the Volga and Central Asia.
The first important Soviet success was Zhukov's defence of Moscow in December 1941. This gave an important boost to national morale, destroying the myth of German invincibility. The Soviet counter-offensive of early 1942, however, was largely unsuccessful; throughout the rest of 1942 the Germans continued to hold their ground in the north and centre, while sweeping through the Ukraine towards the Volga and the oil-fields of the Caucasus. By September 1942 they were laying siege to Stalingrad, the key industrial and communications centre on the Volga. It is at this point that
From an historical point of view,
The Jewish nuclear physicist Viktor Shtrum, perhaps the most important character in the novel, is a portrait of the author himself: his mother's death, his growing consciousness of his Jewish roots, his increasingly hostile attitude to Stalin, his agony over whether to write a letter of repentance – all these reflect the various stages of Grossman's own development. In other, more superficial respects, Shtrum is based on Lev Davidovich Landau, a brilliant physicist, not a Party member, who was dismissed from his work during the anti-Jewish campaigns of the early fifties, only to be reinstated by P. L. Kapitsa, an ex-student of Rutherford's and one of the most important Soviet physicists of the time. Kapitsa himself, at least in his eventual refusal to work on the development of the atom bomb, is clearly a model for Chepyzhin in
The novel does contain one important departure from historical truth, though only in regard to chronology: Grossman considerably telescopes the rise of official anti-Semitism in the Soviet Union. Symbolically, Grossman is justified in linking the Stalingrad victory to the rise of Russian chauvinism; in reality it developed more slowly, reaching its peak in the late 1940s and early 1950s. The campaign against Einstein, for example, began only in the late forties, not – as in the novel-in 1942…
THE TEXT AND THE TRANSLATION
The Russian text of
I have also chosen to omit or abridge some of the more sententious philosophical passages. Grossman's style is occasionally repetitive; I hope that my abridgments allow the power of his thought to stand out with greater clarity. In justification of such high-handedness, I can only plead that the manuscript was never finally prepared for publication by Grossman himself, and there is evidence he himself wished to carry out further revision. The omissions amount to approximately six pages in the Russian text.
A translation of this length must always, to some degree, be a collective task. I offer my sincere thanks to the large number of people who have helped in their various ways: Igor Golomstok for first bringing the novel to my attention and suggesting I attempt a translation; George Theiner and Hugh Lunghi for publishing extracts from my translation in their admirable magazine
I wish to dedicate this translation to the memory of four people I would very much like to have read this book: my father Colonel R. E. Chandler; my ex-wife's father, the Russian-Jewish theoretical physicist Grigory Lazarev; Colonel G. H. Nash, a friend and expert on Soviet military history; and my former teacher, Gordon Pirie, who disapproved of dedications.
Robert Chandler March 1985
PART ONE
1
There was a low mist. You could see the glare of headlamps reflected on the high-voltage cables beside the road.
It hadn't rained, but the ground was still wet with dew; the traffic-lights cast blurred red spots on the asphalt. You could sense the breath of the camp from miles away. Roads, railway tracks and cables all gradually converged on it. This was a world of straight lines: a grid of rectangles and parallelograms imposed on the autumn sky, on the mist and on the earth itself.
Distant sirens gave faint, long-drawn-out wails.
The road drew alongside the railway line. For a while the column of trucks carrying paper sacks of cement moved at the same speed as an endless train of freight wagons. The truck-drivers in their military greatcoats never once looked at the wagons or at the pale blurred faces inside them.
Then the fence of the camp appeared out of the mist: endless lines of wire strung between reinforced-concrete posts. The wooden barrack-huts stretched out in long broad streets. Their very uniformity was an expression of the inhuman character of this vast camp.
Among a million Russian huts you will never find even two that are exactly the same. Everything that lives is unique. It is unimaginable that two people, or two briar-roses, should be identical… If you attempt to erase the peculiarities and individuality of life by violence, then life itself must suffocate.
The grey-haired engine-driver watched casually yet attentively. Concrete posts, revolving searchlights on high masts, and glass-domed towers flashed by. In the domes stood guards with mounted machine-guns. The driver winked at his mate and the locomotive gave a warning hoot. A brilliantly lit cabin passed by, then a queue of cars beside a striped level-crossing barrier and a red traffic signal.
From the distance came the hoot of an approaching train. The driver turned to his mate. 'That's Zucker. I can tell by the whistle. He's already unloaded. Now he's taking the empty wagons back to Munich.'
There was a deafening roar as the two trains met. The air was torn apart, patches of grey flashed past between the wagons – and then the torn shreds of space and grey autumn light were woven together into a seamless cloth.
The driver's mate took out a pocket-mirror and looked at his smudged cheek. With a gesture, the driver asked if he could borrow it himself.
'Honestly, comrade Apfel,' said the mate excitedly, 'if it wasn't for all this disinfecting the wagons, we'd be back home by supper-time. As it is, we'll be out till four in the morning. As though they couldn't be disinfected back at
