranne', and then a puzzled 'Hello?
Hello?' and then she had replaced the receiver. What she was going to do now was to look again at the house in Chelsea where she and Richard had lived. She knew, from something she had overheard Octavian saying, that he lived there still.
She walked more slowly now on the shady side of the street, the opposite side to the house. She could already see the front door, which used to be blue, and which had been newly painted in a fashionable brownish orange. He's had the door painted, she thought, he's cared enough, he looked through books and chose a colour. And as she came closer still she thought, how very clean the windows are, and there's a window box with flowers in it that's new. And she thought, why am I surprised? all cooweos uCsulaLuV11. I ulusL cave uceu assuuu11 ulaL without me Richard would be demoralized, broken down, done for. Yes, I did think that. How could he have chosen a new colour for the door without me? She stopped in the shade opposite to the house. There was no danger of Richard being there at that time of the afternoon. Paula put her hand over her left breast, curling her fingers round it as Cupid had curled his fingers round the breast of his mother. She was just wondering whether she dared to cross the road and peer in at the front window when something absolutely terrible happened. An extremely attractive and well-dressed woman came briskly down the street, stopped outside Richard's house, and let herself in with a latch key.
Paula turned abruptly away and began to walk quickly back toward the King's Road. Hot raging tears filled her eyes. She knew now, knew it with a devouring crippling pain in her body's centre, that she had not only assumed that without her Richard was demoralized and desolate and unable to have the front door painted. She had, not with her mind but with her flesh and her heart, assumed that without her Richard was alone.
Jessica Bird had hardly ever visited John Ducane at his own house. This had never seemed to her particularly significant.
John had always told her how cheerless his own house was and what pleasure he received from visiting her flat. So they normally, and of late always, met at Jessica's flat and not at the house in Earls Court.
Jessica had not felt deprived or excluded. Now, however, especially since he had spoken of leaving her, Ducane's house had become in her mind a place both mysterious and magnetic, as if it contained, in the form of some talismanic object, the secret of his change of heart. She had nightmares about the house in which it appeared vastly enlarged into a labyrinth of dark places through which she wandered lost and frightened looking for John. Jessica did not yet believe that he would leave her. She did not see the sense of his leaving her, given that she demanded so little. She could not quite bring herself to say to him: take another mistress, I can bear it. But by making him promise to tell her when he did take another mistress she felt that she had in some sense patently condoned his doing so.
What then could have driven him into these frantic efforts to escape from her? As there was no proper cause for the frenzy Jessica could not quite believe that the frenzy was real. There must be some misunderstanding, she thought, there must be some mistake.
When one is much in love – and Jessica was still much in love – it is difficult to believe that the beloved's affection may really have diminished. Any other explanation will be accepted except this one. Besides, Jessica had already suffered her crisis of death and rebirth when John had ceased to be her lover. She had been crucified for him already and had risen again, and this had persuaded her of her immortality. Since then John had become entissued in the whole substance of her life in a way which seemed at last invulnerable since it was removed from the drama of an 'affair'. That he should want to take that from her seemed in him purely wilful.
There are mysterious agencies of the human mind which, like roving gases, travel the world, causing pain and mutilation, without their owners having any full awareness, or even any awareness at all, of the strength and the whereabouts of these exhalations. Possibly a saint might be known by the utter absence of such gaseous tentacles, but the ordinary person is naturally endowed with them, just as he is endowed with the ghostly power of appearing in other people's dreams. So it is that we can be terrors to each other, and people in lonely rooms suffer humiliation and even damage because of others in whose consciousness perhaps they scarcely figure at all; Eidola
