murder.) And then he must be, as I said earlier, an object of pity. This is how I prefer to view him, though really I cannot know, and indeed do not want to know, what is in fact the case. When BP went through the gates of the prison I felt as if he had died and I wanted to concern myself with him no more. To think about him, for instance with anger and rage, would have caused too much misery, besides being fruitless and immoral. I spoke advisedly of an «adolescent» fantasy. BP is what might be called a «Peter Pan» type. He does not in his story describe his extensive past life, except for hinting that there were romances with women. He is the sort of man who likes both to hint at a past and to behave as if he were eternally twenty-five. (He speaks of himself as an ageing Don Juan, as if there were only a trivial difference between real and imagined conquests! I doubt if there were really many women in his life.) A psychiatrist would probably find him «retarded.» His tastes in literature were juvenile. He speaks grandly of Shakespeare and of Homer, but I doubt if he had read the former since schooldays or the latter ever. His constant reading, which of course he nowhere admits, was mediocre adventure stories by authors such as Forester and Stevenson and Mulford. He really liked boys' stories, tales of crude adventure with no love interest, where he could identify himself with some princely hero, a man with a sword or such. My husband often commented to me about this, and once tackled BP directly. BP was upset and I can recall him actually blushing very much at the charge. BP was of course a person painfully conscious of inferiority. He was an unhappy disappointed man, ashamed of his social origin and his illiteracy, and stupidly ashamed of his job which he imagined made him a figure of fun. In fact he was, though not for that reason, a figure of fun to all of us. No one, before the tragedy, could mention him without smiling a little. He must have realized this. I suppose it is possible, and it is a shocking thought, that a man might commit a serious crime just in order to stop people from laughing at him. That BP was a man who hated being laughed at –is pretty clear throughout the story. The rather pompous self-mocking style is a defence and a sort of meeting people half-way if they decide to laugh. Of course he turns everything topsy-turvy in his account of his relations with our family. He says rather coyly that we needed him. The truth was that he needed us and was a sort of parasite, an awful nuisance sometimes. He was very lonely and we all felt sorry for him. And I can remember occasions too when we made absurd excuses when he wanted to see us or hid when he rang the doorbell. His relations with my husband were crucial of course. His claim to have «discovered» my husband is ridiculous. My husband was already quite famous when BP after much begging, persuaded an editor to let him review one of my husband's books, and after that he made himself known to us and became, as I think my daughter once put it, «the family pussycat.» ^^^ Ml^HHBM^HV^BVM^Mm^^B^^M^^^I^^H^BMHBiMBMMViMHMi^B^BV*^HMBMiW^BM^>^BH <*BiV*WV^BBHM^M<Wq*BiM FOUR POSTSCRIPTS BY DRAMATIS PERSONAE BP cannot even in his dream-story conceal that he was envious of my husband's success. I think this envy was an absolute obsession with him, he was eaten up by it. He knew also that my husband, though friendly and kind to him, despised him a little and laughed at him. The idea of this caused him torment. Sometimes I felt that he thought about nothing else. He naively himself admits that he had to be friends with Arnold, and so somehow identify with him and «take credit» for his writing, so as not to be driven mad with envy and hate. If an accuser is needed BP is his own. He admits too in a moment of candour that his picture of Arnold is prejudiced. This is putting it mildly. (He admits further to a general hatred of the human race!) Of course he never «helped» Arnold, but Arnold often helped him. His relation to myself and my husband was virtually that of a child to its parents. This too might interest a psychiatrist. But I do not want to enlarge any more upon matters which are obvious and which came into the open at the trial. His allegations about my daughter are of course absurd, both as to his feelings and as to hers. My daughter always regarded him as a sort of «funny uncle» and there is no doubt that she was very sorry for him, and pity can be mistaken for fondness and can even be a sort of fondness, and in this sort of way perhaps she was fond of him. His great «passion» for her is a typical dream-up. (I will explain what I think about its origin and motives in a moment.) I believe that unfulfilled frustrated people probably spend a lot of their lives in pure fantasy-dreaming. This can I am sure be a great source of consolation though not always harmless. And a «good» fantasy– dream might be to pick on some person whom you know slightly and imagine they are in love with you and picture a great love-relationship and its drama. BP, being probably some sort of sadomasochist, of course imagines an unhappy ending, an eternal separation, terrible sufferings for love, and so on. His one published novel (he implies he published more than one, but he only published one in fact) is a story of disappointed romantic love quite remarkably like this one. There is, I feel I must now frankly admit, yet a further aspect to the matter, and one which for various reasons, many of them obvious, was glossed over at the trial. Bradley Pearson was of course in love with me. This fact had been known to me and to my husband for a number of years and was also a subject for amusement. BP's fantasies of making love to me make sad reading. This unhappy love of his also explains his fiction of a passion for my daughter. This fiction is of course a smoke-screen. It is also partly a «substitute-idea» and partly, I am afraid, a pure revenge. (It may also be relevant that the strong attachment between father and daughter, not admitted in the story, may well have preyed upon BP and made him feel again, as so often, miserably excluded.) How far BP's love for me led him to perform that terrible deed is not for me to say. I am afraid that envy and jealousy were inextricably mixed up inside the bosom of that wicked and unhappy man. Of these matters, of which I would not have spoken if not forced to by confrontation with this farrago of lies, I say no more. It may be imagined how profoundly this document distresses me. I do not in fact blame BP for its proposed disgraceful publication. It is at least understandable that he should have written out this dreamy-fantasy-nonsense to console himself in a place of grimness and to distract himself from serious remorse or the effort of repentance. For the crime of publication I blame the self-styled Mr. Lox– ias (or «Luxius,» as I believe he sometimes calls himself). As several newspapers have hinted, this is a nom de guerre of a fellow-prisoner upon whom the unfortunate BP seems to have become distressingly fixated. The name conceals the identity of a notorious rapist and murderer, a well-known musical virtuoso, whose murder, by a peculiarly horrible method, of a successful fellow-musician made the headlines some considerable time ago. Possibly the similarity of their crime drew these two unhappy men together. Artists are notoriously an envious race. I would like to say this at the end, and I am sure I speak also for :',;, FOUR POSTSCRIPTS BY DRAMATIS PERSONAE my daughter, with whom I am temporarily out of touch, now of course herself a well-known writer and living abroad. I bear him no malice and, in so far as he must be regarded as seriously unbalanced if not actually mad, I feel sincere pity for his undoubted sufferings. K 357 POSTSCRIPT BY JULIAN have read the story. I have also seen the other postscripts, which I believe the other postscript writers have not. Mr. Loxias allowed me this privilege. (For several reasons which I can guess.) However I have little to say. It is a sad story full of real pain. It was a dreadful time for me and I have forgotten much of it. I loved my father very dearly. This is perhaps the chief fact which I have to offer. I loved him. His violent death drove me nearly mad. I was nearly mad during Pearson's trial. I cannot recall that period of my life except as patches in a haze, as scenes. There is a mercy in oblivion. Human beings forget much more than is usually recognized, especially when there is a shock. Not so many years have passed since these events. Yet in the life of a young person these are long years. Centuries separate me from these events. I see them diminished and myself there as a child. It is the story of an old man and a child. I say this, treating it as literature. Yet I acknowledge that it concerns myself. Are we what we were as children? What stuff is that which persists? I was a child: I acknowledge myself: yet also I cannot recognize myself. A letter, for instance, is quoted. Did I write this letter? (Did he keep it?) It seems inconceivable. And the things that I said. (Supposedly.) Surely they are the invention of another mind. Sometimes the reactions of the child are too childish. I think I am «clever» now. Could clever me have been that child? Sometimes too there are thoughts which I could not possibly have thought. Thoughts which have leaked in from the author's mind. (I am not a very convincing «character.») Was I not muddled and frightened and without precedents? It seems like literature, yes. My father was quite right not to encourage me to write. And Pearson was wrong to encourage me. I see that now. It is profitless to write early, one understands nothing. One has no craft and one is 358 FOUR POSTSCRIPTS BY DRAMATIS PERSONAE the slave of emotion. Time of young days is better spent in learning. Pearson implies that my father thought little of my abilities. The contrary is the case. My father was a man who often said the opposite of what he thought. Out of modesty or fear of destiny. This is not uncommon. Dr. Marloe describes the book as «cold,» and one understands him. There is a lot of theory in this book. Yet also it is a very «hot» book (too hot), full of unstudied personal emotions. And of immediate judgments, sometimes not good ones. Perhaps it needs, like a poem, to be again and again reflected? Perhaps any novel needs further reflection and a truly great writer would write only one novel. (Flaubert?) My mother refers to me rightly as a writer but wrongly as well-known. (I am a poet.) So I am careful and sparing with words. There is a ring in what Pearson says about silence. That part I liked. He may be right that an experience is richest not talked of. As between two people talk to an outsider destroys. Art is secret secret secret. But it has
