a dahlia. For about a hundred millennia I tormented myself, going over my calculations: it turned out that our course touched that spot not every galactic year but only every three, that is, every six hundred million solar years. When you've waited two hundred million years, you can also wait six hundred; and I waited; the way was long but I wasn't on foot, after all; astride the Galaxy I traveled through the light-years, galloping over the planetary and stellar orbits as if I were on a horse whose shoes struck sparks; I was in a state of mounting excitement; I felt I was going forth to conquer the only thing that mattered to me, sign and dominion and name…

I made the second circuit, the third. I was there. I let out a yell. At a point which had to be that very point, in the place of my sign, there was a shapeless scratch, a bruised, chipped abrasion of space. I had lost everything: the sign, the point, the thing that caused me – being the one who had made the sign at that point – to be me. Space, without a sign, was once again a chasm, the void, without beginning or end, nauseating, in which everything – including me – was lost. (And don't come telling me that, to fix a point, my sign and the erasure of my sign amounted to the same thing; the erasure was the negation of the sign, and therefore didn't serve to distinguish one point from the preceding and successive points.)

I was disheartened and for many light-years I let myself be dragged along as if I were unconscious. When I finally raised my eyes (in the meanwhile, sight had begun in our world, and, as a result, also life), I saw what I would never have expected to see. I saw it, the sign, but not that one, a similar sign, a sign unquestionably copied from mine, but one I realized immediately couldn't be mine, it was so squat and careless and clumsily pretentious, a wretched counterfeit of what I had meant to indicate with that sign whose ineffable purity I could only now – through contrast – recapture. Who had played this trick on me? I couldn't figure it out. Finally, a plurimillennial chain of deductions led me to the solution: on another planetary system which performed its galactic revolution before us, there was a certain Kgwgk (the name I deduced afterwards, in the later era of names), a spiteful type, consumed with envy, who had erased my sign in a vandalistic impulse and then, with vulgar artifice, had attempted to make another.

It was clear that his sign had nothing to mark except Kgwgk's intention to imitate my sign, which was beyond all comparison. But at that moment the determination not to let my rival get the better of me was stronger than any other desire: I wanted immediately to make a new sign in space, a real sign that would make Kgwgk die of envy. About seven hundred millions of years had gone by since I had first tried to make a sign, but I fell to work with a will. Now things were different, however, because the world, as I mentioned, was beginning to produce an image of itself, and in everything a form was beginning to correspond to a function, and the forms of that time, we believed, had a long future ahead of them (instead, we were wrong: take – to give you a fairly recent example – the dinosaurs), and therefore in this new sign of mine you could perceive the influence of our new way of looking at things, call it style if you like, that special way that everything had to be, there, in a certain fashion. I must say I was truly satisfied with it, and I no longer regretted that first sign that had been erased, because this one seemed vastly more beautiful to me.

But in the duration of that galactic year we already began to realize that the world's forms had been temporary up until then, and that they would change, one by one. And this awareness was accompanied by a certain annoyance with the old images, so that even their memory was intolerable. I began to be tormented by a thought: I had left that sign in space, that sign which had seemed so beautiful and original to me and so suited to its function, and which now, in my memory, seemed inappropriate, in all its pretension, a sign chiefly of an antiquated way of conceiving signs and of my foolish acceptance of an order of things I ought to have been wise enough to break away from in time. In other words, I was ashamed of that sign which went on through the centuries, being passed by worlds in flight, making a ridiculous spectacle of itself and of me and of that temporary way we had had of seeing things. I blushed when I remembered it (and I remembered it constantly), blushes that lasted whole geological eras: to hide my shame I crawled into the craters of the volcanoes, in remorse I sank my teeth into the caps of the glaciations that covered the continents. I was tortured by the thought that Kgwgk, always preceding me in the circumnavigation of the Milky Way, would see the sign before I could erase it, and boor that he was, he would mock me and make fun of me, contemptuously repeating the sign in rough caricatures in every corner of the circum- galactic sphere.

Instead, this time the complicated astral timekeeping was in my favor. Kgwgk's constellation didn't encounter the sign, whereas our solar system turned up there punctually at the end of the first revolution, so close that I was able to erase the whole thing with the greatest care.

Now, there wasn't a single sign of mine in space. I could start drawing another, but I knew that signs also allow others to judge the one who makes them, and that in the course of a galactic year tastes and ideas have time to change, and the way of regarding the earlier ones depends on what comes afterwards; in short, I was afraid a sign that now might seem perfect to me, in two hundred or six hundred million years would make me look absurd. Instead, in my nostalgia, the first sign, brutally rubbed out by Kgwgk, remained beyond the attacks of time and its changes, the sign created before the beginning of forms, which was to contain something that would have survived all forms, namely the fact of being a sign and nothing else.

Making signs that weren't that sign no longer held any interest for me; and I had forgotten that sign now, billions of years before. So, unable to make true signs, but wanting somehow to annoy Kgwgk, I started making false signs, notches in space, holes, stains, little tricks that only an incompetent creature like Kgwgk could mistake for signs. And still he furiously got rid of them with his erasings (as I could see in later revolutions), with a determination that must have cost him much effort. (Now I scattered these false signs liberally through space, to see how far his simple-mindedness would go.)

Observing these erasures, one circuit after the next (the Galaxy's revolutions had now become for me a slow, boring voyage without goal or expectation), I realized something: as the galactic years passed the erasures tended to fade in space, and beneath them what I had drawn at those points, my false signs – as I called them – began to reappear. This discovery, far from displeasing me, filled me with new hope. If Kgwgk's erasures were erased, the first he had made, there at that point, must have disappeared by now, and my sign must have returned to its pristine visibility!

So expectation was revived, to lend anxiety to my days. The Galaxy turned like an omelet in its heated pan, itself both frying pan and golden egg; and I was frying, with it, in my impatience.

But, with the passing of the galactic years, space was no longer that uniformly barren and colorless expanse. The idea of fixing with signs the points where we passed – as it had come to me and to Kgwgk – had occurred to many, scattered over billions of planets of other solar systems, and I was constantly running into one of these things, or a pair, or even a dozen, simple two-dimensional scrawls, or else three-dimensional solids (polyhedrons, for example), or even things constructed with more care, with the fourth dimension and everything. So it happened that I reached the point of my sign, and I found five, all there. And I wasn't able to recognize my own. It's this one, no, that; no, no, that one seems too modern, but it could also be the most ancient; I don't recognize my hand in that one, I would never have wanted to make it like that… And meanwhile the Galaxy ran through space and left behind those signs old and new and I still hadn't found mine.

I'm not exaggerating when I say that the galactic years that followed were the worst I had ever lived through. I went on looking, and signs kept growing thicker in space; from all the worlds anybody who had an opportunity invariably left his mark in space somehow; and our world, too, every time I turned, I found more crowded, so that world and space seemed the mirror of each other, both minutely adorned with hieroglyphics and ideograms, each of which might be a sign and might not be: a calcareous concretion on basalt, a crest raised by the wind on the clotted sand of the desert, the arrangement of the eyes in a peacock's tail (gradually, living among signs had led us to see signs in countless things that, before, were there, marking nothing but their own presence; they had been transformed into the sign of themselves and had been added to the series of signs made on purpose by those who meant to make a sign), the fire-streaks against a wall of schistose rock, the four-hundred-and-twenty-seventh groove – slightly crooked – of the cornice of a tomb's pediment, a sequence of streaks on a video during a thunderstorm (the series of signs was multiplied in the series of the signs of signs, of signs repeated countless times always the same and always somehow different because to the purposely made sign you had to add the sign that had happened there by chance), the badly inked tail of the letter R in an evening newspaper joined to a thready imperfection in the paper, one among the eight hundred thousand flakings of a tarred wall in the Melbourne docks, the curve of a graph, a skid-mark on the asphalt, a chromosome… Every now and then I'd start: that's the one! And for a second I was sure I had rediscovered my sign, on the Earth or in space, it made no difference, because through the signs a continuity had been established with no precise boundaries any more.

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