But in the army there was no quiet for reflection. Endless noise. Huge machines everywhere. Not a moment of peace. Although the soldiers went to Mass once a week at the barracks, Carlo did not sense God’s presence in any of his fellow soldiers. Their minds were too filled with chaos to see God.
Carlo hated his new life and wanted to go home. But he was determined to stick it out. He had yet to understand evil. He refused to fire a gun, so the military taught him how to fly a medical helicopter. Carlo hated the noise and the smell, but at least it let him fly up in the sky and be closer to his mother in heaven. When he was informed his pilot’s training included learning how to parachute, Carlo was terrified. Still, he had no choice.
Carlo’s first parachute jump was the most exhilarating physical experience of his life. It was like flying with God. Carlo could not get enough… the silence… the floating… seeing his mother’s face in the billowing white clouds as he soared to earth.
That had been twenty-three years ago.
Now, as Camerlegno Carlo Ventresca descended the Royal Staircase, he tried to comprehend the chain of events that had delivered him to this extraordinary crossroads.
He could see the great bronze door of the Sistine Chapel now, dutifully protected by four Swiss Guards. The guards unbolted the door and pulled it open. Inside, every head turned. The camerlegno gazed out at the black robes and red sashes before him. He understood what God’s plans for him were. The fate of the church had been placed in his hands.
The camerlegno crossed himself and stepped over the threshold.
48
BBC journalist Gunther Glick sat sweating in the BBC network van parked on the eastern edge of St. Peter’s Square and cursed his assignment editor. Although Glick’s first monthly review had come back filled with superlatives—resourceful, sharp, dependable—here he was in Vatican City on "Pope-Watch." He reminded himself that reporting for the BBC carried a hell of a lot more credibility than fabricating fodder for the
Glick’s assignment was simple. Insultingly simple. He was to sit here waiting for a bunch of old farts to elect their next chief old fart, then he was to step outside and record a fifteen-second "live" spot with the Vatican as a backdrop.
Glick couldn’t believe the BBC still sent reporters into the field to cover this schlock.
Glick gazed out through the windshield and felt more and more depressed by the minute. The imperial mountain of Vatican City rose before him as a dismal reminder of what men could accomplish when they put their minds to it.
"What have I accomplished in my life?" he wondered aloud. "Nothing."
"So give up," a woman’s voice said from behind him.
Glick jumped. He had almost forgotten he was not alone. He turned to the back seat, where his camerawoman, Chinita Macri, sat silently polishing her glasses. She was always polishing her glasses. Chinita was black, although she preferred African American, a little heavy, and smart as hell. She wouldn’t let you forget it either. She was an odd bird, but Glick liked her. And Glick could sure as hell use the company.
"What’s the problem, Gunth?" Chinita asked.
"What are we doing here?"
She kept polishing. "Witnessing an exciting event."
"Old men locked in the dark is exciting?"
"You
"Already there."
"Talk to me." She sounded like his mother.
"I just feel like I want to leave my mark."
"You wrote for the
"Yeah, but nothing with any resonance."
"Oh, come on, I heard you did a groundbreaking article on the queen’s secret sex life with aliens."
"Thanks."
"Hey, things are looking up. Tonight you make your first fifteen seconds of TV history."
Glick groaned. He could hear the news anchor already. "Thanks Gunther, great report." Then the anchor would roll his eyes and move on to the weather. "I should have tried for an anchor spot."
Macri laughed. "With no experience? And
Glick ran his hands through the reddish gob of hair on his chin. "I think it makes me look clever."
The van’s cell phone rang, mercifully interrupting yet another one of Glick’s failures. "Maybe that’s editorial," he said, suddenly hopeful. "You think they want a live update?"
"On
Glick answered the phone in his best anchorman voice. "Gunther Glick, BBC, Live in Vatican City."
The man on the line had a thick Arabic accent. "Listen carefully," he said. "I am about to change your life."
49
Langdon and Vittoria stood alone now outside the double doors that led to the inner sanctum of the Secret Archives. The decor in the colonnade was an incongruous mix of wall-to-wall carpets over marble floors and wireless security cameras gazing down from beside carved cherubs in the ceiling. Langdon dubbed it
Dear Mr. Langdon, It is with regret that I am writing to deny…
Regret.
As Langdon pushed the doors open and stepped through the vaulted portal into the inner sanctum, he half expected to see Father Jaqui in full military fatigues and helmet standing guard with a bazooka. The space, however, was deserted.
Silence. Soft lighting.
As Langdon’s eyes took in the sacred chamber, his first reaction was one of embarrassment. He realized what a callow romantic he was. The images he had held for so many years of this room could not have been more inaccurate. He had imagined dusty bookshelves piled high with tattered volumes, priests cataloging by the light of candles and stained-glass windows, monks poring over scrolls…
Not even close.
At first glance the room appeared to be a darkened airline hangar in which someone had built a dozen free- standing racquetball courts. Langdon knew of course what the glass-walled enclosures were. He was not surprised to see them; humidity and heat eroded ancient vellums and parchments, and proper preservation required hermitic vaults like these—airtight cubicles that kept out humidity and natural acids in the air. Langdon had been