his leather jacket. Then he broke open the shotgun, took two more shells from the box, and loaded the gun and closed it. He shut the trunk and with the shotgun, not especially conspicuous, held against his right leg he came around beside me and we walked into the Public Garden. Or Hawk did. I hobbled with my cane. I had traded the aluminum number in for a blackthorn walking stick that Susan had once given me when she thought it would make sense to maximize my Irish heritage with tweed walking hats and paisley scarfs and things. I had tried the hat on once and thrown it and the scarf away. But I kind of liked the stick. One of my ancestors would probably have called it a shillelagh.
There weren't many people in the Public Garden on a December night, but some walked through, and at least two glanced with some uneasiness at Hawk's shotgun. Nobody stopped. We got to the bridge first and there was no sign of Broz. I leaned against the railing in the middle and Hawk moved off quietly for a brief tour of the area. He was back in five minutes.
'Nobody hiding with a rifle,' he said. 'Nobody under the bridge.' I nodded. Hawk drifted down to the end of the bridge toward Charles Street and, with the shotgun hanging at his side, leaned against the little pillars that anchored the bridge. He stayed there, motionless. We waited maybe ten minutes. A tall, thin guy wearing sunglasses and a gray overcoat with a velvet collar walked along the footpath from Arlington Street and onto the bridge. He had his hands in his coat pockets.
'You Spenser?' he said.
'Yes.'
'The guy at the end of the bridge, he with you?'
'Yes.'
'Who is he?'
'Jiminy Cricket,' I said. 'He hangs around to make sure my nose doesn't grow.'
The thin man nodded. 'Wait here,' he said.
He walked down the bridge past Hawk and on along the footpath a ways, his head turning carefully as he looked on both sides. Then he turned and followed the footpath back and underneath the bridge and came back on the other side. He came back up on the bridge and leaned against the pillar at the Arlington Street end. In maybe a minute Vinnie Morris appeared and spoke to him. The thin man gestured with his head toward Hawk at the other end of the little bridge. Vinnie nodded and walked away. Two more minutes passed. Then Vinnie appeared with Joe Broz beside him. They walked out onto the bridge and stood beside me. Broz on the side away from Hawk. Vinnie between him and Hawk, in front of me.
Broz said, 'What'd you bring the nigger for?'
'I put two of your people in the ground, Joe. Hawk's hoping I'll do it again so he can watch.'
'Next time I'll come,' Vinnie said.
I shook my head. 'No next time, Vinnie. Joe's going to deal.'
Vinnie started to speak and Broz said, 'Vinnie.'
We were all quiet. Hawk motionless at one end of the bridge, the thin guy at the other. Me leaning on the rail. Vinnie looking a little taut in front of me. Broz looking at my face like he was trying to memorize it.
'What's changed?' Broz said. 'Why should I deal?'
'For one thing, when you tried to burn me and missed, it got the cops into it. Marty Quirk. You know him?'
'I know Quirk.'
'I hear he's taking a special interest in this case.'
Broz shook his head impatiently. 'Fuck Quirk,' he said. 'What else?'
'I've had time to make arrangements. Anything happens to me the whole story on your kid goes to the cops and the papers. Pictures, names, everything. And if nothing happens to me, I'm going to stay on the kid's ass until I get the tapes back and Alexander's out from under.'
'What else?'
'You didn't need to try and scare Alexander off. He's not going to get elected. He's a joke. He can get elected in his district, but he can't win a statewide election here. When he talks about crime in the streets he means tight pants on women.'
'Don't tell me what I know. What have you got?'
'I leave Browne in place,' I said. 'He's in your pocket, but somebody always will be. He gets elected. You tell him what to do. Alexander goes home to Fitchburg and gets into bible study.'
'Anything else?' Broz said.
'No,' I said. 'That's the package. One way you got aggravation, profit loss, embarrassment, cops in your hair. The other way you don't lose anything. You don't want Alexander anyway.'
All of us were quiet. There was no wind. The moon was out. And the stars. Nobody crossed the footbridge. The occasional stroller who approached it detoured when he saw us.
'Okay,' Broz said.
Vinnie snapped his head around and looked at Broz. 'Joe,' he said.
Broz shook his head. 'No, Vinnie. I'm going to deal.'
Vinnie was quiet.
Broz kept looking at me. 'You know why I'm going to deal?'
'My charisma,' I said.
'Because of the kid. I'm responsible for the kid. For how he acts. You unnerstand? Joe Broz's kid is supposed to know how to act.'
I was quiet.
'He's not just some fucking college boy. He's Joe Broz's kid.' Broz shook his head. 'He's done this on his own. The whole thing, the coke trade, the videotapes, the two assholes in Springfield. Vinnie got them for him. I don't blame Vinnie. Vinnie was trying to cover for the kid, trying to… never mind. I know why Vinnie done it. But things were done using my name and I didn't know about it. And it was stupid.' He shook his head again. And stared at me some more. Nobody else said anything. 'First time you come around and told me this I was mad. I didn't get to be Joe Broz by letting some punk like you squeeze me. I told Ed to hit you. Vinnie said no. He said Ed wasn't good enough and it was a bad idea anyway. But I was mad, you unnerstand. You was trying to squeeze Joe Broz. You were fucking with Joe Broz's kid.'
The traffic sounds from Boylston Street were clear in the silence. On the path that circled the lagoon a couple was walking with a German short-haired pointer on a leash.
'Okay. If Ed had done it right, maybe it would have worked. But he didn't. So you got a deal. But not because you squeezed. You unnerstand that? Not because you squeezed Joe Broz. Because… because my kid was wrong.'
'And now it's even,' I said.
'Yeah… Vinnie, go to the car and get the tape.'
Chapter 33
It was Christmas Eve. Susan lay beside me in her bed at her house in Smithfield. Paul was in the living room with Paige watching Singin' in the Rain on the late late movie.
'Won't Paige's mother and father be mad that she's not home for Christmas?' Susan said.
'They'll drive down tomorrow for Christmas dinner,' I said.
'Gee,' Susan said. 'An empty nest.'
'I'll think of something to pass the empty hours,' I said.
'Will I like it?'
'Ecstasy,' I said.
'Gee, is Bloomingdale's open on Christmas?' Susan said.
'That's not what I meant.'
'Oh.' Susan was reading a book called The Road Less Traveled. She had closed it on her index finger to hold the place. I was reading a review of the Gail Conrad Dance Company by Arlene Croce in The New Yorker. I was
